The Burlesque Comedy of the Spanish Golden Age: Parody, Nonsense, and Carnival by Carlos Mata Induráin

“…This paper offers an approach to the main features and conventions of the burlesque comedy of the Spanish Golden Age, a corpus formed by about fifty parodic plays that were performed during Carnival and on St. …”
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Strolling along la Caracas. Scenes for satire, tragedy, and comedy by Diego A. Buitrago Ruiz

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An exploration of phonological jokes in Maryam Apaokagi's selected comedy skits by Ronke Eunice Okhuosi

“… The majority of studies on Nigerian comedy are discourse- and pragmatics-related, despite the impact of phonology on humour creation as seminal studies have shown. …”
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What Was the Harlequinade Alexander Benoit Watched in a Slapstick Comedy? by Albin M. Konechnyi

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Narrating self and topicality in AY and Elenu’s stand-up comedy by Azeez Akinwumi Sesan

Subjects: “…stand-up comedy, ay show, solo performance, media mediated performance, oral performance…”
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The female characters in Branislav Nušić's and Stefan Kostov's selected comedies by Isić Đurđina M.

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Discourse markers of enunciative responsibility in Portuguese stand-up comedy by Milana A. Morozova

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“Very Nearly an Armful!”: British Post-War Comedy and the NHS by Melia, Matt

“…While much has been written on post war British film and television comedy, there has been no critical focus on one of its key sub-genres – the medical comedy. …”
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Contribution of Jonson's younger contemporaries to development of the English renaissance comedy by Jovanović Slobodan D.

Subjects: “…comedy…”
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Dante chez Modiano: une divine comédie à Paris by Manet van Montfrans

“…Tout en s’inscrivant dans le réseau d’associations bien connu des lecteurs familiers de Modiano, les lieux parisiens qu’il évoque dans son roman Dans le café de la jeunesse perdue revêtent une dimension nouvelle et surprenante grâce aux rapports intertextuels avec la Divine Comédie de Dante.…”
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Ancient comedy: testimony of sources. Antikinė komedija: šaltinių liudijimai by Vita Paparinska

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Interview with Jean Lambert-wild, director of Comédie de Caen by Yun-Cheol Kim, Jean Lambert

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Hydroxychloroquine for COVID19: The curtains close on a comedy of errors by Ilan S Schwartz, David R Boulware, Todd C Lee

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The Tyrannies of Distance: From Cairns to the Melbourne International Comedy Festival by Pauline Sherlock

Subjects: “…comedy…”
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Comedy’s Double Negation of Meaning in Post-war European Theater by Anna Street

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Performance analog features comedy in the play " AL makama ALWaasitiyyah" by Hanadi Salah Izat

“…The Comedy of patterns dramas that gave Representative possibilities of advanced functionality and wide being dependent on the diversity performance piece , which is intended to provoke laughter at the receiver, through the diversity of genres performing between dancing and singing and Albantomaim and other methods that have made them distinct from the species dramas other being enabled Representative in dealing with all roles across mature and adaptation of his tools of physical and vocal , as the comedy discusses the societal issues many have a factor of psychological and behind their platforms as a tool face is not directly give way to vent citizen injustice and disadvantages of humans and these conditions need to techniques of physical and sound alert for I start action and reaction .The researcher found the results to some of them: -1-rely on the capabilities of Representative expressive physical and vocal performance in the comedy role for the production of speech and audio visual contents of an intellectual and aesthetic.2-enables the comedian of the diversity of verbal discourse between (poetry, prose and song) and this is what gives him wider areas in the multiplicity of meaning…”
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Bollywood Comedy Films as Catalysts for Body Positivity and Self-Acceptance by Kishan Kumar Mishra

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‘Picking People to Hate’: Reversible reversals in stand-up comedy by Marianna Keisalo

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The intellectual significance of comedy and cynicism in Arab dramatic cinematic discourse by Muhammad Akram Abdul Jalil

Subjects: “…semantics, intellectual, comedy, satire, rhetoric, dramatic…”
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Make comedy matter: Ernst Cassirer on the politics and morality of humor by Jennifer Marra

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