A Loose Affiliation of Alleluias by Celeste Oram, Keir GoGwilt

“…This article is written from our perspectives as a performer and a composer, focusing on our violin concerto, “a loose affiliation of alleluias”, which we created and premiered in 2019. …”
Get full text

“Baroque Jazz: Toward a New Understanding of Musical Form in Carpentier's Concierto Barroco.” by Kyle Matthews

“…In considering these moments, I will suggest that the Baroque Concerto of Concierto barroco is not a Baroque Concerto at all. …”
Get full text

NEW PAGES IN THE HERITAGE OF OLIVIER MESSIAEN: FAUVETTES DE l’HERAULT – CONCERT DES GARRIGUES RECONSTRUCTED BY ROGER MURARO by RINDENKO, OKSANA

“…The collection of archival materials of the piano concerto, from the moment of its discovery in 1995, lasted until 2015. …”
Get full text

O violão no interior paulista (1940-2000) by Stephen Coffey Bolis, Fabio Scarduelli

“…A nossa análise parte dos programas de concerto encontrado em seu acervo pessoal. Analisamos seus programas de concerto e organizamos por meio de uma série de tabelas as obras mais tocadas e as suas respectivas categorias estilísticas; em seguida realizamos uma análise do “Programa do Curso Básico e Técnico em Violão do Conservatório Musical Carlos Gomes” em conjunto com os programas de concerto dos alunos de Nunes. …”
Get full text

Инструментальная музыка Родиона Щедрина «From Afar» by Синельникова, Ольга Владимировна

“…Вторая половина статьи посвящена анализу Концерта № 6 «Concerto lontano» для фортепиано и струнного оркестра (2003) Р. …”
Get full text

WORKS FOR PIANO IN THE CONTEXT OF OLEG NEGRUTA’S COMPOSITION ACTIVITY by GUPALOVA ELENA

“…The general presentation of the pianistic works includes not only the published works (the collection „Spring mood”, „Album for children”, the pieces „Scherzo”, „Improvisation”, etc.), but also the manuscripts (Concerto for piano and orchestra, two notebooks „Songs without words”, polyphonic works, etc.), including the pianistic duets and personal transcriptions of some well-known works („Nocturne” — fragment from the Concerto for trumpet and orchestra, „Hora staccato” by G. …”
Get full text

Form und Dramaturgie in Beethovens Violinkonzert . Zur Interpretation des Kopfsatzes durch Rudolf Kolisch und René Leibowitz by Jan Philipp Sprick

“…In this article, a discussion between René Leibowitz and Rudolf Kolisch from 1964 about “Aufführungsprobleme im Violinkonzert von Beethoven” (“Problems of Performance in Beethoven’s Violin Concerto”) is contextualized with the studio recording of the violin concerto by the two artists from the same year. …”
Get full text

Hexadimensionalidade conceptiva by Roberto Victorio

“… O artigo parte do modelo exposto no Congresso TeMA 2021, pela Profª Ilza Nogueira, como modelo conceptivo para obras de concerto, e expande esse conceito genético tendo por base a teoria hexadimensional do filósofo e matemático russo Pietr Ouspensky e o modelo trifásico  de Algirdas Greimas, para explicar a complexidade do ritual Bororo e a resultante final deste processo genético-sonoro-ritual como um modelo hiper expansivo onde ocorre uma simbiose entre os patamares estabelecidos no modelo conceptivo que estruturam a mecânica ritual Bororo e a música de concerto. …”
Get full text

THE DIALOG OF LITERATURE AND MUSIC IN ALDOUS HUXLEY’S WORKS by Валерий Самуилович Рабинович (Valeriy S. Rabinovich), Мария Игоревна Бабкина (Mariya I. Babkina)

“…The music of Mozart (Quintet in G-minor), Beethoven (Missa Solemnis, Quartet in A-minor) and Bach (Suite in B-minor, Brandenburg Concerto No. 4) plays a peculiar symbolic role in Aldous Huxley’s works. …”
Get full text

Unlocking the Beat: Dopamine and Eye Blink Response to Classical Music by Leigh M. Riby, Sam K. Fenwick, Dimana Kardzhieva, Beth Allan, Deborah McGann

“…Crucially, the study’s discovery that the “Winter” concerto, with its sorrowful tone, significantly increased the blink rate highlights the significance of sad music and perhaps the programmatic qualities of this concerto to induce a strong emotional response.…”
Get full text

HAUNTING SOUNDSCAPES OF TRANSYLVANIA: LIGETI’S RESEARCH STAY AT THE FOLKLORE INSTITUTE IN BUCHAREST by Bianca ŢIPLEA TEMEŞ

