INDIVIDUATION PROCESS AND “SHADOW” IN MURAKAMI HARUKI’S “DANCE DANCE DANCE” by Aytemis DEPCİ, Hüseyin Can Erkin

“…ABSTRACT: The aim of this study is to scrutinize the individuation process of Murakami Haruki’s protagonist, who feels a stark sense of loss and lack, in the novel Dance Dance Dance. The paper also focuses on “the other side” and death motifs that frequently emerge as the story goes. …”
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Urban claustrophobia : searching for space in Haruki Murakami’s dance, dance, dance. by Francis, Samantha Ann.

“…By considering the spatial conditions of late-capitalist Japan through Murakami’s Dance, Dance, Dance, we will see how excess consumerism as well as the presence of sterile and stark environments has heightened the need to search for identity as well as genuine human connections. …”
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Dance and architecture : a dance theatre / by 432773 Foo, Fei Dee

Dancing mosaic : issues on dance hybridity / by Asia Pacific International Dance Conference (2nd.: 2011 : Kuala Lumpur, Malaysia), Mohd Anis Md Nor, editor, Universiti Malaya. Pusat Kebudayaan, Malaysia. Kementerian Penerangan, Komunikasi dan Kebudayaan

Subjects: “…Dance…”

WHEN PROSE DANCES AND DANCE WALKS by Ana Marques Gastão

“…Why can’t prose be danced to, and poetry marched to? Can the walking essence unconsciously dance?…”
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Ground reaction force as a factor responsible for the topography of injuries in professional dance. An analysis of three dance styles: classical dance, modern dance, and folk dance by Joanna Gorwa, Katarzyna Nowakowska-Lipiec, Robert Michnik

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The dance / by Pike, Christopher, 1955-

Modes of Dance Realisations – Netloristic Analysis of Dance by Egil Bakka, Ronald Kibirige

“…This article addresses the new wealth of dance films made available through the internet. …”
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Ghost Dance 34 Ghost Dance 34 by Irene Maria Dietschi

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The dress is the screen: Dancing fashion, dancing media by Marie-Aude Baronian

“…This essay reflects upon the intimate interrelation between fashion, media, and dance. In particular, it looks at designer Rabih Kayrouz’s 2017 summer collection fashion show (and its filmic version), which features a performance by ballet dancer Marie-Agnès Gillot. …”
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The Dancing Picture - The Ritual Dance of Native Australians by Monica Engelhart

Subjects: “…Dance, Religious…”
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Dance of life : revival of the Cambodian classical dance. by Lin, Ziyu., Lim, Siao Lang.

“…Our photojournalism project documents the efforts by the Cambodians to revive, preserve and develop the dance. Also, we aim to generate awareness among Singaporeans of the Cambodian classical dance.…”
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Dialogues in dance discourse : creating dance in Asia Pacific / by Mohd. Anis Md. Nor

Subjects: “…Dance…”

Dance as Education : towards a national dance culture / by 439905 Brinson, Peter

Subjects: “…Dancing…”

Dance and racism: Critical notes on the teaching of dance history by Victor Hugo Neves de Oliveira

“… This article elaborates some brief considerations on the teachings of dance history in universities. The goal is to discuss institutionalized racism in higher education dance environments through critical notes on the contents of a hegemonic and colonial nature applied to the teaching-learning of dance history. …”
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Let’s all dance: Enhancing amateur dance motions by Qiu Zhou, Manyi Li, Qiong Zeng, Andreas Aristidou, Xiaojing Zhang, Lin Chen, Changhe Tu

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Dancing with literature: An overview of South African ballroom dancing by Alida Green

Subjects: “…ballroom dancing…”
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“Visual design and dance”: dance as a research instrument by Cristina Barbiani

“…The paper describes an unpublished document written by the choreographer Anna Halprin in 1943, aimed to organize a dance course entitled "Visual design and dance" for the students of the Barbara Mettler’s School in New Hampshire. …”
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Choreographic Encounters in XR: Reflections on Dancing in/Dancing with the Digital by Joanna Cook, Rebecca Weber

Subjects: “…dance…”
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A dataset of Sattriya dance: Classical dance of Assam by Chayanika Sarmah, Parismita Sarma

“…Sattriya is an Indian classical dance of Assam composed of complex hand gestures, body moments, facial expressions and background music. …”
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