No Country for Dissent by Raghav Mendiratta

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Dissents and Dispositions by Sean Mulcahy

“…The conference theme of dissents and dispositions ‘invited consideration of the arrangements and rearrangements of the conduct of law and life; of the dispositions of law and jurisprudence, and how these relate to dissents, resistance and transformation.’ …”
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To sense or dissent by Alberto Palacios-Boix

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Affective Dissent by Stephen Healy

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Science and dissent by Harrison, P

Little Boardroom Dissent by Cheah, Chor Sooi, Hasnah, Haron

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On an Impossibility of Establishing Dissent: by Sidmar Silveira Gomes

“…Such textual weaving reveals the machinery of veridiction pertaining to the field of theater pedagogy, evidencing a tendency towards the impossibility of establishing dissent. …”
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Dissent concerning tourism by hoseyn baher

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Suppressing Political Dissent by Anam Sheikh

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Silence means Dissent by Maximilian Steinbeis

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Dissenting Statement on the Report by Dan Heap

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Suppressing Political Dissent by Anam Sheikh

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Dissenter Protestantism and moral and social change by Arne Rasmusson

Subjects: “…dissenter protestantism…”
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Scientific progress and religious dissent/ by 3379 Open University Science and belief : From Copernicus to Darwin Course Team

Learning disability : dissenting essays/ by Franklin, Barry M.

Encyclopedia of educational reform and dissent / by Hunt, Thomas C., 1930-

Whistleblowing : managing dissent in the workplace / by Elliston Frederik

Dissent in the Midst of Emotional Territory by Linda Carozza

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Dissent in Things Fall Apart: by Shahrin Fardous

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Committed Drama and the Dissemination of Dissent by Georges Fournier

“…Verbatim plays such as Guantanamo (2004) and Called to Account (2007) were staged in both institutional and less conventional venues, from theatres to campuses, as part of a larger project to set up itinerant performances designed to provide dissenting perspectives on international issues. The purpose of this paper will be to try and examine committed drama from aesthetic and political angles and see how far, at critical periods in the British history, it tried to familiarize audiences with divergent viewpoints on topical issues.…”
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