Korzenie teatru z perspektywy performatywno-medialnej by Artur Duda

“…Evidence of theater’s heterogeneity in this respect can be found in Aristophanes’ comedies and in medieval performances.…”
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Deciphering the Commercial Miracle: The Research on the Marketing and Distribution Process of Chinese Youth Films after 2010s by Pei Jinghan

“…Compared to main melody films (zhuxuanlv) and traditional comedies which are supported by the government and own large amounts of budget, the commercial success of youth films is unique in Chinese film industry. …”
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La mode féminine de la seconde moitié du XIXe siècle dans la caricature iconographique et littéraire by Zofia Stępińska-Kucza

“…La seconde se concentre sur les fragments de La Comédie de notre temps (1874-1876) de Bertall, consacrés à la mode et au vêtement, et cherche à définir l'image de la femme et sa place dans la société bourgeoise en pleine mutation.…”
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The plays of Lillian Hellman, Clifford Odets and William Inge on Slovene stages by Mateja Slunjski

“…Their choice were varied, from serious dramas by Eugene O'Neill, Tennessee Williams and Arthur Miller, to comedies by Norman Krasna and John Van Druten dependant mostly on the availability of the texts. …”
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The Impact of Information Society and Cyber-Culture in Greek Tourism Phenomenon by Maria MANOLΑ

“…Ancient Greek tragedians as well as Aristophanes’ comedies magnetize and attract tourists and students from Europe and the whole world. …”
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Colour matters in Balzac, from his beginnings to Séraphîta by Farrant, T

“…This article explores Balzac’s understanding and exploitation of colour from his beginnings to Séraphîta (1835), the ordinal end of La Comédie humaine. Beginning with his earliest philosophical writings, it considers the relative roles of the spiritual and the material, and of light and black–white binaries as absolutes versus a more nuanced evolution of colour. …”

Unaltered soil microbial community composition, but decreased metabolic activity in a semiarid grassland after two years of passive experimental warming by Chao Fang, Wenbin Ke, Matteo Campioli, Jiuying Pei, Ziqiang Yuan, Xin Song, Jian‐Sheng Ye, Fengmin Li, Ivan A. Janssens

“…However, warming significantly decreased microbial respiration, directly resulting from soil pH decrease driven by the comediation of aboveground biomass increase, inorganic nitrogen increase, and moisture decrease. …”
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Art et argent en France au temps des Premiers Modernes (XVIIe-XVIIIe siècles)

“…L’économie dans le théâtre<br/> Guy Spielmann, Mise(s) en jeu: loteries, brelans et spéculations, chevilles dramatiques dans la comédie<br/> Martial Poirson, L’invention de la<em>comédie d’affaires</em>: la mobilité sociale, entre projection et contestation<br/> Erik Leborgne, Les jeux de la fortune dans <em>Turcaret</em>: grandeur et infamie du ‘financier gentilhomme’<br/> John Dunkley, Sociabilité et argent dans <em>Le Philosophe marié</em> et <em>Le Glorieux</em> de Destouches<br/> VI. …”

Quid tibi surrupui?: La configuración léxica y semántica del furtum en Aulularia Quid tibi surrupui?: The lexical and semantic configuration of furtum in Aulularia by Marcela A. Suárez, Romina Vazquez

“…This delictum, mentioned in the Twelve Tables Law, has a relevant importance in Plautus&#8217; comedies and in the development of the plot. This article will study the furtum in Aulularia on the basis of the analysis of it&#8217;s lexical and semantic configuration. …”
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La réception de La Princesse de Clèves en Angleterre by Line Cottegnies

“…Adapted specifically to the tastes of the Restoration, the play takes up only a few key scenes from the novel, and while the Prince and Princess of Cleves are more or less true to their models, the Duke of Nemours is portrayed as a libertine, in line with the “rakes” who had populated London comedies since the 1660s. This theatrical adaptation seems to have blurred the perception of the French novel in England, acting as a filter for its appreciation. …”
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Myth and Biblical Imagery in De Profundis by Ignacio Ramos Gay

