Innovative Entrepreneurship through Creative Outputs for Emerging Filmmakers in South Africa: A Conceptual Framework by Robin Gengan

“… Creativity and innovation are fundamental traits of a creative leader in the film industry. This article explores the South African film landscape and the innovative opportunities for creative film entrepreneurs. …”
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The Development of Contemporary Ukrainian Cinema by Олександр Безручко, Наталія Качмар

“…Analysis of the current state of Ukrainian cinema showed that the national cinema has undergone changes in the basic guidelines and value vectors of its development, intensified the process of realizing its potential, began building effective mechanisms of administrative and legal regulation of this area for development and proper functioning of the domestic film industry.…”
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Gentrification in media spaces: Nollywood in perspective by Ezinne Michaelia Ezepue

“…With a focus on understanding the transformation of the Nigerian film industry popularly known as Nollywood, this study narrows down to the industry. …”
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Themes in Kenyan cinema: Seasons and reasons by Rachael Diang’a

“…These variations have had an impact on the nature and growth of the film industry in one way or another. One such way, is the kind of subject matter addressed by the films. …”
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Audience reception in marketing and publicity in Hollywood's contemporary cinema for tent-pole films from 2008-2012 by Afandi, Haidar

“…Since then, Hollywood never looked back to reap in the sows of profits to keep its film industry going. Today, despite the unpredictability of tent-pole films, the six major studios and film production organizations continue to monopolise the Hollywood film industry with blasting budgets that could shake the world’s economy and stock markets. …”
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Sensorium R(A) : the Singapore International Film Festival (1987-2000) by Ng, Chrystal Shu Min

“…Local filmmakers and film industry professionals have attributed their successes on the global IFF circuit to the exposure provided by the showcasing of their work at SIFF’s Silver Screen Awards. …”
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PETITION AS INDONESIAN FILM’S ROBBER: Theodor Adorno’s Perspective on Majority-Leaning Group’s Criticisms by Sri Nugroho Nugroho

“…The term “capitalists” refer to persons who control the Indonesian film industry. The underlying phenomena of this research are alienation and oppression, and the research sources are film industry actors who are directly affected by the phenomena above. …”
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Social Changes in America: The Silent Cinema Frontier and Women Pioneers by Alicia Inge Peng

“…Silent cinema acted as a bridge between early motion pictures and today’s film industry, playing a transformative role in shaping feminist film history and American society. …”
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Do Bubble Behaviors Exist in Chinese Film Stocks? by Chi-Wei Su, Lu Liu, Kai-Hua Wang

“…This article investigates bubbles in the Chinese film industry to reveal the industry’s boom and bust process that influences employment, citizen’s livelihoods, and even economic growth. …”
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Denigrating films and their prohibition in the State of Veracruz, Mexico between 1922 and 1923 by Abner Martínez Landa

“…One of them was with the American film industry, where the federal government prohibited the projection of American films in the national territory, which were considered degrading to the Mexican people. …”
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Méditations sur le « Paradoxe Pulp » : Pal, la Paramount et les pulps de SF by Jay P. Telotte

“…This essay reconsiders what genre historian Bradley Schauer terms the “pulp paradox”, that is, the film industry’s supposed reluctance to produce sf films because of a fear that doing so would associate the movies with “the less reputable variations of the genre” often associated with pulp literature. …”
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Glocal Nollywood: The Politics of Culture, Identity, and Migration in African Films Set on American Shores by T. Omega Arthur

“…Since its inception in 1992, Nollywood, the Nigerian film industry, has grown into a transnational cinema and the second largest film industry in the world thanks in large part to the popularity of the highly affective and dramatic narrative conventions the industry has perfected. …”
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Evaluation of Media Policies in Order To Protect Local Film Community by Rahmiaji Lintang Ratri, Widagdo Muh. Bayu

“…Based on Film Law (2008), the Government is obliged to promote the national film industry. But in reality, independent film industry in the local district needs more attention. …”
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Based on the Theory of Agenda Setting – Analyzing the Propaganda of Films during the Pandemic by Wang Jiarui

“…Now that China has entered the post-epidemic era, with the normalization of the epidemic, should the Chinese film industry continue to uphold the purpose of political propaganda? …”
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A Study on the Construction of the Mother Figure in the Chinese Comedy Film “Hi, Mom” by Xiong Yuhan

“…After entering the 21st century, the scale and technology of China’s film industry have developed rapidly. In the meantime, Chinese comedy films as an important part of China’s film industry have also received more and more attention. …”
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Revival of the epic film & the Malaysian audience / Wan Aida Wan Yahaya by Wan Yahaya, Wan Aida

“…However, not only are old films brought back to life, but the global film industry has witnessed the return of the epic film. …”
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Intelligence in cinema and its adaptation to heritage topics by Assist.Prof. Dr.Walaa Muhammad Mahmoud

“…But although some film production companies still feel some concern about the idea that artificial intelligence can replace humans in the film industry, taking over everything from acting to technical jobs and accompanying services, the decision to rely on artificial intelligence algorithms It is a decision made by the major leaders in the industry, and the use of artificial intelligence in the film industry will act as an assistant. …”

A Study on User Comments on Douyin: Analysis of Film Promotion Strategies on Chinese Social Media by Wei Yilin

“…With the development of the film industry, its industrial chain has become increasingly comprehensive, and the degree of industrialization has risen significantly. …”
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Business and Management Research on the Motion Picture Industry: A Bibliometric Analysis by Lilly Joan Gutzeit, Victor Tiberius

“…Based on the cluster analysis, we suggest the following future research opportunities: Exploring technological innovations, especially the influence of social media and streaming platforms in the film industry; the in-depth analysis of the use of artificial intelligence in film production, both in terms of its creative potential and ethical and legal challenges; the exploration of the representation of wokeness and minorities in films and their cultural and economic significance; and, finally, a detailed examination of the long-term effects of the COVID-19 pandemic and other crises on the film industry, especially in terms of changed consumption habits and structural adjustments.…”
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The Dialogical Nature of Localized Filmonyms by S. A. Pankratova

“…The material shows that modern cinematography, unlike film industry abroad, makes an active use of dialogical filmonyms as a manipulative instrument of attracting filmgoers to cinema halls. …”
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