Bullying in film: reception analysis of "Pesbukers Comedy on Antv" by Syamsul Rijal, Maulana Iban Salda, Amirul Haq RD

“…Researchers found that these events by television comedy Pesbukers in the form of bullying, jokes, ridicule, drama, and entertainment can damage children's morale and mentality in their daily lives, both at school, a home, and playing because they are in the dominant reading position.…”
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REGARDS PRISMATIQUES DES PERSONNAGES DE MARIE NDIAYE (COMÉDIE CLASSIQUE ET LADIVINE) (Prismatic looks of the characters of Marie NDiaye (Comédie classique and Ladivine)) by Andreea-Madalina Neamtu Voicu

“…This is something that binds two novels of Marie NDiaye apparently totally different. Comédie classique (1987) is written in the first person, with one focalizer who attributes words, gestures, thoughts to those around him. …”
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“Thou liv’st to all that Read”: Reading the Paratext of William Cartwright’s Comedies, Tragi-Comedies, With other Poems (1651) as Early Modern Life Writing by Sarah Herbe

“…Drawing on the paratext of William Cartwright’s Comedies, Tragi-Comedies, With other Poems, published posthumously in 1651, it is shown how conventional paratextual strategies are combined with individualising “biographemes” (R. …”
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Dante's Inferno : the first part of the divine comedy of Dante Alighieri / by Dante Alighieri, Phillips, Tom

Robot Comedy Lab: Experimenting with the Social Dynamics of Live Performance by Kleomenis eKatevas, Patrick G.T. Healey, Matthew Tobias Harris

“…The success of live comedy depends on a performer's ability to 'work' an audience. …”
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The Exploitation of Appropriateness Conditions in A Comedy (She Stoops to Conquer) by Siti Hanifa

“…The Exploitation of Appropriateness Conditions in A Comedy (She Stoops to Conquer)…”
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Comedy in the seventies: A study of certain plays by Harold Pinter by A. L. Combrink

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The Tyrannies of Distance: From Cairns to the Melbourne International Comedy Festival by Pauline Sherlock

“…This article considers the process and outcomes of staging a stand-up comedy show in the Melbourne International Comedy Festival of 2015. …”
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Gambling with Women, Estates and Status in Long Eighteenth Century-Comedy by Beth Cortese

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A multimodal generic perspective on Nigerian stand-up comedy by Felix Nwabeze Ogoanah, Fredrick Osaro Ojo

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Therapeutic Effect of Comedy Films on Decreasing of Depression in the Schizophrenic Patients by Farbod Fadaei, Maryam Pourreza, Kianoosh Hashemian

“…Objective: This research is an evaluation of the theraputic efficacy of comedy films in improving the mood of the long – stay schizophrenic inpatients. …”
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A Context-Based Investigation of the ‘Jewel’ Crux in The Comedy of Errors by De Scarpis, Valerio

“…Attention to the rhetorical strategies employed by the Author and to the surrounding context of discourse can throw some light on the intended meaning: equivocation is one of the most effective rhetorical devices available for comedy and rhetorical figures pertaining to the field of aequivocatio are at the grass-roots of this drama. …”
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Dante chez Modiano: une divine comédie à Paris by Manet van Montfrans

“…Tout en s’inscrivant dans le réseau d’associations bien connu des lecteurs familiers de Modiano, les lieux parisiens qu’il évoque dans son roman Dans le café de la jeunesse perdue revêtent une dimension nouvelle et surprenante grâce aux rapports intertextuels avec la Divine Comédie de Dante.…”
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Staging Shakespeare. Renato Sarti’s “rude mechanicals” (tragic) comedy by Maddalena Giovannelli

“…"The same person," according to Socrates, "should know how to write comedy and tragedy; anybody who excels at tragedy will also be a master of comedy." …”
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Rhetoric in Stand-up Comedy: Exploring Performer-Audience Interaction by JASON RUTTER

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The Implicit Cultural Policies of US Late-night Comedy Shows by Towhidul Islam Khan

“… This paper argues how comedy is used as an implicit tool by US late-night shows to create an informed citizenry. …”
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The films of Mitani Kōki: Intertextuality and comedy in contemporary Japanese cinema by Rie Yamasaki

Subjects: “…Intertextuality; Mitani Kōki; Comedy and Humour; Cinema; Japan in the 1990s; Japaneseness…”
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Divine Comedies: Post-Theology and Laughter in the Films of Bruno Dumont by Chelsea Birks, Lisa Coulthard

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Cringe and Sympathy: The Comedy of Mental Illness in <i>Flowers</i> by Linda M. Hess

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Motives for attending live stand-up comedy: an audiences’ perspective. by Chris Hattingh (DTech - Doctor Technologiae candidate)

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