Language, Power and Intercultural Communication: The Policies and Politics of Translation by Ran Yi

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Documenting Faith: Physical Devotion in Werner Herzog’s Pilgrimage (2001) and Wheel of Time (2003) by Poch Chantal

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And Now For Something (Not) Completely Different: approcci videografici allo studio e all’analisi del film by Chiara Grizzaffi

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Of Godfathers and Markets: The Politics of (the) American Gangster by Fabián Orán Llarena

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Gli alberi della savana: le sopravvivenze del passato by Matteo Bianchi

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Waitin' on the Ghost of Tom Joad: The Neoliberal Reconstruction of the Great Depression Years in Cinderella Man by Fabián Orán Llarena

Subjects: “…film studies…”
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A theory of multimodal translation for cross-cultural viewers of South Korean film by Kim, L

Subjects: “…Film studies…”

Quantitative Model and Thin Film Studies Relating Molecular Architecture and Degradation of Multifunctional Materials by Rainhard Machatschek, Burkhard Schulz, Andreas Lendlein

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Film Students’ Attitude toward Open Educational Resources (OERs) for Film Studies in Greece by Elissavet Georgiadou, Ioannis Kolaxizis

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Learning to play with film: play-based learning in a tertiary film studies classroom by Laura Henderson

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Practising Inclusive Citation in Modern Languages Research: The View from Brazilian Film Studies by Stephanie Dennison

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The Structures of the Film Experience: Jean-Pierre Meunier, Film- Phenomenology and Contemporary Film Studies by Rebecca Boguska

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Thermal conductivity of nanocrystalline carbon films studied by pulsed photothermal reflectance by Shakerzadeh, Maziar, Samani, M. K., Khosravian, Narjes, Teo, Edwin Hang Tong, Bosman, Michel, Tay, Beng Kang

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PhD Thesis Project - Videographic Film Studies: From the “Unattainable Text” to Video Essays by Mariachiara Grizzaffi

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ABOUT THE METHODOLOGY AND LOGIC OF THE DISCIPLINE OF FILM STUDIES / О МЕТОДОЛОГИИ И ЛОГИКЕ НАУКИ КИНОВЕДЕНИЯ by SHEMYAKIN ANDREY M. / ШЕМЯКИН АНДРЕЙ МИХАЙЛОВИЧ

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The Rhetoric and Aesthetics of World Cinema: Film Studies as a Place for the "Persistence of Geography" in Contemporary Cinema by Giorgio Avezzù

“… This article aims at considering the world cinema “perspective” in contemporary film studies as an approach that adopts a cartographical rhetoric and a worldist aesthetics. …”
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“Life Would Never Feel This Good Again”: The Use of Pastiche in Edgar Wright’s The World’s End (2013) by Diana Ortega Martin

Subjects: “…film studies…”
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For a Cosmopolitan Cinema – Editorial by James Mulvey, Laura Rascaroli, Humberto Saldanha

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Vivisection au ralenti: Don DeLillo’s Point Omega by Ruxanda BONTILĂ

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What can Hitchcock teach us about psychopathology? Part 2: Voyeurism and obsession in Rear Window (1954) by Dinesh Bhugra

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