Disvelando pale, effigi e panneggi by Franz, Fabio

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L’effigie et la mémoire by Sylvain Lesage

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Material Characterization of Mayapán’s Effigy Censers’ Sherds by Miguel Pérez, Oscar G. de Lucio, Alejandro Mitrani, Carlos Peraza Lope, Wilberth Cruz Alvarado, Soledad Ortiz Ruiz

“…The pottery matrix was also characterized, leading to a detailed description of the clays and mixtures of minerals employed in the construction of the effigy censers.…”
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Rattlesnake Effigy Mound Ancestors Still Teaching by Jim Rock

“…[The Rattlesnake Effigy Mound’s] designers and builders required loving toil to speak clearly without words. …”
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Sustaining performance habitats for balinese animal effigies in the anthropocene by Hood, Made Mantle

“…Performance contexts for the barong, a mythical animal effigy that symbolizes a Balinese Hindu community's protective spirit, include mock-purification rituals, professional music and dance competitions, and a revival of children's busking barong as street entertainment. …”
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Demonizing 2020: A Calendar Year Becomes an Effigy Doll by Nikola Tutek

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Note Sur une monnaie á l'effigie de Juba II by J. Alexandropoulos

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Note Sur une monnaie á l'effigie de Juba II by J. Alexandropoulos

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Female Effigies and Performances of Desire: A Consideration of Identity Performance in Lars and the Real Girl. by Kate E. O’Neill

“…In this way, she can be seen to function as a performative effigy of desire, maintaining heteronormative male sexuality by reflecting a patriarchal ideal of female physicality and objectification while simultaneously demanding a responsive performance of heterosexual masculinity. …”
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Les effigies sculptées d’Henri IV à Toulouse au xviie siècle by Sophie Fradier

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Female Effigies and Performances of Desire: A Consideration of Identity Performance in Lars and the Real Girl. by Kate E. O’Neill

“…In this way, she can be seen to function as a performative effigy of desire, maintaining heteronormative male sexuality by reflecting a patriarchal ideal of female physicality and objectification while simultaneously demanding a responsive performance of heterosexual masculinity. …”
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Artifacts for the Representation of the Vera Effigies. The Portrait of Teresa de Ávila in San José de Batuecas by Elena Muñoz

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“So shall yoe bee:” Encountering the Shrouded Effigies of Thomas Beresford and Agnes Hassall at Fenny Bentley by Aimee Caya

“…The alabaster monument depicts Thomas Beresford (d. 1473) and Agnes Hassall (d. 1467) as fully shrouded three-dimensional effigies. Incised around the base of the monument are enshrouded representations of their twenty-one children. …”
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Review of: Schnepel, Burkhard: Twinned Beings: Kings and Effigies in Southern Sudan, East India and Renaissance France by Parkin, R

Fakers and Mold-Makers: The Use of Structured Light Scanning to Detect Forgeries of Pre-Hispanic Effigies from Oaxaca by Justin Jennings, April Hawkins, Adam Sellen, Giles Spence Morrow

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In the Eyes of the Beholder: Towards Depicting the Dog in the Nineteenth Century by Beryl Gray

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HISTORY OF A FORGOTTEN PASSACAGLIA: THE SYMPHONY NO.3 “OVID” FINALE BY SIGISMUND TODUŢĂ by Ecaterina BANCIU

Subjects: “…Toduță, Ovid, Effigy-themed symphony, passacaglia.…”
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[SPA] "EFFIGIES REGIS ARAGONUM. LA IMAGEN FIGURATIVA DEL REY DE ARAGÓN EN LA EDAD MEDIA" by Germán Gamero Igea

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The Duchess of Malfi de John Webster ou le corps dans tous ses états: « Some said he was an hermaphrodite, for he could not abide a woman » (3. 2. 217-218) by Laetitia Coussement-Boillot

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Marta Serrano Coll, Effigies Regis Aragonum. La imagen figurativa del rey de Aragón en la Edad Media by Joana Barreto

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