Lysimache and Lysistrata by Thonemann, P

“…It has long been suspected that the eponymous heroine of Aristophanes’ Lysistrata was intended to evoke the historical Lysimache, priestess of Athena Polias at the time of the play’s first production. …”

‘His Own Nearer Household Gods’: Pagans, Christians, and Marius the Epicurean’s Religious Hermeneutics by Jude Wright

“…Yet, Pater’s novel is distinct from these others, for while it follows the familiar trajectory of works in this vein, tracing the progress of the eponymous protagonist from paganism to Christianity, Marius’s conversion is portrayed primarily as a movement across a spectrum of belief that is tied directly through aesthetics back to the pagan religiosity that Marius grew up participating in. …”
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« What happens here, stays here » : origines, cristallisation et recomposition des imaginaires touristiques de Las Vegas by Pascale Nédélec

“…More specifically, I study publicity campaigns and their evolution through time—including the famous and eponymous “What happens here”—to understand Las Vegas tourism imaginaries’ genesis and crystallization. …”
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On the Shelf, But Close at Hand: The Contribution of Non-State Initiatives to International Cyber Law by Kubo Mačák

“…I argue that (1) we should see cyberspace as an underregulated (but not ungoverned) domain; (2) a main reason for that state of affairs lies in a unique strategic dilemma innate to the cyber domain; and (3) non-state initiatives, including the eponymous “rule book on the shelf,” have a critical role to play in the development of the law in this area.…”
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Comment vivre après Auschwitz ? Romain Gary et l’écriture de l’après (1946-1956) by Kerwin Spire

“…Since the immediate post-war period, the literary figure of the Shoah survivor has been haunting Romain Gary’s fictional work: it is Tulipe, in the eponymous story (1946), who, coming out of Buchenwald, settled in Harlem’s “new world”; it is Vanderputte, in Le Grand Vestiaire (The Company of Men, 1948), who denounced a Resistance network; it is the “Companion of the Liberation” Jacques Rainier in Les couleurs du jour (Colors of the Day, 1952), who saw the ideal of a Free France crumble and volunteered to fight in Korea; it is Morel, in Les racines du ciel (The Roots of Heaven, 1956) who survived the experience of the concentration camps by imagining herds of elephant sprinting across the savannah.Between 1946 and 1956, Romain Gary examined and experimented different post-Shoah attitudes through these four characters. …”
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The Influence of the Kuroshio Current on Place Naming on Green Island, Taiwan by Peter Kang

“…Although the name Green Island has been commonly used since 1949 and no longer bears connection to the Kuroshio Current, some eponymous topographic names on the island and adjacent marine toponyms still refer specifically to oceanic flow. …”
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Shakespeare for all Seasons ? Richard II en Avignon : de Jean Vilar (1957) à Ariane Mnouchkine (1982) by Isabelle Schwartz-Gastine

“…In 1947 Jean Vilar opened the first Avignon Festival with an ascetic, charismatic eponymous hero who came to an inner knowledge of himself in his bare prison cell; in 1982 Ariane Mnouchkine offered a splendid visual display by transposing the play into the kabuki tradition; this offered the audience breath-taking and dynamic tableaux of elaborate court ceremonies and rebellious lords.At such a distance in time, the English medieval code of honour was dealt with according to completely different theatrical principles of ethics and aesthetics, mirroring the changes in perspective within French society.…”
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Lenin Ferdynanda Antoniego Ossendowskiego na tle wybranych literackich portretów wodza by Klara Deszczyńska

“…The article is dedicated to portraying a literary-psychological aspect of creating the eponymous character of the novel by Ferdynand Antoni Ossendowski, Lenin (1930), that is, the famous Soviet leader, Vladimir Ilyich Ulyanov. …”
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Chiharu and the magic ashes and forest of danger by Soh, Cherie

“…Taking place in Edo Japan, the eponymous protagonist Chiharu strives to find a valuable treasure for the master, only to have unexpected surprises waiting for her. …”
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'In the mood': Peer Gynt and the affective landscapes of Grieg's Stemninger, op. 73 by Grimley, D

“…Commonly assumed to invoke Norway's iconic western fjords, the prelude in fact sets the stage for Ibsen's eponymous wanderer, washed up on the Moroccan coast. …”

