‘All Together Now’: “Yellow Submarine” (1968), The Beatles, and Children’s Film by Noel Brown

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La memoria come strumento di lotta: dall’incontro con Annie Ernaux by Francesca Maffioli

“…The extract below corresponds to a part of the dialogue between the French author and Francesca Maffioli, which took place in Bologna at Salaborsa Library during the XV edition of Archivio Aperto, the festival of Home Movies – National Family Film Archive. …”
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A fish for a friend by Chan, Javon Yi Da

“…A Fish for A Friend aims to be a heartwarming family film with a valuable moral lesson, achieved through pantomime storytelling. …”
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Differential effects of film genre on viewers’ absorption, identification, and enjoyment by Thompson, JM, Teasdale, B, Duncan, S, van Emde Boas, E, Budelmann, F, Maguire, L, Dunbar, RIM

“…To investigate this disparity, we compared viewers’ enjoyment, identification with characters, and story world absorption (including three subscales: Transportation, Attention, and Emotional Engagement) for film clips from two very different genres (an emotional family film vs. an action chase scene) in a within-subjects design. …”

PERSPEKTIF AL-QUR’AN TENTANG PEMICU KEKERASAN by Nyayu Khodijah

“…The factors are as follows: family, film, television including angriness—all make people aggressive and tend to do the violence—are claimed by Islam as something unaccepted. …”
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No tears in heaven: did the media create the pseudo-phenomenon “altitude-adjusted lachrymosity syndrome (AALS)”? by Paul Wicks, Lee Lancashire

“…Significant predictors of crying included dramas or family films, a recent life event, watching a “guilty pleasure”, high film ratings, and female gender. …”
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¿Un Ozu pornográfico? Hentai Kazoku: el experimento venéreo de Suo Masayuki by Antonio Santos

“…Abstract: The first feature film directed in 1983 by the Japanese Filmmaker Suo Masayuki,  Hentai kazoku : Aniki no o yome-san (Abnormal family: Older Brother’s Bride) departs from an apparently impossible mix: a daring parody of Yasujiro Ozu´s classical family films, but shot under the conventions of the pornographic cinema. …”
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