An analysis of francis poulenc’s composition sonata for clarinet in Bb and piano technical chalengges faced by clarinettist in performing / Azmi Azhar by Azhar, Azmi

“…The influenced of his composition is changing and his has his own stylistic era. The Sonata for Clarinet in Bb and Piano is one of his last works. …”
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Reflexión sobre la docencia de clarinete en los conservatorios de música españoles: legislación, teoría y realidad by María del Mar Bernabé, Francisco Garres

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Buscando un por qué a los procesos de enseñanza y aprendizaje del clarinete en su etapa inicial by Luis Adolfo Víquez Córdoba

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Una historia interminable: dos siglos de propuestas para solucionar en el clarinete las molestias de una nota indómita by Pedro Rubio Olivares, Alfredo Sanz-Hervás

Subjects: “…clarinet…”
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The entrance examns to higher music education in Spain: meeting/disagreement point between teachers and students by Francisco Joaquín Garres Pérez, Maria del Mar Bernabé Villodre

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Morphology, Taxonomy, Culm Internode and Leaf Anatomy, and Palynology of the Giant Reed (<i>Arundo donax</i> L.), Poaceae, Growing in Thailand by Chatchai Ngernsaengsaruay, Buapan Puangsin, Nisa Leksungnoen, Somwang Khantayanuwong, Pichet Chanton, Thirawat Thaepthup, Paweena Wessapak, Rumrada Meeboonya, Piyawan Yimlamai, Kapphapaphim Wanitpinyo, Korawit Chitbanyong, Tushar Andriyas, Nattapon Banjatammanon

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Música y número. La serie de Fibonacci como generadora de materiales para la creación de mi obra personal: el caso de Algunos poemas de Brindisi para voz, clarinete, violín, chelo y piano. by Aurelio Tello Malpartida

“…Este artículo intenta ser un acercamiento a los procesos compositivos desarrollados por mí a lo largo de más o menos cuatro décadas y converge en el análisis formal de una de las obras más emblemáticas de mi actividad creadora: Algunos poemas de Brindisi para voz, clarinete, violín, chelo y piano, sobre poemas del escritor veracruzano Fernando Ruiz Granados, compuesta en 1994 para el Ensamble Bartók de Chile. …”
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Influence of the Choreographic Art on the Wind Solo Musical Compositions by Valerii Hromchenko, Olena Nemkovich, Maryna Pogrebnyak

“…These are concrete musical works: “Harlequin” – solo for clarinet by K. Stockhausen (1975), “Basta” – solo for trombone by F. …”
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Uncertainty in tuning evaluation with low-register complex tones of orchestra instruments by Jaatinen Jussi, Pätynen Jukka, Lokki Tapio

“…Four orchestra instruments were chosen as sources of the stimuli; double bass, bass tuba, contrabassoon, and contrabass clarinet. In addition, a sawtooth tone with 13 harmonics was included as a synthetic reference stimulus. …”
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Ensemble and orchestral types of music-making by clarinetists as pedagogical technologies by Zhang Hao

“…In conclusion, the introduction of an educational ensemble and an orchestra into the process of learning to play the clarinet makes it possible to enrich the musical-theoretical and practical performing experience of clarinet students, to maximize the genre-thematic, technical, educational and artistic concert repertoire of clarinetists, to form in the participants of the experimental educational ensemble analytical variant thinking and the ability to make a single interpretation and performance decision. …”
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FISSURES FOR ENSEMBLE by Áron TÖRÖK-GYURKÓ

“…The chamber ensemble consists of: flute, oboe, clarinet in Bb (also bass clarinet in Bb), violin, percussions and piano…”
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Trio (1921) para oboé, clarineta e fagote, de Heitor Villa-Lobos: Uma abordagem interpretativa by Aloysio Moraes Rego Fagerlande

