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The Concrete and the Ephemeral of Electronic Music Production
Published 2014-06-01Subjects: “…Colin McGuire, Ronin E-Ville, DJ, DJs, deejay, deejays, production, producer, studio music, music production, composition, electronic music, electronica, EDM, digital music, digital media, digital reproduction, original vs copy, musique concrète, ontology…”
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Exploring Personal Spectres in Electronic Music
Published 2022-11-01“…In keeping with Derrida’s concept from Specters of Marx, this study reconceptualises hauntological approaches in electronic music composition. Although hauntology has stimulated interest in a variety of artistic disciplines previously, including music (see for example Schofield 2019), this research presents an alternative approach to engage with hauntological themes. …”
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Electronic music on show in museum context
Published 2020-04-01Subjects: “…electronic music…”
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ON THE PERFORMANCE OF ELECTRONIC MUSIC – INTERVIEW WITH COMPOSER ADRIAN BORZA
Published 2016-06-01Subjects: “…interview with composer Adrian Borza, the performance of electronic music, interactive computer, interactive music software, acousmatic music, live electronics…”
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ON THE PERFORMANCE OF ELECTRONIC MUSIC – INTERVIEW WITH COMPOSER ADRIAN BORZA
Published 2016-06-01Subjects: “…interview with composer Adrian Borza, the performance of electronic music, interactive computer, interactive music software, acousmatic music, live electronics…”
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Signs of Innovation in European Cinema. Electronic Music in Antonioni and Tarkovsky
Published 2025-02-01Subjects: Get full text
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Teaching electronic music – journeys through a changing landscape
Published 2020-02-01Subjects: “…electronic music in uk…”
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Crossdressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music
Published 2012-11-01“…</span><span style="font-size: 12.0pt; mso-bidi-font-size: 13.0pt; font-family: Cambria; mso-bidi-font-family: Verdana; mso-bidi-language: EN-US; font-weight: normal;" lang="X-NONE">Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. …”
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Pink Noises: Women on Electronic Music and Sound (Tara Rodgers)
Published 2011-03-01Get full text
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Hear After: Matters of Life and Death in David Tudor’s Electronic Music
Published 2014-09-01Subjects: Get full text
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Capture and express, question and understand: Gloves in gestural electronic music performance
Published 2022-01-01Subjects: Get full text
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