Objetivo ou subjetivo? by Maurício Xavier Silva, Ricardo Jorge de Lucena Lucas

“…This article examines how various strategies of objectivity and subjectivity are deployed in graphic journalism by analyzing two stories developed by comics writer Joe Sacco, entitled “War Trials” and “Down! …”
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Brian O’Nolan, the Conspirator by Giordano Vintaloro

“…Brian O’Nolan the comic writer was a negotiator of change, offering a comfortable and distressing perspective, but in the end not as harmful as that of the ruling class. …”
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Cyrano de Bergerac: battling with narrative burlesque by Turner, S

“…This project then asks whether it is possible to consider Cyrano a comic writer at all. It does demonstrate, however, that, in ridiculing everyone and everything, Cyrano too makes a mockery of the very idea of a dissimulative text. …”

Lat’s comics and the articulation of the Malaysian cultural landscape by Lee, Siew Chin, T'ng Cheah, Kiu Choon, Noraza Ahmad Zabidi, Badrul Redzuan Abu Hassan

“…This study looks at how a local comic writer frames his subjective viewpoints, and how he stages them graphically and visually in his comics. …”
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Graikų dialektai senojoje atikinėje komedijoje | The Greek Dialects in Old Attic Comedy by Audronė Kudulytė-Kairienė

“…The representation of different dialects was customary in Old Attic Comedy. Comic writers used non-Attic dialects to make their personages more re­alistic or to make a mock of them. …”
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