Showing 1 - 20 results of 879 for search '"choreographers"', query time: 0.17s Refine Results
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    Choreographic Principles in 'Affective Choreographies' by Ingri Midgard Fiksdal

    Published 2022-10-01
    “…Situated in choreographic assemblages and using kinaesthetic transference as a tool, three main choreographic principles were developed and employed through my research: minimal composition: slowness and repetition, multi-referencing and performer as matter. …”
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    Emotions in the Structure of the Choreographic Text by Nataliia Chilikina

    Published 2018-12-01
    “…The article is devoted to the designation of emotions in the structure of choreographic text of modern choreographic art, which is the problem of the theory of dance in its direct connection with psychology, as well as relevant in the context of a cognitive approach with characteristic interdisciplinary comparisons. …”
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    How to Choreograph a Socialist Society? by Filip Petkovski

    Published 2024-01-01
    “…Promoting the physically capable body as part of a larger cultural movement, Yugoslavia witnessed the transformation of physical daily regimens into mass bodily spectacles performed at stadiums, called <i>sletovi</i>, demonstrating the power of mass-choreographed discipline. Similarly, Yugoslav choreographers were encouraged to develop a distinct performance aesthetic based on stylization as a rhetoric for modernization, using folk dance as a medium to showcase and promote the collective body of the people through choreographed folklore spectacles. …”
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    A Theory of Formal Choreographic Languages by Franco Barbanera, Ivan Lanese, Emilio Tuosto

    Published 2023-08-01
    “…We introduce a meta-model based on formal languages, dubbed formal choreographic languages, to study message-passing systems. …”
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    The Experience Theater choreographed by Pina Bausch by Sayonara Pereira

    Published 2018-09-01
    “…For this purpose, the article initially presents a historical line of Tanztheater, its attributes and interrelationships, closing with the specific characteristics of four works of the choreographer, created in the period comprising the initial two decades (1974-1989) of her fruitful production, and which were watched live by the author of the text.…”
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    Choreographing for public value in digital health? by Nicole Gross, Susi Geiger

    Published 2023-07-01
    “…Entanglements between public and private entities in digital health are not new, yet we do not have full insight into how these public-private dances are choreographed or what notions of public value drive governments’ appetite for investing into or collaborating with private digital health firms around health data. …”
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    Paternal and Maternal Gatekeeping? Choreographing Care by Tina Miller

    Published 2018-12-01
    “…Drawing upon findings from two comparative UK based qualitative longitudinal studies, this paper urges a more critical examination of practices of maternal and paternal gatekeeping as parental choreographing of caring practices and responsibilities unfold.…”
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    Training of Choreographers in Higher Education Institutions by Liudmyla Androshchuk, Tetiana Medvid, Tetiana Blahova, Oleksandr Zhyrov, Olha Bykova

    Published 2023-06-01
    “…The basis of the theoretical and methodological approach in this article is a qualitative combination of system analysis methods of choreographer training in higher education institutions with an analytical study of the professional competence development of future specialists in the art of dancing, where the use of modern approaches involves the use of innovative forms and means of learning to implement the educational concept regarding the professional development of choreographers. …”
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    The Experience Theater choreographed by Pina Bausch by Sayonara Pereira (Universidade de São Paulo – USP, São Paulo/SP, Brazil)

    Published 2018-06-01
    “…For this purpose, the article initially presents a historical line of Tanztheater, its attributes and interrelationships, closing with the specific characteristics of four works of the choreographer, created in the period comprising the initial two decades (1974-1989) of her fruitful production, and which were watched live by the author of the text.…”
    Get full text
    Article
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