Making visible, rendering obscure: reading the plastic crisis through contemporary artistic visual representations by Ekaterina Chertkovskaya, Karl Holmberg, Moa Petersén, Johannes Stripple, Sara Ullström

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Reflections on the status of the contemporary artist in the struggle against the official discourses: Paul Auster, literature and history by Lilian Reichert Coelho

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Contemporary artist and the sacrum. Metaphysical themes in the work of Tadeusz Boruta, Stanisław Białogłowicz and Tadeusz Wiktor by Grażyna Ryba

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Academic Philistinism? The Challenges of Contemporary Artistic Research Inside Academia. Semi-structured Interviews with Visual Art Students in Brazil by Marcelo Schellini, Sonia BenGhida, Djamil Ben Ghida, Flora Romanelli Assumpção

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Beyond Oil on Canvas: New Media and Presentation Formats Challenge International Copyright Law’s Ability to Protect the Interests of the Contemporary Artist by Molly Ann Torsen

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A Contemporary Artistic Vision for Color Application as a Creative Effect in Women’s Printed Fashion Design Inspired by Mondrian’s Works by Abeer Ibrahim, Nihal Mohamed

“…Employing artistic and aesthetic values of color with a contemporary artistic vision in women printed fashion design inspired by Mondrian’s works. …”
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Contemporary art practices: terminological features and main characteristics by Karpova Elvira V.

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CONCERNING THE DEFINITION OF A TERM “PARTICIPATION” IN THE CONTEXT OF CONTEMPORARY ARTISTIC PRACTICES / К ОПРЕДЕЛЕНИЮ ТЕРМИНА «ПАРТИЦИПАЦИЯ» В КОНТЕКСТЕ СОВРЕМЕННЫХ ХУДОЖЕСТВЕННЫХ ПРАКТИК by DENIKIN ANTON A. / ДЕНИКИН АНТОН АНАТОЛЬЕВИЧ

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Médias localisés & mobilités partagées, création & activation dans trois dispositifs artistiques contemporains by Bernard Guelton

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STORY OF FELT AND ARTISTIC PRODUCTIONS by Didem ATİŞ ÖZHEKİM

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Contemporary Art Firms and Value Creation in Global Cities by Federica Codignola

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KNOWLEDGE AND IDENTIFICATION OF DIFFERENT ARTISTIC PRACTICES by Katja Kozjek Varl, Jerneja Herzog

Subjects: “…contemporary artistic practices…”
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The transformative potential of creative art practices in the context of interdisciplinary research by Kyong-Mi Paek

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Another One Bites the Dust! by Gabriela Salazar

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The anniversary album of the "George Enescu" Arts University from Iași Atena Elena Simionescu (Coord.) 155 ani de învăţământ artistic modern la Iaşi, vol. I-II, (155 Years of Contemporary Artistic Education in Iaşi, vol. I-II), Iaşi, Artes, 2015 by Mirela Ştefănescu

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Heritage as an input to self-identity in contemporary art by Thoraya Youssif

“…Objectives - Presenting samples of art works by contemporary artists in which self-identity is achieved. - Classification of innovative approaches to inspire from the heritage in order to achieve self-identity in contemporary art. …”
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The theater of motherhood by Hadara Scheflan Katzav

“…This study examines the construction of the maternal ideal in western, particularly Israeli, culture, and suggests the turning point over the past twenty years as contemporary artist-mothers (mama’artists) have undermined this ideal. …”
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PORTRAIT AND SELF-PORTAIT IN NIKKI S. LEE by Raphael Fonseca

“…Using the concepts of portrait and self-portait, this paper does a short analysis of the phographic series projects of the contemporary artist Nikki S. Lee. For that, it is necessary to make relations between her artistic production and the problematic relation inside the art history between image and cultural alterity (etnography) of a cultural group (pre)defined.…”
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The renewable tradition (extended play remix) by Mark Amerika

“…Drawing from a network of appropriation artists, process philosophers, performance poets, pla(y)giarists, and other remix provocateurs, this experimental artist essay investigates the act of remixologically inhabiting the body language of others and, in the process, devises an aesthetic theory that situates the contemporary artist as a "postproduction medium" whose methodologies further extend avant-garde practice into the 21st century.…”
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Venturino Venturi. Portraits and self-portraits by Eleonora Zanolo

“…This short contribution starts with the intention of tracking, within a perspective of psychological point of view, the career of an important contemporary artist: Venturino Venturi (1918-2002). The principal subject of his work will be the portrait that he will use as a preferred way to express himself as an artist and as a man. …”
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