Die „Kovacs-Vase“ by Stephan Lehmann, Tivadar Vida

“…The Kovacs Vase combines ‘classic’ shapes and motifs from the 6th century with innovative elements that indicate an independent, classicist development. It could be that it was made in a workshop in northern Italy. …”
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Logos and paideia by Bogusław Maryniak

“…The author makes an attempt to reconstruct the origin of Greek reflection referring to Paideia written by Werner Jaeger, German classicist and philosopher from the first half of the twentieth century. …”
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Zoeken naar een passend gebouw. Een reconstructie van de stedelijke inpassing van het Amsterdamse stadhuis op basis van de vroedschapsresoluties, 1639-1648 by Leo van den Burg

“…Evidently it is likely that the Amsterdam town council already intended to erect a rectangular, classicist building in a monumental position on Dam square from the very start of the design process in 1639, but at any rate from 1642 onwards. …”
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'In uijterste Deftigheijt en Perfectie'. Oude kunst en historische archieven in monumentaal Occo Hofje te Amsterdam by P.J. Margry

“…Four years later the first inhabitants moved into their houses Architect Jan Luyten designed a stately but sober building in a symmetrical Louis XVI-style, which linked up very well with the, at the time in Amsterdam also very popular, neo-classicist tendency. In 1977-1978 the exterior of this important monument has been restored completely and in 1990-1991 the interior was renovated and adapted to the demands of the time. …”
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An unknown romanesque wall paintign in the Leva Collection by Santiago Manzarbeitia Valle

“…It is this relationship with the circle from León together with the classicism of certain formal items (parallel to the Acquitainian French wall painting) that is considered to be this artist’s bond between the Italobyzantine and the classicist traditions. An iconographic study of the works which are close to the Maiestas Mariae theme, both in wall painting and on wood, with its background and evolution recorded, justifies the importance of this mural painting as a fortunate synthesis and resolution of a theme whose message is the fulfilment of the messianic prophecy.…”
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Innokenty Fedorovich Annensky and the classical ideal by Kelly, C, Kelly, Catriona

“…<p>Innokenty Annensky (1855-1909) was better known to his contemporaries as a classics teacher and translator than as a poet; but, with the exception of two or three obituary articles, nothing has been written on his work as a classicist. His work has often been misconstrued and he has been described as an outstanding scholar. …”

Kocúrkovo As a Slovak Anti-Myth by Peter Zajac

“…in Dielo I (1989) Oskár Čepan changed his former thesis about Záborský as a late Classicist and he described his work as a part of Romanticism, its “reverse”, negative and natural negation. …”
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A Survey of Studies on Adamantios Korais During the Nineteenth Century by Emmanuel N. Franghiscos

“…Earlier, in 1877, in Paris from among the ranks of the "Association pour l'encouragement des études grecques en France", neohellenists Brunet de Presle and the Marquis de Queux de Saint-Hilaire had published Korais' correspondence with the classicist Chardon de la Rochette during the French Revolution and with a number of other distinguished French philologists. …”
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The ethos of creative space in contemporary city by Iryna Matsevich-Dukhan

“…The article suggests the hypothesis that it is possible to compare the formation logics of the rococo salon community in opposition to the classicist and baroque aesthetics of the absolutist regime and the present-day creative class in its opposition to the etiquette of the dominant ideology. …”
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Confessions of a White Blackbird. The Aesthetic Views of Alfred de Musset and His Poetics by Mankovskaya Nadezhda B.

“…He saw the prospects for the evolution of romanticism in the development not of the medieval, but of the national French classicist tradition with its clarity of style, purity of language, enriched with the sensitivity and melancholy inherent in the romantic mood. …”
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So Imagism Began by Євгенія Семенівна Чернокова

“…Hulme’s ideas of breaking with the Romantic aesthetics for the Classicist one; substituting metaphor with analogy; focusing on particular physical image ((“Lecture on Modern Poetry”, 1908; “Romanticism and Classicism”, 1911) were supported by Edward Storer. …”
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The Toynbee Affair at 100: The Birth of ‘World History’ and the Long Shadow of the Interwar Liberal <i>Imaginaire</i> by Arie M. Dubnov

“…First, it revisits the British classicist scholarship that provided the backdrop and initial inspiration for Toynbee as it shifted its gaze from ancient Rome to Greece, which was put forward as a better model for foreign and imperial policy. …”
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LERMONTOV ROMANTICISM AND JENA SCHOOL. Part 2 by Liudmila G. Shakirova

“…Raich, the author disagrees with those researchers who consider him to be either archaist or classicist and claims that he was an adept of Jena school rather than a “neopetrarchist.” …”
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Questioning Horatio Greenough's thought on architecture by Erten, Erdem, 1972-

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Wzorniki architektoniczne doby klasycyzmu : rozważania nad prospektywnym charakterem proponowanych rozwiązań by Ryszard Mączyński

“…His treatise I quattro libri dell’architettura (Venezia 1570) was carefully studied, as both baroque and classicist ar-chitects were able to draw inspiration from it. …”
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Van tuinpaviljoen naar koepelkamer; Geschiedenis en ontwikkeling van de Utrechtse Maliebaan by Patricia Debie

“…Influenced by his close contacts with the poet Constantijn Huygens and Stadhouder Frederik Hendrik, Descartes built an early classicist construction, clearly related in style to the play house of Honselaarsdijk from 1636, the Huygens House from 1637 and Hofwijck House from 1639. …”
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Wikipedia as a Battleground for an Exclusive Ethnic Appropriation of Cultural Heritage: Who Does Avdo Međedović Belong to? by Slaviša Raković

“…As a specific example in this text, I use Wikipedia resonances of the findings of Milman Parry, the Harvard classicist, from his journey to Yugoslavia in the 1930s. …”
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Het tiengebodenbord in de Grote Kerk van Leerdam, een koninklijk kerksieraad by Paul Rem

“…The panel’s most distinctive feature is the sculpted, painted and partially gilded coat of arms of William III in the broken, segmental pediment above the classicist framing of the twin tablets of the Law. The shield is flanked by the ornaments of the Order of the Garter, while the plinth bears the monogram W : R (Willem Rex).  …”
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Lazer e mídia no cotidiano das culturas juvenis by Cássia Hack, Giovani De Lorenzi Pires

“…The registrations of the field were interpreted by content analysis and they reveal: i) intercrossing of the generational and classicist theories (aspects as class, gender, race/ethnic group, etc.) in the youth cultures, ii) leisure is understood as complex and ambiguous, referred as one of the characteristics of being young; iii) media occupies relevant place, as possibility of fruition of the free time of the youths. …”
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Transgression of the romantic movement in Western society: The unity of Romanticism and Modernism by A. E. Kapishin

“…In the early 19th century, during the time of “high romanticism,” the cultural dominant of Western society was the “Enlightenment” trend expressed in classicist art and positivist science; by the end of the era of “high romanticism”, in the mid-20th century, the dominant changed and led to the development of postmodernism which also belongs to the romantic movement.…”
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