“…As one of the least explored stages of his early development, this Romanian research stay provided the composer with an entirely new set of ideas which were later manifested in his works, first as direct citations (Baladă și joc, Romanian Concerto, Musica ricercata, Bagatelles for Wind Quintet), and then as distant, barely discernible echoes (Piano Concerto, Violin Concerto, Hamburgisches Konzert). …”
Get full text

Staging Scores: Devising Contemporary Performances from Classical Music by Kevin Egan, Michael David Pinchbeck

“… Pinchbeck addresses how to ‘stage scores’ by reflecting on Concerto (2016). The research is framed by Ravel’s instruction to conductors to ‘follow the score’ and biographises a piece of music (Concerto for the Left Hand). …”
Get full text

Adaptasi Konserto pada Ensambel Gitar sebagai Upaya Pengayaan Bahan Ajar Matakuliah Ensambel by Andre Indrawan

“…Problems that had identified was concluded by prototyping the new arrangement through transcription process from the concerto repertoire as the teaching material alternative, by editorial treatment. …”
Get full text

Aram Khachaturian (1903-1978): A Retrospective by David Z. Kushner

“…Khachaturianʼs compositions encompass such genres as the symphony, the concerto, film scores, incidental music to plays, band music, vocal and choral compositions (including such patriotic efforts as Poem on Stalin and Ballad about the Motherland), and, what might be regarded as a sequel to the three earlier concertos for piano, violin, and cello, viz, the Concerto-Rhapsody for violin and orchestra (1961), the Concerto-Rhapsody for cello and orchestra (1963), and the Concerto-Rhapsody for piano and orchestra (1968). …”
Get full text

Pela Primeira Vez, e suas Complicações Sintático-Semânticas Pela primeira vez, and its Syntactic-semantic.complications by Rodolfo ILARI

“…"for the first time") and with the ambiguities that its occurrence entails in sentences as "Ana e Juliana tocaram juntas pela primeira vez em Campinas no concerto de Natal de 1955" (=Ana and Juliana performed together for the first time in Campinas during the 1955 Christmas Concerto") Claming that "pela primeira vez" assigns precedence in time to a particular event among others of the same type, I speculate on the conditions in which different PPs belonging to the same sentence are taken as defining the relevant type of events. …”
Get full text

Beethovens Violinkonzert als Modellfall. René Leibowitz’ und Rudolf Kolischs Projekt einer ›werkgerechten Interpretation‹ by Thomas Glaser

“…In their 1964 radio conversation “Aufführungsprobleme im Violinkonzert von Beethoven” (“Problems of Performance in Beethoven’s Violin Concerto”), produced around the time of their recording of Beethovenʼs violin concerto, Leibowitz and Kolisch aim to expose the performance practice problems of their day for which Beethoven’s violin concerto serves them as a model. …”
Get full text

Aplicação pedagógica dos Nuevos Estudios Sencillos na obra La Ciudad de las Columnas, de Leo Brouwer by Claryssa de Pádua Morais, Fabio Scarduelli

“…A obra para violão do compositor cubano Leo Brouwer (1939) compõe um dos repertórios mais conhecidos e executados no instrumento nas salas de concerto em todo o mundo. Por meio de uma abordagem analítica, este trabalho pretende identificar os elementos técnicos predominantes nos Nuevos Estudios Sencillos (2001) e na obra de concerto La Ciudad de las Columnas (2004). …”
Get full text

NEW PAGES IN THE HERITAGE OF OLIVIER MESSIAEN: FAUVETTES DE l’HERAULT – CONCERT DES GARRIGUES RECONSTRUCTED BY ROGER MURARO by RINDENKO, OKSANA

“…The Concerto for piano solo Fauvettes de l'Hérault – concert des garrigues / Hérault Warblers – concert in the garrigues by Olivier Messiaen (1908-1992), fragments and sketches of which were found in the composer's archives, was reconstructed by the French pianist Roger Muraro. …”
Get full text

Ivan Jevtić’s musical universe at a crossroads of traditional and new music expression. Tendencies of changes on the example of selected works of the concert genre by Nikolić Olivera

“…The comparative analysis of three concerts: Concerto for Tuba, Cello Symphony and Concerto for Viola points to the basic elements of traditional heritage, his reshaping of this heritage, as well as the elements of modern musical expression in the works of this composer. …”
Get full text

Defining responders to therapies by a statistical modeling approach applied to randomized clinical trial data by Francesca Bovis, Luca Carmisciano, Alessio Signori, Matteo Pardini, Joshua R. Steinerman, Thomas Li, Aaron P. Tansy, Maria Pia Sormani

“…We finally got an external validation on the CONCERTO, testing on this new dataset the performance of the score in defining responders and non-responders. …”
Get full text