Film Policy and the Role of Lithuanian Film Studio, Riga Film Studio and Tallinnfilm in Developing National Film Production by Audrius Dabrovolskas

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Ewa Ciszewska, Konrad Klejsa (eds.): <i>Kultura filmowa współczesnej Łodzi</i> by Karol Jóźwiak

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The formation of Ukrainian documentary film directing in the second half of the 1920s by V. Myslavskyi

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“Now Is the Time to Include the Films Produced by the Alexandru Sahia Documentary Studio in Our Conversations About the Communist Past.” An Interview with Adina Brãdeanu by Ionuț Mareș

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Between Vision and Possibility – Industrial Architecture From the Socialist Period in Sarajevo by Maja Pličanić

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Developing and Managing Film-Related Tourism in the All-for-One Model at a Tourism Destination: The Case of Hengdian Town (China) by Xin Cui

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LIFE AND CREATIVE ACTIVITY OF THE CHINESE FILM DIRECTOR OF GENIUS WU TIAN MING by Олександр Вікторович Безручко

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Between Poetics and Production. A Russian Trace in Shakespeare: The Animated Tales (Soyuzmultfilm / Christmas Films / S4C / BBC Wales) by Polina Rybina

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Sahia Vintage 5: Ephemeral Film—An Argument for a More Inclusive Film History by Andra Petrescu

“…Sahia Vintage is a pioneering curatorial project focusing on the documentaries produced by Alexandru Sahia Film Studio during the four decades of communism in Romania. …”
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GDR Cinema on Swedish Television by Emil Stjernholm

“…While few GDR films reached theatrical distribution, Swedish television imported and broadcasted over 30 productions by the state-owned film studio DEFA during the 1970s and 1980s, making this the primary distribution window for East German film in Sweden. …”
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ACA : Architecture Competition Annual. by Lee, Hwa-jeong, editor 636277, Lee, Kyoung-eun, editor 636278, Lee, Jin-ah, editor 636279, Yeom, Hye-won, editor 636275

Rôle et trajectoires des producteurs du roman porno Nikkatsu by Dimitri Ianni

“…When the studio system collapsed during the 1970s, Nikkatsu, Japan’s oldest major film studio, decided to switch to the quasi-exclusive mass production of low-budget erotic films. …”
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Specificity of the use of a memoir inheritance of Evgen S. Matveyev for the studing of the history of ukrainian cinema by О. В. Безручко

“…In this article have been analyzed of the use of the memoirs of the famous domestic actor of theatre and cinema, film director, cinema teacher Evgen Semenovich Matveyev for the studying of the little-known page of the history of Ukrainian cinema and Screen Arts education: the introduction of tuition fees at the USSR and the assistance of Oleksandr Dovzhenko in the life of poor students of the School of Movie Actors at the Kyiv Film Studio of Feature Films, including Evgen Matveyev. …”
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Relationship between serum levels of secreted frizzled-related protein 4/5 and vascular calcification in patients with diabetes nephropathy by Dong-mei Gao, Kun Xiang, Ming-xu Li

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History as an Image: Ecranisation of King Danylo Romanovych by Nazarii Khrystan

“…The directorate of the Odessa film studio named after O.Dovzhenko was interested in the history of the medieval past of Ukraine. …”
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Programming a Public Mediascape: Distribution and the Japanese Motion Pictures Experience by Rea Amit

“…However, more than these two factors, I argue that it was the film studio distribution apparatus labeled the “program picture,” which enabled an imaginary reunification of viewership throughout the country. …”
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From Precarity to Precariousness and Back Again: Labour, Life and Unstable Networks by Ned Rossiter, Brett Neilson

“…Where there are instances of inter-connection between, say, the work of migrants packaging computer parts or cleaning offices and that of media labour in a call centre, software development firm or digital post-production for a film studio, we see a common expressive capacity predicated on the dual conditions of exploitation and uncertainty.…”
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Dina Musatova Speaks about Andrey Tarkovsky by Golubev, A.B.

“…Between 1960 and 1991, she was a director at the Central Documentary Film Studio (CSDF). In 1966, Dina Musatova made the documentary film The Three Andreys (CSDF, director of photography Alexander Kochetkov). …”
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TOWARD A DOCUDRAMA CINEMATOG RAPHY AESTHETICS by OLĂRESCU DUMITRU

“…Of course, our national filmography is rich in this kind of non-fiction film, because almost all the directors from the Moldova-film studio have been involved in making some historical-biographical films: Anatol Codru, Emil Loteanu, Vlad Druc, Iacob Burghiu, Pavel Bălan, Mircea Chistrugă, Andrei Buruiană, Nicolai Harin etc. …”
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Méditations sur le « Paradoxe Pulp » : Pal, la Paramount et les pulps de SF by Jay P. Telotte

“…It examines this notion by considering a partnership in the 1950s between producer George Pal, major film studio Paramount Pictures, and the most respected of the sf pulps, Astounding Science Fiction. …”
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