Correlation function diagnostics for type-I fracton phases by Devakul, T, Parameswaran, S, Sondhi, S

“…They are characterized by subextensively divergent topological degeneracy and excitations that are constrained to move along lower dimensional subspaces, including the eponymous fractons that are immobile in isolation. …”

The Chances of Upbringing Towards Values in the Current Core Curriculum in the Light of Integral Development of Younger School-Age Children by Marta Buk-Cegiełka

“…With this analysis, the author tried to answer the eponymous question: What chances for upbringing towards values does the current core curriculum create in the light of integral development of younger school-age children?…”
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Relaciones de pueblo a pueblo : le pactisme comme langage constitutionnel dans les républiques provinciales du Rio de la Plata (1820-1841) by Geneviève Verdo

“…Considering the treaties as genuine sources, the article analyzes them using the categories specific to the law of nations, as they appear in Emmerich de Vattel’s eponymous work (1758). In doing so, it allows us to see the mark of an « iusnaturalist » constitutionalism, whose success contrasts with the failure of liberal constitutionalism in the 1820s.…”
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A Stereometry of Non-Memory: Mapping a Lost Past in W.G. Sebald’s <i>Austerlitz</i> by Michael Holden

“…Particularly, the article will explore the eponymous protagonist’s sense that ‘time [does] not exist at all, only various spaces interlocking according to the rules of a higher form of stereometry,’ and will demonstrate how this subjective experience of time is a consequence of the absence of memory experienced by the protagonist in relation to his origins as a Kindertransport survivor of the Holocaust. …”
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<b>The modern and the contemporary: dialogic relations between Poe and Vilela by Londina da Cunha Pereira de Almeida, Maria da Luz Alves Pereira, Rauer Ribeiro Rodrigues

“…Starting from Bakhtin’s notion that a speech meets another and both participate in a lively and tense interaction, current paper observes and describes the existing dialogical relationship between the short stories Nunca aposte sua cabeça com o diabo ― conto moral, by Edgar Allan Poe, and A cabeça, by Luiz Vilela, a tale in the eponymous work. Since the two texts are foregrounded on satire, such perspective is investigated in each short story and the coinciding and distancing factors are pinpointed. …”
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La cosa pubblica. Salute, Lavoro, Società nelle collezioni storiche dell’Università e del Politecnico di Torino by Margherita Bongiovanni, Gianluca Cuniberti, Elena Dellapiana, Mara Fausone, Francesca Gervasio, Annalisa Barbara Pesando

“… The paper is inspired by the eponymous exhibition held at the Castello del Valentino from November 10th to December 3rd, 2022, which was later extended until January 5th, 2023. …”
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L’anomalie comme principe de l’univers romanesque – Sébastien Roch d’Octave Mirbeau by Weronika Lesiak

“…In our contribution, we will show the abundance of defects in the novelistic universe of Sébastien Roch, analyse their essence and then move on to the influence they have on the eponymous character. We will look at the corruption of the education system run by the clerics who denigrate the protagonist's rights in order to preserve their own power; at mental disorders caused by painful experiences as well as at psychological dysfunctions; finally at physical deformities that often reflect the character vices of those affected. …”
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Gynter Grass bald anders: taking the self out of autobiography in Grass’s Beim Häuten der Zwiebel by Gwyer, K

“…However, it will be argued here that the full import of Simplicissimus emerges only when considered in conjunction with another, rather less closely examined source text, Ibsen’s Peer Gynt (1867), whose eponymous protagonist furnishes the image of the self as alliaceous construct of layers without a core that also informs Grass’s own use of the onion trope. …”

Complex antibodies provide a simple explanation for the plurality of clinical presentations in the Guillain Barre syndromes. by Rinaldi, S

“…A strong argument can be made for pluralizing the eponymous term when referring to the acute post infectious polyradiculoneuropathies. …”

L’immagine narrata : Antonio Tabucchi e la “tentazione” della pittura by Michela Meschini

“…Une attention particulière est portée au roman Requiem et au récit éponyme du recueil Il gioco del rovescio, où les images picturales ont un rôle central dans la définition non seulement des sens du texte mais également de la poétique de l’auteur. …”
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