Folk artistic creativity with digital collage technology to create designs for printed upholstery fabrics by Sarah Moustafa Abozeid, Naglaa Al-Wakeel, ريهام محمد عبد السلام

Subjects: “…folk artistic creativity…”
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From Zora Neale to Missionary Mary: Womanist Aesthetics of Faith and Freedom by Ada C. M. Thomas

“…In this essay, I discuss the art of Missionary Mary Proctor, a contemporary folk artist from Tallahassee, Florida, in the context of the literary aesthetics of the renowned twentieth-century anthropologist and writer Zora Neale Hurston. …”
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Southern Thai dialects in the crafting of political lyrics: exploring the language and ideas of Nora Somnuek Chusil by Theerawat Klaokliang, Kanit Sripaoraya

“…Despite the diverse interpretations of political concepts in global academia, Somnuek skillfully harnesses various dialects and writing techniques making him being locally competent interlocutor, and ascending to the status of a famous folk artist in southern Thailand.…”
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Toys and Expression of Ethnic Identity in Soviet Lithuania. Ethnographic Dolls and Figurines by Nijolė Pliuraitė Andrejevienė

“…The dolls and their arrangements were created by folk artists Ona Bakanauskienė and Jadvyga Šemetienė in the 1960s–1970s. …”
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Facing the Pandemic: A Perspective on Patachitra Artists of West Bengal by Maura Zanatta, Anjali Gera Roy

“…The article will also try to outline the future perspectives for the art market of these folk artists. The article consists of two parts: the first traces the transformative journey of Patachitra and Patachitrakars, and the second focuses on the impact of the pandemic through deploying the concepts of precarity, precariousness, and resilience.…”
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The role and significance of national values in teaching students to creative thinking by Naralieva Shakhlo, Khamroeva Khulkar, Ganiev Salimzhan

“…Great human values, several thousand years of historical and gradual stages of development and formation of folk artistic thinking are reflected in folklore, which was enriched and polished by the artistic and aesthetic genius of each generation. …”
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The heritage and development of Chinese characters in dragon lanterns dance by Zhao, Cong, Low, Kok On, Maureen De Silva

“…It is long loved by folk artists and public, as the performance illustrates the essence and deepness of the Chinese characters. …”
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Eliminating illiteracy at the early twentieth century: a review of the history of the alphabet and scripture (Azerbaijan, Kazakhstan, Kyrgyzstan, Uzbekistan and Turkmenistan by Y. Turgunov, K. Koch

“…The place of literature in the countries as a tool in the literacy campaign, the foundations of its development as a folk, artistic subject (teaching, theory and methodology) were differentiated. …”
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வைரமுத்து படைப்புகளில் அகமும் அறிவியலும் / Self and Science in Works of Vairamuthu by க. நவநீதக்கண்ணன் / G. Navaneethakannan

“…He has depicted the lives of folk artists in the novel “Oru Porkalamaun Irandu Pookkalum”. …”
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Features of the formation and possibilities of self-realimation of the creative personality in the conditions of the rural location of the period of the Khrushshov ‘thaw’ by Тетяна Чубіна, Яніна Федоренко

“…Scientific novelty – specific historical examples are used to analyze the peculiarities of the formation of creative personalities of folk artists in the conditions of the Ukrainian village under the influence of the processes of liberalization and de-Stalinization in the mid-1950s – early 1960s. …”
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Around 1948: The “Gentle Revolution” and Art History by Anna Markowska

“…Even the folk art was instrumentalized by the state which manipulated folk artists to such an extent that they often lost their original skills. …”
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Wokół roku 1948: „rewolucja łagodna” i historia sztuki by Anna Markowska

“…Even the folk art was instrumentalized by the state which manipulated folk artists to such an extent that they often lost their original skills. …”
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Identifying the Causes of the Emergence of Religious Themes and Its Important Components in the Murals of Religious Monuments of the Qajar Era (Case Study: Sacred Shrines of Guilan... by atieh youzbashi, Seyed Reza Hoseini, Abdolreza Chareie

“…Due to the post-constitutional developments, religious painting was mainly limited to folk paintings, which were mostly produced in sacred shrines by non-court painters and aimed at folk artists. The Qajar dynasty covered a wide variety of subjects, with opportunities for governmental, religious, literary, archeological, scientific, fictional, and everyday propaganda. …”
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