Double Bass Workbook for Children Focusing on Critical Thinking by Yao Lin, Pramote Danpradit

Subjects: “…double bass…”
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Pain in the spine and upper limbs among double bass players by Jakub Szczechowicz, Marta Kania

“…Aim of the study: The aim of this study was to analyse pain occurring in double bass players within the upper limb and spine. …”
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THE DOUBLEBASS: HISTORY AND CONTEMPORANEITY by SOCICAN, IGOR

Subjects: “…double-bass…”
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TECHNICAL EXAMINATION OF DOMENICO DRAGONETTI’S LA MAJOR CONTRABASS CONCERTO by Sela Can DÖKMECİ

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Technical Difficulties and Proposed Solutions of Özkan Manav’s “Aman Avcı” Arrangement for Op.41 for Double Bass and Piano by Özlem Er Civelek

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Benefits of proper practice method to a good tone production of double bass / Mohd Rasyid Mohd Pozi by Mohd Pozi, Mohd Rasyid

“…This study was conduct to explore benefits of proper practice method of double bass towards the good tone production. The purpose of this studies to identify most suitable method or playing position and gives some useful guide and skills for double bassist to be trained in the exact practice method of right hand and left hand to produce a good tone on double bass. …”
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The professional learner and performer: investigating the field of higher education and expertise development for learning and performing the double bass - a global survey by Florian Pertzborn

Subjects: “…Double bass…”
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KONTRABASIN GELİŞİM SÜRECİNDEKİ DEĞİŞİMLERİN İCRA STANDARTLARINA ETKİLERİ by Sela Can DÖKMECİ, Türkmen Ozan TANIŞ

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Intercultural dialogues, hybridizations and identity building: a study of the CD Fogaréu by the goiano composer Bororó by Magda Miranda Clímaco, Ana Guiomar Rêgo Souza, Manassés Barros Aragão

“…This article is linked to a research that had as object the double bass player and composer from Goiás Bororó, baptized as Dimerval Felipe da Silva. …”
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Illustrating the superposition of signals recorded by the Grotta Gigante pendulums with musical analogues by Carla Braitenberg, Ildiko‘ Nagy

“…To illustrate the work we do in identifying the different agents, the analogy holds to a musician listening to a symphony-concert and identifying the melody of the first violin, flute, triangle, the violoncello and the double bass, and then identifying the corresponding musicians and instruments on stage. …”
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Uncertainty in tuning evaluation with low-register complex tones of orchestra instruments by Jaatinen Jussi, Pätynen Jukka, Lokki Tapio

“…Four orchestra instruments were chosen as sources of the stimuli; double bass, bass tuba, contrabassoon, and contrabass clarinet. …”
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MUSICAL REPRESENTATION OF THE RELIGIOUS MESSAGE IN ZOLTÁN GÁRDONYI’S "HÁROM NAGYHETI KÉP (THREE HOLY WEEK EVENTS)" by Gabriela COCA

“…He composed the work for organ and a string ensemble (1st violin, 2nd violin, viola, cello, double bass). The work has three movements, as the title Három Nagyheti Kép (Three Holy Week Events) suggests.[1] This paper analyses the work in question in detail, from a harmonic and formal point of view. …”
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Different types of bowing technique for violin in the baroque and romantic eras / Izzat Syazwan Ab Halim by Ab Halim, Izzat Syazwan

“…String instruments need a bow to produce a sound, without a how, a string instruments such as violin, viola, cello and double bass can't produce a sound except a pizzicato sound. …”
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