Grzegorz Wiśniewski’s Production of Richard III in Teatr Jaracza in Łódź—Textual Authority, the “Director's Cut”, and Theatre Status by Magdalena Cieślak

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A Vision of Blindness: Blade Runner and Moral Redemption by David Macarthur

“…Despite its oft-noted ambiguities, critical reception of Ridley Scott's Blade Runner (Theatrical Cuts (1982); Director's Cut (1992); Final Cut (2007)) has tended to converge upon seeing it as a futuristic sci-fi film noir whose central concern is what it means to be human, a question that is fraught given the increasingly human-like replicants designed and manufactured by the Tyrell Corporation for human use on off-world colonies. …”
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Individual fixation tendencies in person viewing generalize from images to videos by Maximilian D. Broda, Benjamin de Haas

“…Forty-four participants freely viewed 700 complex static scenes followed by eight director-cut videos (28,925 frames). We determined the presence of person features using hand-delineated pixel masks (images) and Deep Neural Networks (videos). …”
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