Variations in timbre qualia with register and dynamics in the oboe and French horn by Lindsey Reymore

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Variation of French horn timbre over the frequency and intensity range of the instrument by Shroyer, Kathryn E

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Beyond (the cave of) pitch/loudness-equalization: A Commentary on Reymore (2021) by Kai Siedenburg

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The Pedagogical Potential of the Phonetic Approach in the Training a Novice Wind Instruments Musician by Olga V. Uvarova

“…The author presents a scientifically-based technology for teaching novice performers on wind instruments-trumpet, trombone, french horn, tuba – high-quality professionally competent sound production. …”
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Church music inculturation by way of an experiment of arrangement of Dolo-Dolo mass ordinarium accompaniment- composed by Mateus Weruin for woodwind quintet by Yohanes Ruswanto, Juanita Theresia Adimurti

“…<p class="IsiAbstrakIndo"><span lang="EN-GB">Inculturation of Church music in an experiment of creating this arrangement aims to bring a different form of musical ordinarium accompaniment form of <em>Dolo-Dolo</em> Mass from Flores, with a different media that uses the woodwind quintet (flute, oboe, clarinet, French horn, and Basson). The experiment took one of the ordinary songs from <em>Madah Bakti</em> “<em>Tuhan Kasihanilah Kami</em>”. …”
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The fate of the postmodern world: On melancholy and rebellion by Milan Mihajlović by Vuksanović Ivana

“…Both works are composed for the wind instrument and the piano quartet and in the both cases the author’s voice, with its figures of sorrow and anger, is personified in singing, narrative lines of the wind instrument (the oboe in Melancholy and French horn in Rebellion respectively). These two compositions also demonstrate the specific concept of a circle that is intuitively searched for and ingeniously implemented. …”
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Aerosol emissions from wind instruments: effects of performer age, sex, sound pressure level, and bell covers by John Volckens, Kristen M. Good, Dan Goble, Nicholas Good, Joshua P. Keller, Amy Keisling, Christian L’Orange, Emily Morton, Rebecca Phillips, Ky Tanner

“…We evaluated aerosol number emissions (from 0.25 to 35.15 μm) from 81 volunteer performers of both sexes and varied age (12 to 63 years) while playing wind instruments (bassoon, clarinet, flute, French horn, oboe, piccolo, saxophone, trombone, trumpet, and tuba) or singing. …”
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Recognizing Similar Musical Instruments with YOLO Models by Christine Dewi, Abbott Po Shun Chen, Henoch Juli Christanto

“…Cellos, clarinets, erhus, guitars, saxophones, trumpets, French horns, harps, recorders, bassoons, and violins were all classified in this investigation. …”
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