Sound and fury? Film score and the geopolitics of instrumental music by Kirby, P

“…In particular, it examines the example of instrumental film score. It suggests that, rather than just providing background to the visual component of film, score provides a key mode through which geopolitical knowledges are communicated. …”

The Functions of Music in the Film and its Effect on the Audience by Ali Khaled Ali, Kamal Ahmed Sherif, Wael Mohammed Anany

Subjects: “…film score…”
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Le cas du metal symphonique, entre dégénérescence d’un art de l’extrême et exaltation du culte de la puissance by Jason Julliot

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La música en los albores del cine sonoro chileno by Miguel Farías

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Rugged Resonances: From Music in McCarthy to McCarthian Music by Julius Greve, Markus Wierschem

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Korngold's merry men by Winters, B, Winters, Benjamin

“…It proposes an alternative conceptual framework to the work-concept when thinking about the film score, bringing film musicology more in line with trends in film studies. …”

Film, Music, and Migrant Identities: Representing Musical Otherness in Visconti’s Neorealist Drama “Rocco and His Brothers” by Rastko Buljančević

“…In the neorealist drama Rocco and His Brothers (Rocco e i suoi fratelli, 1960), the composite film score manages to capture the accumulated emotions and knowledge of the environment and diasporic identities at different narrative levels, while coexisting between historical and fictional narratives that follow the migratory journey of the Parondi family. …”
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Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance by Branko Ladič

“…His original aim was to add original folklore sung and played directly by the film protagonists, but that turned out to be technically impossible, in the end it was necessary to write an original film score, and he chose František Škvor, the composer and conductor of the National Theatre in Prague, to fulfil the task. …”
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A study on the relationship between the music themes and the motion picture: the lord of the rings trilogy / Rozaimi Rosli by Rosli, Rozaimi

“…At the very least, a film score's role is to accompany the events occurring on-screen - which in tum suggests the music's ability to reflect some sort of meaning to the audience. …”
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An analysis of leitmotifs in Batman vs Superman / Khairul Aziem Ahmad Rashidi by Ahmad Rashidi, Khairul Aziem

“…Film music is related to film scoring. According to Brown (2016), film scoring is the process of composing original music for the specific purpose of film accompaniment. …”
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Movie Score Predication Model Based on Multiple Nonlinear Regression by Xuemei You*, Yongdong Liu, Mingming Zhang, Man Zhang

“…Firstly, the influencing factors of film scoring are analyzed. A single problem is selected for the variables of the existing prediction model. …”
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Folkloric Voices in Neorealist Cinema: The Case of Giuseppe De Santis by Giuliano Danieli

“…While neorealist directors aimed to bridge the gap between their films and the portrayed protagonists – notably marginalised, subaltern people –, the music and voices of the latter tended to be muted and disempowered by soundtracks that relied on well-established norms of film-scoring practices (Dyer 2006). This remark applies to several post-war Italian films, but the case of Giuseppe De Santis seems to complicate it. …”
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System, gesture, rhetoric: contexts for rethinking tintinnabuli in the music of Arvo Pärt, 1960-1990 by May, CJ

“…Chapter 2 concentrates on Pärt's explorations of 'Soviet serialism' from 1960-3, engaging with withdrawn and film scores in addition to the well-known "Nekrolog". …”