Stand-up comedy as a hallmark of western culture by Anna Kawalec

Subjects: Get full text

Identity investment in stand-up comedy and online sketches by Mihaela Viorica Constantinescu

“… The article focuses on identity investment in stand-up comedy and online sketches performed by Romanian (or of Romanian descent) comedians acting abroad (France and United Kingdom). …”
Get full text

René Girard, Don Quichotte et la comédie by Toufic El-Khoury

Subjects: Get full text

Dante in Mogadishu: The Divine Comedy in Nuruddin Farah’s Links by Marco Medungo

“…This article aims to explore the complex network of intra-textual and intertextual references to Dante’s The Divine Comedy in Nuruddin Farah’s novel Links (2005). By analyzing the quotations from the poem, this essay wishes to show how the Comedy informs the novel at various levels, from the paratext (since Dante’s tercets from Inferno are chosen as an epigraph) to the text itself (since Inferno appears to be deeply constitutive of Links). …”
Get full text

Who is Nietzsche’s Jester? Or Birthing Comedy in Cave Shadows by Jan Gresil Kahambing

Subjects: Get full text

American Humor used in an American Comedy Movie The Boss by Sastika Seli, Bahya Alfitri

“…The research aims to describe the functions of humor used in an American comedy movie The Boss. The subject of the research was American comedy movie The Boss. …”
Get full text

DIRECTING A DRAMA-COMEDY FILM ENTITLED “HANI” by Mahammad Saleh, Cito Yasuki Rahmad

Subjects: Get full text

D. H. Lawrence and the Changing Comedy in his Correspondence by Jonathan Long

Get full text

Structural Features of Film Narrative in Chaplin’s Early Comedies by Kolotaev Vladimir A., Ulybina Elena V.

Subjects: “…charlie chaplin’s early comedies…”
Get full text

The Processes of Eavesdropping: Where Tragedy, Comedy and Philosophy Converge by Freddie Rokem

“…Eavesdropping scenes, where one of the characters eavesdrops or spies on one or several of the other characters (usually with the knowledge of at least one of them) will serve as my point of departure for exploring the relations between tragedy, comedy and philosophy. The eavesdropper is a spectator inside the fictional world who because of what he (and most frequently it is a male) learns by eavesdropping or just by carrying out this act of transgression is transformed into a victim. …”
Get full text

Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir” by N. P. Zhilina

Subjects: Get full text

LANGUAGE STYLE OF HUMOR ON STAND-UP COMEDY VIDEO by Merry Rullyanti, Nurdianto Nurdianto

“… This research explained about language styles which used in stand-up comedy script brought by Chris Rock. Chris Rock owns famous joke material that is affected by the black comedy pioneers like Richard Pryor and Redd. …”
Get full text

<b>The asymmetry of the speech act in the stand-up comedy by Luis Henrique Boaventura, Ernani Cesar de Freitas

Get full text

Addicted to fun: courtship, play and romance in the screwball comedy by Ruiz Pardos, Manuela

“…During the 1930s and early 1940s Hollywood produced a cycle of many romantic comedies -including titles like It Happened One Night (1934), Bringing Up Baby (1938), The Awful Truth (1938), Holiday (1938), The Philadelphia Story (1940) and others- which have been grouped under the label of screwball comedy. …”
Get full text

Twin Constellations: Parallelism and Stance in Stand-Up Comedy by Antti Lindfors

Get full text

«Unbewaffnetes Auge»: Benjamin’s interpretation of comedy in Shakespeare and Molière by Alice Barale

Subjects: “…Benjamin, comedy, Molière, Shakespeare, Weltlichkeit…”
Get full text

Laughter and the Comic in the Soviet Film Comedy of the 1960s-1970s by Salnikova Ekaterina V.

Subjects: Get full text

Prophet Muḥammad in Dante’s Divine Comedy: An anxiety of influence by Balqis Al-Karaki, Mahmoud Jaran

Get full text

Why is Leap Year not a Cavellian comedy of remarriage? by Mulhall, SJ

Um Auto de Gil Vicente and the tradition of comedy by Earle, T

“…Garrett's drama, though, subverts some of the conventions of neo-classical comedy. He avoids Terence's happy endings, and the clever servant who solves all the problems is a woman, Paula Vicente.…”