Répliques par l’actrice, répliques d’une actrice : Delphine Seyrig dansLe Troisième Concerto (1963) et Le Lys dans la vallée (1970) by Alexandre Moussa

“…This article intends to determine how the presence of the same actress, Delphine Seyrig, allows to consider two TV fictions directed by Marcel Cravenne, The Third Concerto (1963) and Lily in the Valley (1970) as respective replicas of two art-house films: Last Year in Marienbad (Alain Resnais, 1961) and Stolen Kisses (François Truffaut, 1968). …”
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Off-label use of large diameter Concerto fibered coils through a 0.017 inch microcatheter for transvenous embolization of indirect carotid-cavernous fistulas: two case reports by Justin T. Hsieh, Ghim Song Chia, Chen Pong Wong, Winston Eng Hoe Lim, David W. Wen

“…Case presentation We present two successful cases of off-label use of Medtronic Concerto fibered coils via a 0.017-inch microcatheter during transvenous embolization of carotid-cavernous fistula in a 60-year-old and an 80-year-old Chinese female, respectively. …”
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Hledání Mistra – dva rané klavírní koncerty Jana Nováka by Martin Flašar, Pavel Žůrek

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Доклассические жанры в инструментальных циклах М. Вайнберга by Гончаренко, Светлана Сергеевна, Останина, Мария Николаевна

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Philomela angelica Daniela Speera – k neznámemu dielu známeho hudobníka by Jana Kalinayová-Bartová

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O Brasil no concerto das nações: a luta contra o racismo nos primórdios da Unesco Brazil within the concert of nations: the struggle against racism in the early days of Unesco by Marcos Chor Maio

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Influence of the level of monovision on visual outcome with an extended range of vision intraocular lens by Cochener B

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Definiciones y usos del término “concierto” en la documentación catedralicia española entre c. 1750 y c. 1830 by Héctor Santos Conde

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I concerti di Giuseppe Tartini: problematiche e proposte per un nuovo catalogo tematico by Margherita Canale Degrassi

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THE SYMPHONY GENRE IN THE CREATION OF COMPOSER VIKTOR SIMONOV by Cocearova Galina

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The importance of art: reflections and thoughts about the sacred concert conducted in the municipality of Escada-PE / A importância da arte: reflexões e pensamentos sobre o concerto sacro realizado no município de Escada-PE by Dimison Cesar Vieira Gomes, Ana Lucia Gomes Cavalcanti Neto

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La performance énergétique des bâtiments à l’ère des politiques européennes de démonstration. Le cas du programme CONCERTO et du projet de la ZAC De Bonne (Grenoble, France) by Olivier Labussière

“…To do so, it looks at the European CONCERTO program and the French project of Caserne De Bonne, the first french eco-district. …”
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Genre of piano and orchestral ballad of the first half of the twentieth century by Наталія Сидір [Nataliia Sydir]

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RHAPSODY FOR VIOLIN, CELLO AND PIANO BY COMPOSER LIVIU STIRBU IN THE CONTEXT OF ASSIMILATION OF STYLE AND GENRE PECULIARITIES OF MASS MUSIC CULTURE by PLESCAN, IRINA, VICTORIA TCACENCO

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ORGAN MUSIC OF COMPOSERS FROM THE REPUBLIC OF MOLDOVA by STREZEV MIHAIL

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Виолончельный концерт Александра Чайковского как пример инверсии вариационной формы by Блащук, Светлана Юрьевна, Лавелина, Жанна Алийевна

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A Música Clássica como Elemento Narrativo Produtor de Sentido em Cartoons by Marina La Rocca Cóser, Rogério Ferrer Koff

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Dimitri Mitropoulos: Lonesome passage to modern music by Belonis Yanis

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Music within sixteenth-century European Courts. The model of Il Cortegiano and the role of the dames in its consolidation. The example of the Italian Courts by Jordi Comellas Solé

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Концерты для баяна сибирских композиторов: проблемы изучения by Медведев, Дмитрий Анатольевич

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