Thermographic Study of the Orofacial Structures Involved in Clarinetists Musical Performance by Ana Barros, Joaquim Mendes, André Moreira, Ricardo Vardasca, Miguel Pais Clemente, Afonso Pinhão Ferreira

“…Introduction: Wind instrumentalists like clarinetists, may present a muscular hyperactivity on certain groups of the cranio-cervico-mandibular complex, due to their musical activity. …”
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Ensemble and orchestral types of music-making by clarinetists as pedagogical technologies by Zhang Hao

“…In conclusion, the introduction of an educational ensemble and an orchestra into the process of learning to play the clarinet makes it possible to enrich the musical-theoretical and practical performing experience of clarinet students, to maximize the genre-thematic, technical, educational and artistic concert repertoire of clarinetists, to form in the participants of the experimental educational ensemble analytical variant thinking and the ability to make a single interpretation and performance decision. …”
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Perception of professionals of the clarinet in Brazil about anxiety in musical performance by Gueber Pessoa Santos, Pedro Robatto

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Interpretation of Jae Hee Choi: Cadenza "Clarinet Concerto No. 3 in Bb – Allegro Moderato" by Carl Philip Stamitz by Hery Supiarza, Luli Angsal Lintang Annisa, Irwan Sarbeni

“…The research of Cadenza "Clarinet Concerto No. 3 in Bb – Allegro Moderato” by Carl Philipp Stamitz by Jae Hee Choi is motivated by the clarinet solo performance of a clarinetist performing the cadenza part of this concerto. …”
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Being and becoming instrumental musicians and teachers: A post-qualitative exploration by Jane Southcott, Leon R. de Bruin

“…We are a trumpeter and a clarinetist; we are performers. We are also music educators who both re-enact and resist what was given to us as gospel. …”
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The effect of musical practice on gesture/sound pairing by Alice Mado eProverbio, Lapo eAttardo, Matteo eCozzi, Alberto eZani

“…The study participants were violin and clarinet students of pre-academic and academic levels and of different chronological ages, ages of acquisition and academic levels. A violinist and a clarinetist each played the same score, and each participant viewed the video corresponding to his or her instrument. …”
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Creativity of Uncertainty: A Poetic Text in One Hundred Years by Olha Chervinska

“…Hadzinskyi), as a farm Orpheus (V. Barka), as a clarinetist (Yu. Lavrynenko), as a talent corrosion (M. …”
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Case Report: Psychoacoustic Analysis of a Clarinet Performance With a Custom-Made Soft Lip Shield Worn to Prevent Mucosal Erosion of Lower Lip by Gen Tanabe, Gen Tanabe, Mariko Hattori, Satoshi Obata, Yuumi Takahashi, Hiroshi Churei, Akira Nishiyama, Toshiaki Ueno, Yuka I. Sumita

“…The purpose of this study was to analyze the psychoacoustics of a clarinet performance with the player wearing a custom-made soft lip shield to prevent mucosal erosion of the lower lip.Case DescriptionA lip shield was custom-made with a soft thermoplastic material for a female clarinetist who complained of mucosal erosion and pain of the lower lip. …”
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Optimizing music learning: Exploring how blocked and interleaved practice schedules affect advanced performance by Christine E Carter, Jessica A Grahn

“…The sight-reading and two performance run-throughs of each piece were recorded and given to three professional clarinetists to rate using a percentage scale. Overall, whenever there was a ratings difference between the conditions, pieces practiced in the interleaved schedule were rated better than those in the blocked schedule, although results varied across raters. …”
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Patterns of Temporal Synchronization in Performing Clarinet Duets by Mauricio Alves Loureiro, Davi Alves Mota, Thiago Campolina, Hani Camille Yehia, Rafael Laboissière

“…In this study, patterns of synchronization and performance coupling were analyzed among professional clarinetists while performing in a simulated orchestral environment. …”
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Una historia interminable: dos siglos de propuestas para solucionar en el clarinete las molestias de una nota indómita by Pedro Rubio Olivares, Alfredo Sanz-Hervás

“…Since the clarinet appeared on the music scene in the early eighteenth century, one note has troubled clarinetists and makers with its difficulty in fingering, sound emission, and tuning. …”
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Integrating piezoresistive sensors on the embouchure analysis of the lower lip in single reed instrumentalists: implementation of the lip pressure appliance (LPA) by Miguel Pais Clemente, Joaquim Mendes, Joana Cerqueira, André Moreira, Mário Vasconcelos, Afonso Pinhão Ferreira, José Manuel Amarante

“…Results The piezoresistive sensors applied to the mouthpiece of the five clarinetists presented values between 16 and 226 g of force. …”
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Impulse dispersion of aerosols during playing wind instruments. by Sophia Gantner, Matthias Echternach, Reinhard Veltrup, Caroline Westphalen, Marie Christine Köberlein, Liudmila Kuranova, Gregor Peters, Bernhard Jakubaß, Tobias Benthaus, Michael Döllinger, Stefan Kniesburges

“…Nine professional musicians (3 trumpeters, 3 flautists and 3 clarinetists) from the Bavarian Symphony Orchestra performed the main theme from the 4th movement of Ludwig van Beethoven's 9th symphony in different pitches and loudness. …”
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Activities of the Representative of the Drohobyсh Music­Pedagogical School of Vladimir Salii in the Context of the Modern Academic Art: Knowledge the Scientific and Composer Aspect... by N. Z. Storonska

“…Salii’s scientific and methodological developments that have a significant impact on modern educational programs, he is the author of, as well as new compositions written for children and adolescents, which during the second decade of the 21st century took a firm place in the repertoire of accordionists, bandurists, clarinetists and vocalists. Results. Having outlined the main milestones of life, the scientific and creative path of the composer Volodymyr Salii it can be confidently stated that his scientific explorations and thorough pedagogical research have made a significant contribution to the formation and development of modern national scientific thought and found his own scientific thought process at different stages of art education. …”
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The Musical Emotional Bursts: A validated set of musical affect bursts to investigate auditory affective processing. by Sébastien ePaquette, Isabelle ePeretz, Pascal eBelin, Pascal eBelin, Pascal eBelin

“…To create the MEB, stimuli were recorded from 10 violinists and 10 clarinetists, and then evaluated by 60 participants. …”
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Associations Between Ancillary Body Movements and Acoustic Parameters of Pitch, Dynamics and Timbre in Clarinet Playing by Manfred Nusseck, Isabella Czedik-Eysenberg, Isabella Czedik-Eysenberg, Claudia Spahn, Christoph Reuter

“…In summary, the ancillary movements of the clarinetists pursued both musical expressive intentions and physiologically necessary movements and tended to be performed with individual differences in terms of visual and auditory expression.…”
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