Limbo and the Children of Faerie by Pinsent, A

“…The paper also applies recent work in philosophy and psychology, especially on the second-person perspective, to understand better the state of those in limbo, who might be better called the ‘children of faerie’. It concludes by examining the possible relationship of the children of faerie and the children of God in a post-resurrection state.…”

Wards of Faerie : the dark legacy of Shannara / by 413160 Brooks, Terry

Wings a new kind of faerie tale / by 289399 Meyer, Stephenie

The Allegorical House of Temperance: on the Semantics of Space in Spenser’s Faerie Queene by Elena V. Haltrin-Khalturina

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EDMUND SPENSER'S «FAERIE QUEENE»: LOST WORLD LITERATURE AND FLOURISHING CRITICAL PARADIGM by Кристиан Бимберг

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EDMUND SPENSER'S «FAERIE QUEENE»: LOST WORLD LITERATURE AND FLOURISHING CRITICAL PARADIGM by Кристиан Бимберг

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The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene by Colleen E. Kennedy

“…Edmund Spenser’s epic Arthurian-centric poem The Faerie Queene (1590, 1596) is permeated by fairy tales and old wives’ tales, but the very presence of the tales and their tellers is problematic, as these feminine voices are often included only to be silenced (Miller 6). …”
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Les Cendres de Faery : à propos de The Briar Rose de Jane Yolen by Thierry Jandrok

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“Whence had she all this wealth?”: Dryden’s Note on The Faerie Queene V.vii.24 and the Gifts of Literal Reading by Moshenska, J

“…In it, Dryden expressed surprise at the sudden emergence of the gifts that Britomart gives to the priests of Isis in Book V of The Faerie Queene. This annotation is used to explore the tendency of objects suddenly to emerge in Spenser’s poem, with varying degrees of explanation for their origins. …”

An Analysis of the Darkest Part of the Forest by Holy Black in Light of Wendy B. Faris’ Model of Narrative Techniques in Magical Realism by Bushra Munawar, Hina Rafique, Huma Amin

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An Analysis of the Darkest Part of the Forest by Holy Black in Light of Wendy B. Faris’ Model of Narrative Techniques in Magical Realism by Bushra Munawar, Hina Rafique, Huma Amin

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DARKEST MERCY / by Marr, Melissa, author

“…The political and romantic tensions that began when Aislinn became Summer Queen threaten to boil over as the Faerie Courts brace against the threat of all-out war.…”

RADIANT SHADOWS / by 407724 Marr, Melissa

“…Ani, a half-mortal driven by her hungers, and Devlin, faery assassin and brother to the High Queen, have reason to fear one another even as they are drawn together to save all of Faerie.…”

Edmund Spenser and the spatiality of allegory by Cornish, A

“…It argues that Spenserian allegory is an inherently spatial conceit. In The Faerie Queene, the figurative nature of metaphors seems to be deliberately forgotten, as spatial metaphors take on literal existence. …”

Malvolio's Manipulated Name by Robert F. Fleissner

“…The most provocative solution is a recondite French origin, notably by way of Montaigne (but also in terms of Malvenu in Spenser's Faerie Queene). …”
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The Audiences of Francis Beaumont’s THE KNIGHT OF THE BURNING PESTLE by John Drakakis

“…The dominant motif is that treated seriously in, for example, Spenser’s The Faerie Queene and it is this tradition and its various deployments by different social groups that is placed under scrutiny in the play. …”
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Spenser at Play by Moshenska, J

“…Reading The Faerie Queene is like playing. This article develops an account of three relevant tendencies of play—to change through time, to animate its object, and to remain opaque in meaning—and distinguishes this account from other critical understandings of play. …”

Epics for Students : Presenting Analysis, Context, and Criticism on Commonly Studied Epics / by Constantakis, Sara, editor 651896, Gale Group (Online service) 651863

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Pas d’armes et vide iconographique : quand le texte doit remplacer l’image (xve siècle) by Guillaume Bureaux

“…Based on a “fiction de faerie”, they benefit from relatively numerous descriptions whose role is to support this theatricalization of the princely power by putting forward decorative and narrative elements freely inspired by the most famous chivalrous novels. …”
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Patronage, gentility, and “base degree”: Edmund Spenser and Lord Burghley by McCabe, R

“…In appending a dedicatory sonnet to Burghley in the 1590 Faerie Queene he endorses his public image in the hope of reciprocal acknowledgement. …”