Music Information Retrieval and Contemporary Classical Music: A Successful Failure by Carmine-Emanuele Cella

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Somewhere between Memaw and the Academy: a compositional balancing act by Ferebee, C

Subjects: “…Contemporary Classical Music…”

Developing a Framework for the Analysis of Program Notes Written for Contemporary Classical Music Concerts by Diana Blom, Dawn Bennett, Ian Stevenson

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The Toy Piano Is Not a Toy by Antonietta Loffredo

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[CO]EXISTENCE AS INTERSENSORIALITY IN THE SYMPHONIES OF HAVASI BALÁZS by Maria-Roxana BISCHIN

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The Warsaw Autumn International Music Festival — Overcoming the Boundaries between East and West by Nikolskaya Irina I.

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Introduction to the Special Collection “20th Anniversary of ISMIR” by Arthur Flexer, Florence Levé, Geoffroy Peeters, Julián Urbano

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What determines the perception of segmentation in contemporary music? by Phillips, M, Stewart, AJ, Wilcoxson, JM, Jones, LA, Howard, E, Willcox, P, du Sautoy, M, De Roure, DC

“…Background: This study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as cadences and fermatas, are absent [e.g., Sears et al. (2014)] or when the music is non-tonal (e.g., in much contemporary classical music). …”

What Determines the Perception of Segmentation in Contemporary Music? by Michelle Phillips, Andrew J. Stewart, J. Matthew Wilcoxson, Luke A. Jones, Emily Howard, Pip Willcox, Marcus du Sautoy, David De Roure, David De Roure

“…BackgroundThis study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as cadences and fermatas, are absent [e.g., Sears et al. (2014)] or when the music is non-tonal (e.g., in much contemporary classical music).AimsThe current study aimed to examine the listeners’ segmentation decisions in a piece of contemporary music, Ligeti’s “Fanfares”?…”
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To have and to hold: touch and the vinyl resurgence by Harper, A

“…The apparent contrast of vinyl aesthetics with classical music aesthetics is also discussed, and the presence of contemporary classical music within the vinyl resurgence is considered.…”

ŞTEFAN NICULESCU, EULOGIZED IN GERMANY FOR HIS CONTRIBUTION TO THE CURRENT EUROPEAN MUSICAL HERITAGE by Sanda Valentina HÎRLAV-MAISTOROVICI

“…This series of volumes seeks to offer a bird’s-eye view over contemporary classical music from an intercultural perspective, bringing together its Eastern and Western European roots. …”
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ŞTEFAN NICULESCU, EULOGIZED IN GERMANY FOR HIS CONTRIBUTION TO THE CURRENT EUROPEAN MUSICAL HERITAGE by Sanda Valentina HÎRLAV-MAISTOROVICI

“…This series of volumes seeks to offer a bird’s-eye view over contemporary classical music from an intercultural perspective, bringing together its Eastern and Western European roots. …”
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Exploring and emphasising women’s voices at Sacrum Profanum festival in Krakow by Golemo Karolina

“…The festival is recognised for its unique fusion of contemporary classical music with electronic sounds, jazz and other genres. …”
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Interdisciplinary Interaction between Music Education and History: Shaping the Musical Preferences in Classical Music of the 20th Century by Jerneja Žnidaršič

“…According to the outcome, the pupils in the experimental group showed a higher level of interest in contemporary classical music after the experiment than their peers in the control group. …”
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THE DISSIDENCE OF MELODY IN ANATOL VIERU'S OEUVRE. CASE STUDY: THE QUOTATION OF THE "FRÈRE JACQUES" SONG by Olguța LUPU

“…On the one hand, the modes, dogmas and canons of contemporary classical music pushed melody towards a prohibited area. …”
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