Archivi intermediali: il valzer nella testualità byroniana by Carla Pomarè

“…A special relationship with the rediscovery of classical antiquity influenced creative processes which are, in theatrical dance, linked to connoisseurship practice and the perception of classical iconography through technique, aesthetic and moral values. …”
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Exploring Sonic Worlds by Sam McAuliffe, Louise Devenish

“…It will be argued that the choice of instrumental tools and how they are used in performance can not only enrich creative processes and outcomes for the artist but can also alter the audience’s relationship to the world by encouraging a conceptual engagement with one or more of its aspects. …”
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The Vicissitudes of Criticism in the Landscape Metropolis by Lisa Diedrich, Saskia de Wit, Tom Avermaete

“…Criticism is an important means of reflection on the creative processes and interventions that are part and parcel of this landscape metropolis. …”
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Responding to Dogs by Julie Andreyev

“…The essay focuses on the creative processes of EPIC_Tom (2014-16), a performance and installation project carried out with the participation of the dogs. …”
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Integrating Artificial Intelligence into Interior Design Education: A Case Study on Creating Office Spaces for “Avrupa Yakası” TV Series Characters by M. Uğur Kahraman, Yaren Şekerci, Müge Develier

“…This initiative contributes to understanding AI’s role in design education and its evolving impact on creative processes.…”
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SCIENTIFIC OBJECTIVITY AND RATIONALITY IN THESIS: THE PEDAGOGICAL ASPECT by V. M. Anikin, B. M. Poizner, E. A. Sosnin

“…The authors define a certain minimum of concepts and suggest to apply their approach to creativity process. The paper gives the educational topics examples with appropriate bibliography. …”
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Spiritual Dimension in Art Therapy by Beyza Kırca

“…Spiritually-oriented art therapy interventions are based on a holistic, therapeutic approach that aims to enable people who are in fragmented states to achieve integrity, unity, harmony, and balance by taking all the mental, emotional, physical, and spiritual dimensions of human nature into account using the medium of art and its creative processes. Art is considered intrinsically spiritual by many artists and art therapists, and the history of art and its relationship to treatment is as old as human history; however, open consideration of the spiritual dimension in therapeutic settings, particularly in art therapy interventions, is relatively new. …”
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Aesthetics as a Habit: Between Constraints and Freedom, Nudges and Creativity by Mariagrazia Portera

“…How do habits influence and regulate artistic creative processes?…”
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NORMS PROMOTING CREATIVITY AND INNOVATION IN SMALL AND MEDIUM ENTERPRISES by Ľubica Lesáková

“…Organizational culture plays an important role in supporting the creative processes, becauseit can promote or hinder innovation-enhancing norms. …”
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The Reminiscences from Saadi’s Works in the Publicism and Epistolary of Ivan Bunin: The Source Studies Aspect of the Problem by Anton V. Bakuntsev

“…Secondly, in Bunin’s epistolary and journalism, borrowings from Saadi’s works were subjected to quite significant creative processing.…”
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Living Stories: The Role of the Researcher in the Narration of Life by Ainslie Yardley

“…This article deals with ethical considerations as they relate to specific work with specific people, and with how engagement in creative processes in research becomes a contributing element in the ethical life of the narrator. …”
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SISTEM KERJA VIRTUAL PHOTOSHOOT DITENGAH PANDEMI COVID-19 by Rangga Alfara, Dasrun Hidayat

“…The results in this study indicate the creative aspects of the virtual photoshoot which consist of methods, creative processes and obstacles. Meanwhile, the aspect of consumer trust consists of establishing a portfolio, educating the virtual photoshoot stage and targeting new potential markets. …”
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DAS IMAGINÄRE ALS TEIL DES FREMDSPRACHENUNTERRICHTS by Ivica KOLEČÁNI LENČOVÁ, Zuzana TOMČÁNIOVÁ

“…Instead of a purely cognitive transfer of materials, they serve – together with visual mental representations – as a support for sensory-reflexive and imaginative-creative processing of themes. The recall of these units in the memory can be supported by works of art. …”
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Problem Based Learning as a Shared Musical Journey – Group Dynamics, Communication and Creativity by Charlotte Lindvang, Bolette Beck

“…We take a closer look upon the connection between creative processes and social communication in the PBL group including how difficulties in the social interplay may hinder creativity. …”
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Devant la littérature by Nicolas Adell

“…From the first, an ethnology of the manifestations of literature, before the final results (i.e. the books), emerged: the problem of the writer’s body, the question of the writing’s place, and the description of creative processes. From the second, that joined a program of historical epistemology, we could notice an approach which aimed at identifying the initial proximities and gradual discontinuities between literary and anthropological perspectives, between seers and observers.…”
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Creativity and initial teacher education: Reflections of secondary visual arts teachers in Ghana by Enock Swanzy-Impraim, Julia E. Morris, Geoffrey W. Lummis, Andrew Jones

“…The study recommended both in-service training and ITE need to focus on creativity among other 21st-century skills in order for teachers to effectively implement creativity processes in their pedagogies. Additional measures for improving creativity in facets of ITE and teaching practice are discussed.…”
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DISTRIBUTED CREATIVITYAND ECOLOGICAL DYNAMICS: A CASE STUDY OF LIZA LIM'S 'TONGUE OF THE INVISIBLE' by Clarke, E, Doffman, M, Lim, L

“…This essay addresses distributed creative processes in the preparation and performance of a new musical work-Tongue of the Invisible by Liza Lim, commissioned by the Cologne-based Ensemble musikFabrik. …”

Mimesis stories: composing new nature music for the shakuhachi by Browning, J

“…It tells the stories of five compositions and one arrangement by non-Japanese composers, first to credit composers’ varied and personal responses to this common concern and, second, to discern broad, culturally syncretic traditions of nature mimesis and other, more abstract, ideas about the naturalness of sounds and creative processes (which I call musical naturalism). Setting these personal stories and longer histories side by side reveals that composition creates composers (as much as the other way around) and so hints at much broader terrain: the refashioning of human nature at the confluence between cosmopolitan cultural circulations and contemporary encounters with the more-than-human world.…”

Islamic critical thinking / by Muhammad Mumtaz Ali, author 214054

“…But slavish copying of what someone else arrived at by creative processes will not make the copier creative. The issue is how to learn to think for oneself and develop one's own native abilities. …”

Architecture as performance by Ken Wilder

“…I tie the exemplification that Goodman identifies as the primary way architectural works ‘mean’ to the role of the architectural ‘score’, recast not as a mere ‘constraint’ but as integral to the creative processes by which architecture establishes an ‘artistic statement’ and a distinctive ‘virtual’ realm. …”
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