'Unregarded age': texts and contexts for elderly characters in English renaissance drama, c.1480-1625 by Sheldon, DSK

Subjects: “…Early modern English literature (1550 ? 1780)…”

Milton and material culture by Rosario, D

Subjects: “…Early modern English literature (1550 ? 1780)…”

Petrarch in English: by Hodder, M

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"a creature native and indued/ Unto that element"? Digitizing _Hamlet_: How to Start; Where to Stop by Willcox, P

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“Some craven scruple of thinking too precisely”: lessons learned from Folger Digital Texts by Niles, R, Poston, M

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The Theorization of Style by Halmi, N

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A once and future king in the political imagination of eighteenth-century Britain by Kilburn, M

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Functional transposition of TILL and UNTIL from a diachronic perspective by Kovbasko Yurii

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Concepts of Prydeindod (Britishness) in 18th century Anglo-Welsh Writing; with special reference to the works of Lewis Morris, Evan Evans, and Edward Williams by Jenkins, B

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Philosophic historiography in the eighteenth century in Britain and France by Brereton, M

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‘the strategy with cunning shows’: the aesthetics of spectacle in the plays of Robert Greene by Sager, J, Dr Jenny Emma Sager

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The mirror for magistrates, 1559-1610: transmission, appropriation and the poetics of historiography by Archer, H

Subjects: “…Early modern English literature (1550 - 1780)…”

The ars critica in early modern England by Hardy, N, Nicholas Hardy

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The Holinshed Project: comparing and linking two editions of Holinshed's Chronicles by Cummings, J

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English Catholic literary culture, 1640-1660 by Archibald, C

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Lines of succession in an English ballad tradition: the publishing history and textual descent of The Wandering Jew’s chronicle by Bergel, G, Howe, C, Windram, H

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Poetic genre and economic thought in the long eighteenth century: three case studies by Bucknell, C, Dr Clare Bucknell

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Variorum vitae: Theseus and the arts of mythography in Medieval and early modern Europe by Smith-Laing, T

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The Rose playhouse in context by Mao, Y

“…<p>This thesis conducts the first book-length study on the operation of the Rose playhouse as a key theatrical presence whose operational history spanned over a transitional period for early modern English theatre. Inspired by the current increasing awareness of the playing company as an organising unit in additional to the author-based perspectives for studying early modern English drama, this project undertakes the task of examining the Rose playhouse as a unit for theatrical production and a nexus where various strands of the material, cultural-geographical, political, financial, as well as literary forces converged and interacted with each other.…”

Le ius commune européen : « hareng rouge » de l’approche comparative des traditions juridiques anglaise et française by Alain Wijffels

“…In order to understand the late-medieval or early-modern English law in a comparative perspective, an approach based on ius commune only leads to a dead end. …”
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