Cartografía de las ruinas: sitios de memoria del punk chileno en tres documentos audiovisuales by Macarena Urzúa Opazo

“…I will focus in a ruin’s cartography in order to speak about the disappeared places of manifestation of the counterculture movement’s for Chilean youth during Pinochet’s dictatorship (1973-1989). …”
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Two Artists, Two Portraits: Cohen/Joyce – A Study in Affinity by Nigel Hunter

“…Canadian singer-songwriter Leonard Cohen (1934-2016) was a poet and novelist before becoming world-famous as part of the 1960s and ‘70s counterculture. His two novels, The Favourite Game (1963) and Beautiful Losers (1966), are significant contributions to Canadian literature and to postmodern fiction in general. …”
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I Don’t Wanna Die: Punk Rock Music and Culture as Critical Social Work Practice by Paddy Farr

“…This article is a case study on the use of punk rock counterculture through the expression of music as a critical social work practice within a psychiatric outpatient clinic. …”
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Liberty Icons: Linguistic and Multimodal Notes on the Cultural Roots of Digital Technologies by Ilaria Moschini

“…I believe that both personal computers and the Internet are American cultural products not only because of the very peculiar historical blending out of which they originate – a mixture of Cold War industrial research culture, US counterculture and DIY ethos (Turner 2006) – but, mainly, because of the founding concept that they are associated with, i.e. freedom. …”
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The Tangerine Dream : la Cité de l’entre deux mondes by Patrick Hubner

“…Both novels were censored when published in their author’s country of origin for their transgressive aspects, revealing the darker side of life in Tangier, not unknown to the demons of American counterculture as well as to experiences of misery in Morocco, as shown in Choukri’s novel (translated into French by Ben Jelloun).…”
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Trabalho, Cultura e produção cultural: notas para uma sociologia do trabalho com arte e cultura no Brasil by André Grillo

“…In order to analyze cultural production in the so-called “new world of work”, and the category of cultural producer in contemporary Brazil, I seek to develop a sociology of work with art and culture, making use of the theoretical framework of the sociology of work based on the analysis of André Gorz’s and Boltanki and Chiapello on contemporary changes in the world of work (and the influence of the counterculture in this process), complementing them with the sociology of work with art and culture of Menger and Becker. …”
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A Brief History of Social Movements in North America by CASIS-Vancouver

“…In this instance we will be using the hippie/counterculture movements during the 1960s and 1970s in Canada, and those that are occurring in the second decade of the twenty-first century. …”
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Reclaiming the Silenced History of LGBTIQA+ Activism and the HIV/AIDS Crisis through Irish Theatre. An Interview with Phillip McMahon by J. Javier Torres-Fernández

“…The playwright and theatre director Phillip McMahon is also co-founder and co-director of THISISPOPBABY, a Dublin arts company founded in 2007 and said to have redefined modern Irish theatre, ripping up the space between popular culture, counterculture and high art. Their shows have played and toured around Ireland, the United Kingdom, Australia, and beyond. …”
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They’ve Translated My Song, Ma: Shifts in Song Translation by Stefanie Barschdorf

“…The song that started as a folk ballad thus travelled from language to language and from genre to genre, from the hippie counterculture to a more middle of the road audience.  …”
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La alteridad en el primer comix feminista estadounidense by Elisa Seoane Dominguez

“…Both, story and comix are one of the counterculture icons of the second American feminist wave that reflect the most important alternative schools of thought currents in America of the 70s as the Freudian Left, Feminism of Difference and the introduction of the female language or parler-femme. …”
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The image of the opponent of technological innovation in Galley Slave by A.Asimov: modern interpretation by A. E. Ulanova

“…However, neo-luddism has social status of counterculture, but the situation can be changed due to the rapid and sometimes uncontrollable development of technology.…”
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“When I’m 73 and in Constant Good Tumour”: Poetic Responses to Ageing from Jenny Joseph to Fleur Adcock by Lorenz Hindrichsen

“…Comical carnivalesque visions by Jenny Joseph (“Warning” (1961)) and Roger McGough (“Let Me Die a Youngman’s Death” (1967)) celebrate ageing as a liberation from oppressive social norms, presenting the ageing body as the ultimate counterculture fetish that eludes social control. Wistful vignettes by Ted Hughes (“Old Age Gets Up” (1979)) and Margaret Atwood (“A Visit” (1995)) foreground the difficulties of narrating ageing from an outward perspective, and experiment with nonconformist chronotopes to give ageing a voice. …”
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A computational analysis of Telegram's narrative affordances. by Tom Willaert

“…We furthermore observe correspondences between the thematic orientations of channels and their narrative profiles, with a preference for disparate profiles in channels pertaining to conspiracy theories and far-right counterculture, a preference for coherent profiles in channels pertaining to cryptocurrencies, and mixed types in channels pertaining to disinformation about the war in Ukraine. …”
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Cathode Mamma: Post-punk and Television in Italy by Gabriele

“…Although rooted in the 1977 counterculture, which harshly criticized mass media, Italian post-punk developed an ambiguous relationship with television, shifting from critique to complicity. …”
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History of sport in Singapore : exclusivity, hegemony, and the Young Men's Christian Association by Ng, Eugene Chen Jun

“…The essay shall focus specifically on the Young Men’s Christian Association across these periods, its history, initiatives, and motives, showing the counterculture and forward-looking nature of the organisation and its leadership in challenging these British imposed distinctions, and being in accordance with the goals of the ruling government. …”
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Forms of persuasion: art and business in the 1960s by Taylor, A

“…It is argued that the practices described through these examples represent a defining cultural phenomena of sixties art, one that challenges the conventional art historical alignment of its avant-garde with the decade’s famed radical politics, protest and counterculture.</p>…”

The Good Intense “Loves” the Bad Intense: Intensity and the Death Drive by Dejan Durić, Željka Matijašević

“…The article analyzes the concept of intensity promoted in late capitalism, and its difference from the teleological intensity of the countercultural sixties. Intensity is approached through psychoanalytic lenses as related to Freud’s drive theory, and to Lacan’s concept of jouissance. …”
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LA TEOLOGÍA DE LA LIBERACIÓN EN CONTEXTO POSMODERNO EN AMÉRICA LATINA Y EL CARIBE by Carlos Mendoza-Álvarez

“…The second is the multiple resistances that arise as resistance practices proposed by social, indigenous and counterculture movements in our continent. The third feature is the gratuitousness as a messianic gesture that breaks into history to transform the structures of injustice.…”
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Lucia Marcucci: Visual Poetry Against Social Violence by Marzia D'Amico

“…On the other hand, we also observe Marcucci’s productive singularity in the context of her contemporary counterculture, which had not freed itself at all — although preaching it — from sexist power dynamics. …”
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Henri Michaux's program for the psychedelic humanities by Oliver Davis

“…Yet, this very complexity, as well as the national-linguistic context of its articulation—there was no mass psychedelic counterculture in France—have limited wider engagement with it. …”
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