The Role of Cognition in Dishonest Behavior by Adrián Muñoz García, Beatriz Gil-Gómez de Liaño, David Pascual-Ezama

“…We also account for some frameworks in cognitive and social psychology that may help understand dishonesty, such as the Theory of Mind, the role of creative processes, and discourse analyses within language studies. …”
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Contribution of Generative AI to Creativity: by Makoto Ogawa, Yutaka Oguchi, Ayaka Chida

“…Three hypotheses were developed and tested: (1) use of generative AI contributes to the creativity process, (2) step-by-step presentation of information created by generative AI contributes to creativity, and (3) creative entities with greater expertise in the task are more likely to use generative AI and demonstrate creativity. …”
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Rock music improvisation shows increased activity in Broca’s area and its right hemisphere homologue related to spontaneous creativity by Atsumichi Tachibana, J. Adam Noah, Yumie Ono, Shun Irie, Muneto Tatsumoto, Daisuke Taguchi, Nobuko Tokuda, Shuichi Ueda

“…Our results indicate that bilateral BA45 activity is common during creative processes that involve improvisation across all participants, regardless of subjective feelings, skill, age, difficulty, history, or amount of practice. …”
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Patrimonios, objetos e historias de vida. Análisis de propuestas educativas desde el Observatorio de Educación Patrimonial en España by Olaia Fontal Merillas, Silvia García-Ceballos, Borja Aso Morán, Marta Martínez Rodríguez

“…Of the nine examples, four programs emphasize social involvement with heritage; three cases refer to artistic projects that depart from heritage in their creative processes linking life stories; and the last two include collaborative network actions that affect the heritage as relationships, affections, memories and links between people and goods. …”
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Involving consumers in food product development: Perspectives on the application of circular food design by Siet J. Sijtsema, Harriette M. Snoek

“…The circular food design model is a tool that supports consumer orientation in food product development and shows that it is not a static one-way direction but includes feedback loops and co-creative processes. In this study, circular food design was applied in two cases. …”
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A World of ‘Purely Artistic Conception’ and a ‘Universal Art of the Spirit’: Max Dvořák and Karel Teige between Phenomenology and Surrealism // A World of ‘Purely Artistic Concepti... by Josef Vojvodík

“…Teige was aware that this problem is central and constitutive for the entire era of Modernity and of the avant-garde, just as Dvořák was aware that the history and theory of modern art cannot consist in a mere mechanic continuation of the traditional arthistorical method; rather, it must reflect upon the creative processes of modern art.…”
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User and stakeholder perspective taking in novice design teams by Antti Surma-aho, Tua Björklund, Katja Hölttä-Otto

“…Through thematic analysis of review session discussions, we find that perspective taking in high-performing sessions involves three aggregate dimensions: gathering data to form perspectives, scoping and making sense of perspectives and using perspectives in creative processing. We identify phase-dependent characteristics for the scope and emphasis of perspective taking in concept development, system design and detailed design. …”
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A jóga szerepe Sztanyiszlavszkij rendszerében és az affektív mozgáspedagógiában by Ferenc Tamás Adamovich

“…Its effects are manifested in daily trainings, in creative processes and in the actor’s work.…”
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Promoting integrative teaching through inter-disciplinary Arts and Crafts after-school club collaboration by Nadezda Blagoeva

“…The study demonstrates how artistic multiprofessional collaboration, triggered by the contemporary art expression can, in practice, extend the integrative learning opportunities by putting the students into authentic creative processes. The results of this action research confirm that after-school activities provide a favourable environment for quality integrative teaching as they give the freedom to plan educational thematic projects that allow active co-equal collaborations. …”
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The Application of The Creative Multiplicity: Black Box and Glass Box Stages in Songwriting Activities at PKBM Omah Dongeng Marwah by Tsaqiva Kinasih Gusti

“…The black box and glass box creative processes of the multiplicity creativity concept were tested in songwriting activities at PKBM Omah Dongeng Marwah. …”
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CLARA: Building a Socially Assistive Robot to Interact with Elderly People by Adrián Romero-Garcés, Juan Pedro Bandera, Rebeca Marfil, Martín González-García, Antonio Bandera

“…During this period, the design methodology evolved from traditional approaches based on technical feasibility to user-centered co-creative processes. The cognitive architecture of the robot, CORTEX, keeps its core idea of using an inner representation of the world to enable inter-procedural dialogue between perceptual, reactive, and deliberative modules. …”
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TRANSDISCIPLINARY CENOGRAPHY LABORATORY (LTC): RE-DESIGNING THE EXHIBITION OF BRAZILIAN STUDENTS IN PQ15 by Sônia Maria Caldeira Paiva, Caio Sato Schwantes

“…The exhibition, presented in PQ15, condensed a collaborative work with the Brazilian scenography teachers centers and explained how each state and school operate their creative processes. Thus, our exhibition space presented the Brazilian cultural diversity in Prague; reminds us of a cabin - which could be anywhere, in a changing state - and invited us to experience our students' imaginative spaces, prompting visitors to dream of other territories in a more attentive and participatory approach.   …”
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Bringing art to everyday : Media Art Nexus NTU Singapore in review 2016-2018 by Conradi, Ina, Chavez, Mark

“…At the same time, MAN has been providing conditions for emerging artists to work in collaborative creative processes across continents. This essay will present the past and current international collaborations and touring exhibitions that are underpinning MAN’s future goals. …”
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Artificial intelligence meets art by Suhana, Gupta

“…Through an analysis of the technical aspects of AI art & the creative processes of artists, this paper will highlight the ways in which AI art can serve as a bridge between the fields of art & computer science.…”
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Exploring virtual reality painting technology and its potential for artistic purposes by Lam, Choon Khee

“…The research scope investigates how this new medium of virtual reality affects the creative processes of artists, and aims to understand the creative potential of virtual reality technology as an artistic medium.…”
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Editing worlds: participatory mapping and a minor geopolitics by Gerlach, J

“…This article employs the wiki-based OpenStreetMap as a fieldwork intervention in exploring how online, virtual, crowd-sourced cartographies can be conjured as 'ethico-aesthetic projects' (Guattari 1995) that valorise creative processes in negotiating emergent problems, politics, events and spaces. …”

Editing worlds: participatory mapping and a minor geopolitics by Gerlach, J

“…This article employs the wiki-based OpenStreetMap as a fieldwork intervention in exploring how online, virtual, crowd-sourced cartographies can be conjured as ‘ethico-aesthetic projects’ (Guattari 1995) that valorise creative processes in negotiating emergent problems, politics, events and spaces. …”

The sharing of wonderful ideas : influence and interaction in Online Communities of Creators by Sylvan, Elisabeth, 1973-

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Toolkit for the efficient articulation of sustainable strategies with design and management methodology used by AECO industry in Latin America by Carolina Valbuena-Bermúdez, Claudia Bengoa-Alvarez

“…Digital transformation is changing the world, and with it the construction and architecture industry, however, although there are many collaborative work frameworks for digitization, and agile philosophies among different professionals, the methodologies of creative processes throughout the entire life cycle of a project that involves sustainability strategies have been greatly reduced and relegated over time. …”
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With the New Technology in Hands and New Audiences in Minds: A Review of Creative Adaptation Process Model by Rifai Irfan, Prawati Maria Tamarina, Setiadi Criscentia Jessica, Wijasa Hagung Kuntjara Sambada, Amelia Adilla, Albalhareth Ali Hamad

“…Coming from different fields and expertise, the authors met regularly to compare and discuss the creative processes within our fields when adapting creative fictions into different forms (film, comic, and audiobook). …”
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