“…De la même façon que le théâtre de boulevard français représente la base thématique de la composition des comédies de société d’Oscar Wilde, l’imaginaire biblique doit être considéré comme une source d’inspiration essentielle pour des reformulations ultérieures dans son œuvre, caractérisées par l’influence et la subversion de textes originaux. …”
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Electrical, photoelectrical and morphological properties of ZnO nanofiber networks grown on SiO2 and on Si nanowires by Nadia Celeste Vega, Monica Tirado, David Comedi, Andres Rodriguez, Tomas Rodriguez, Gareth M. Hughes, Chris R. M. Grovenor, Fernando Audebert

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Fiction as a Medium of Social Communication in 19th Century France by Sabina Pstrocki-Sehovic

“…The first is the case of Balzac at the beginning of the 19th Century who becomes the most successful novelist of the century in France and who, in his prolific expression and rich vocabulary, portrays society from various angles in a huge opus of almost 100 works, 93 of them making his Comédie humaine. The second is the case of Gustave Flaubert whose famous novel Madame Bovary, which depicts a female character in a realist but also in a psychologically conscious manner, around the mid-19th century reaches French courts together with Les Fleurs du Mal by Charles Baudelaire and is exposed as being socially judged for its alleged immorality. …”
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Carceral Fantasies: Cinema and Prison in Early Twentieth-Century America, by Alison Griffiths by Gwenda Young

“…Carceral Fantasies deftly traces the diverse lineage of the prison film, from early trick films and slapstick comedies that relocated their generic lampooning of authority to a specific penal setting, to earnest melodramas and social justice films that engaged with Progressive-era debates regarding crime, punishment and rehabilitation.…”
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L’éventail dans l’imaginaire espagnol du XVIIe siècle : de Lope de Vega à Vélasquez by Lydia Vázquez, Juan Manuel Ibeas-Altamira

“…Cet article analyse l’importance que donnent tous deux à cet accessoire féminin, et plus particulièrement dans deux comédies de Lope : Las ferias de Madrid (1585-89) et La del abanillo (vers 1615), et deux toiles de Vélazquez : La infanta Margarita (1653-54) et La dama del abanico (vers 1635).…”
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Cross-dressing women in the cinema of the Russian Empire, 1910-1917 by Stasya Korotkova

“…Among the films that depicted cross-dressing as intrinsic to the plot, the article briefly reviews several comedies, as well as dramas in which cross-dressing was less widely represented and usually included as part of a heroic narrative. …”
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Eros e paz nas comédias de Aristófanes by Ana Maria César Pompeu

“…Aristophanes links Eros to peace in his comedies. In Acharnians, 425 BC, Dikaeopolis, an Athenian citizen, obtains private truce with the Spartans for himself and his family. …”
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Les métamorphoses du monstre. Le satyre dans l’Aminta et ses traductions françaises jusqu’au milieu du XVIIe siècle by Françoise Lavocat

“…It appears that satyr-like speech can be entirely relegated to the shepherd (as is the case in Trage-Comédie pastorale by Bassencourt, 1594), or to another monster (such as the centaur in Du Mas’ Lidie, 1609).These transformations are interpreted as indicating an intense questioning of the hybrid status. …”
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Discourse Marker Dico in the 16 th Century Italian Language by Lyubov I. Zholudeva

“…The study is performed on the basis of texts belonging to different genres (mainly comedies and treatises in the dialogue form) where certain peculiarities of spoken language are imitated. …”
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‘Not on his picture, but his booke’: Shakespeare’s First Folio and practices of collection by Lidster, A

“…Other collections, including Alexander&rsquo;s&nbsp;<em>Monarchic Tragedies</em>&nbsp;(1604, 1607), Daniel&rsquo;s&nbsp;<em>Whole Works</em>&nbsp;(1623), and Lyly&rsquo;s&nbsp;<em>Six Court Comedies</em>&nbsp;(1632), advertise different strategies: some prioritise cross-genre readings; some construct networks of authorisers (including stationers and dedicatees) who inform reading practices; and some embrace a lack of fixity, denying final authority to the material book. …”