Showing 1 - 7 results of 7 for search '"commissioning editor"', query time: 0.27s Refine Results
  1. 1

    Paolo Sylos e Vito Laterza, un’amicizia oltre i libri (Paolo Sylos Labini and Vito Laterza, a friendship beyond the books.) by Giuseppe Laterza

    Published 2016-04-01
    “…The author shares some memories about the professional and private relationship between Paolo Sylos Labini and Vito Laterza, his commissioning editor at publishing house Laterza. Text of the speech given at the conference "Paolo Sylos Labini e la politica delle riforme", held at Sapienza University of Rome on 04 December 2015, organized by the Accademia dei Lincei with Economia Civile. …”
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    Notícias by Transfer Notícias

    Published 2017-01-01
    “…Laurel Plapp, Commissioning Editor, Peter Lang Oxford, 52 St Giles, Oxford OX1 3LU (UK). …”
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  4. 4

    Die toepassing van die K3-model op die televisieteks Colour TV by Setai, Jacqueline, Pienaar, Marné

    Published 2016-12-01
    “…There are very few instruments of use for the editing of multimedia television scripts. Commissioning editors are responsible for both quality assurance and quality control.  …”
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  5. 5

    Where do borders lie in translated literature? The case of the changing English-language market by Richard Michael Mansell

    Published 2017-09-01
    “…Anecdotal accounts suggest that one reason for the perceived resistance to translated literature in English-language markets is that commissioning editors are averse to considering texts that they cannot read. …”
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  6. 6

    German Quality TV as a Glocal Industry Discourse by Florian Krauß

    Published 2023-06-01
    “…Drawing on the theoretical concept of glocalisation, the analysis is based on 12 expert interviews with 15 producers, scriptwriters, commissioning editors and directors of recent quality TV drama projects from Germany. …”
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  7. 7

    Wagging the Long Tail: Digital Distribution and Peripheral Screen Production Industries by Susan Luckman, Julia de Roeper

    Published 2008-11-01
    “…The traditional model of distribution, based on the pre-selling of distribution rights to broadcasters and/or cinema distributors to finance a film or television program, gives the gatekeepers (television programmers, commissioning editors, film distributors, financiers) ultimate power to determine which stories will be made available to the public. …”
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