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Creative Flow and Physiologic States in Dancers During Performance
Published 2020-05-01“…To gather these results, the psychophysiology laboratory traveled to the concert hall to collect data on dancers. The self-report Flow State Scale (FSS) measured global flow, challenge–skill balance, sense of control, and autotelic experiences; it addresses important features of the creative experience of performing artists. …”
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KARAKTER ELEMEN PEMBENTUK BANGUNAN DALAM KARYA ARSITEK SANTIAGO CALATRAVA
Published 2011“…The results based on the parameters character-forming elements of buildings on five cases the object of research, namely-Satolas Lyon TGV Station, Valencia City of Arts and Sciences, Tenerife Concert Hall, Milwaukee Art Museum, and the Turning Torso showed that some of the character of the building forming element in the work of Santiago Calatrava , namely: (1) The structure used to generate architectural form and function as an architectural structure, is used to describe the relationship between structure and architecture in which the structural requirements are allowed to influence the shape of the building is very strong even though the structure is exposed, (2) the dominance of material concrete, steel and glass, which is processed by Calatrava is not common to produce a form corresponding with the analogy of form, (3) analogy as a thematic design, where form is present always monumental and iconic, (4) line element as an element and the shape of the building facade. …”
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The application of virtual reality exposure versus relaxation training in music performance anxiety: a randomized controlled study
Published 2023-08-01“…A behavioral assessment test is conducted three times (pre, post, follow-up) in VR through an audition in a concert hall. Primary outcomes are the changes in music performance anxiety measured by the German Bühnenangstfragebogen and the cardiovascular reactivity reflected by heart rate variability (HRV). …”
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La Sociedad Filarmónica de 1826 y los inicios de la actividad de conciertos públicos en la sociedad civil de Chile hacia 1830 The Sociedad Filarmónica of 1826 and the Beginnings of...
Published 2006-12-01“…Music written by composers residing in Chile at the time was not included. Apart from the concert hall activity of the Sociedad Filarmónica, another type of public concert arose in the theater toward the end of the 1830's. …”
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Musikalische Neubauten des 21. Jahrhunderts
Published 2021-07-01“…This article deals with the global building boom of new concert halls and opera houses. Their spectacular architecture, often designed by the same star architects, obeys the general rules of globalized urban planning, acts as an indicator of urbanity, supports culturally driven urban renewal and attracts mass tourism. …”
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GLOBAL ARCHITECTURE BOOK /
Published 1981“…MUSEUMS -- v. 10. CONCERT HALLS HOTELS, ETC. -- v. 11. ECCLESIASTICAL BUILDINGS -- v. 12. …”
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The Dilemma of Empty Halls
Published 2023-01-01“…This paper examines recent statistics of classical concert attendance, theories as to why attendance rates are low, marketing methods for target audiences, and finally, recommendations to solve the dilemma of empty concert halls. To encourage concert attendance, classical music must be tastefully marketed to present-day audiences through the experience of technically excellent, musical, and interesting live performances. …”
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Lapa: From Sociability in the City to City Sociability
Published 2015-12-01“…Its streets, squares, bars, nightclubs, concert halls and stores have been turned into one of the most disputed nocturnal points of Rio de Janeiro, in other words, as suggested by the geographical vocabulary, a central place for Bohemian sociability.…”
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Rehearsal rooms in the context of norwegian standard ns 8178:2014
Published 2021-01-01“…Music school students spend much more time rehearsing than performing in concert halls. Individual and small ensemble exercises are a major part of daily practice. …”
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The Rite Signs: Semiotic Readings One Hundred Years On
Published 2016-10-01“…Throughout its life span, most audiences will have encountered, valorised and identified the work as a landmark of orchestral musical modernism heard primarily, perhaps even exclusively, in concert halls and on audio recordings with not a dancer, theatre stage or set in sight. …”
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Surveiller les Stones : musique et violence à Berlin. Les débats transnationaux des années 1960
“…As a result, police reforms and new safety standards for concert halls and arenas were developed and internationally debated. …”
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Policing the Stones: Music and Violence in Berlin. The Transnational Debates of the 1960s.
“…As a result, police reforms and new safety standards for concert halls and arenas were developed and internationally debated. …”
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El trabajo de la música contemporánea en los conservatorios profesionales y superiores de música de España
Published 2023-06-01“…Despite being the closest to us temporarily, the academic musical repertoire of the 20th and 21st centuries still finds obstacles to establishing itself both in the programming of concert halls and the subjects taught at conservatories. …”
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Locating Image Sources from Multiple Spatial Room Impulse Responses
Published 2021-03-01“…The performance of the method is validated with three case studies—one small room and two concert halls. The studies show that the method is able to locate the most prominent image sources even in complex spaces, providing new insights into available Spatial Room Impulse Response (SRIR) data and a starting point for six degrees of freedom (6DoF) acoustic rendering.…”
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Pre-Sabine Room Acoustic Guidelines on Audience Rake, Stage Acoustics, and Dimension Ratios
Published 2021-03-01“…Prior to Sabine’s work on the Fogg Art Museum and Boston Symphony Hall, several numerical guidelines had been developed and applied to the design of rooms with specific acoustic demands such as theatres, concert halls, and opera houses. Previous papers have discussed guidelines based on the following principles: <i>voice directivity</i>, which was employed in the design of at least 11 rooms; <i>“echo theory”</i>, which quantifies the perception threshold between direct sound and first order reflections in order to prevent echoes from occurring, aiding in the design of at least 7 rooms and leading to the first known use of an acoustic scale model; and notions of <i>reverberation</i>, which influenced the design of at least 14 rooms. …”
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José Herrando resucitado… ¿otra vez? Historia de una “recuperación”
Published 2019-06-01“…Herrando’s sonatas have appeared and disappeared intermittently from concert halls, musical editions, and sound recordings, without ever being consolidated in the repertoire, thus justifying new ‘resurrections’ a few years later. …”
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The Difference Culture Makes
Published 2019-03-01“…Although terrorist attacks in Europe have increasingly been carried out on cultural targets such as media institutions, concert halls and leisure venues, most research on media and terrorism draws conclusions based on traditional hard news stories rather than on journalism specialising in cultural issues. …”
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