“…This article is a study on performance practice aspects of Villa-Lobos’ Trio (1921) for oboe, clarinet and bassoon, concentrating especially on the bassoon part. …”
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Compositionality as Creative Identity Building by Liduíno Pitombeira

“…The systemic modeling of excerpts of Ponteio Op. 35, by Paulo Costa Lima, will be used as a case study for the compositional planning of a small fragment for flute, clarinet, and bassoon.…”
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Le Turak, théâtre visuel et musical ou de l’objet à la poésie musicale by Virginie Lupo

“…Their work consists in transforming the objects you use everyday: they may be turned into characters, pieces of furniture or musical instruments: for instance you might find drums made of barrels, or the invention of an instrument, the « arsenoïtal », or the creation of a clarinet, etc... We can highlight the link between the objects and the music in the shows by the Turak company so as to show how the relation between seeing, touching and hearing leads to musical poetry.…”
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Eigenvalues and Musical Instruments by Howle, V, Trefethen, L

“…This paper attempts to fill that gap by plotting eigenvalues for a guitar string, a flute, a clarinet, a kettledrum, and a musical bell. For the drum and the bell, simple idealized models have eigenvalues that are irrationally related, but as the actual instruments have evolved over the generations, the leading five or six eigenvalues have moved around the complex plane so that their relative positions are musically pleasing.…”

Flow-destabilized seiches in a reservoir with a movable dam by Hewitt, I, Scolan, H, Balmforth, N

“…The phenomenon is related to the mechanism commonly attributed to generate sound in musical instruments like the clarinet. Shallow water theory is used to model waves in the reservoir, and these are coupled, by an outflow condition, to a nonlinear oscillator equation for the dam opening. …”

Considerații stilistice și interpretative în „3 Cântece de toamnă” de Dan Voiculescu by Daniela Neamț-Gilovan

“…Stylistic and Interpretive Considerations in "3 Autumn Songs" („3 Cântece de toamnă”) by Dan Voiculescu Dan Voiculescu's creation is impregnated by an elevated character, which conquers through the beauty of melodicity and sonority. “3 Autumn Songs” („3 Cântece de toamnă”) is a vocal-chamber work of the composer's youth, composed for soprano solo, oboe, two clarinets, bass clarinet and violin, whose lyrics are inspired by the lyrics of the poets Emil Isac (no.1 and 2), respectively, Nicolae Labiş. …”
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Timbralitate şi vocalitate în „Luceafărul” de Tiberiu Olah by Daniela Neamţ-Gilovan

“…Timbrality and Vocality in “The Evening Star” [“Luceafărul”] by Tiberiu Olah “The Evening Star” is part of the chamber work “Echinocţii” (“Equinoxes”), trio for voice, clarinet and piano composed by Tiberiu Olah in 1957. …”
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From biology to clinical practice: antiproliferative effects of somatostatin analogs in neuroendocrine neoplasms by Philipp Melhorn, Peter Mazal, Ladislaia Wolff, Elisabeth Kretschmer-Chott, Markus Raderer, Barbara Kiesewetter

“…Apart from their application in nuclear imaging and radionuclide therapy, SSA have proven invaluable in the treatment of hormonal syndromes associated with certain NET (antisecretory effects of SSA), but it took more than two decades to convincingly demonstrate the antiproliferative effects of SSA in metastatic NET with the two pivotal studies PROMID and CLARINET. The current review summarizes three decades of SSA treatment and provides an overview of the clinical trial landscape for SSA monotherapy and combination therapy, including clinical implications and quality of life aspects, as well as ongoing fields of research.…”
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Wind Instrumentalists and Temporomandibular Disorder: From Diagnosis to Treatment by Miguel Pais Clemente, Joaquim Mendes, André Moreira, Ricardo Vardasca, Afonso Pinhão Ferreira, José Manuel Amarante

“…The complementary examination protocol implemented with this clarinet player also involved the analyses of the embouchure with the support of piezoresistive sensors. …”
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