L’intermède de Marcel Broodthaers : pour une critique de l’hybride by Sabine Hillen

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Celuloidowy pierścień Nibelunga. Wagner „ufilmowiony” albo o „kinematograficznych” inscenizacjach wagnerowskich dramatów muzycznych by Piotr Kletowski

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Narrativa, música y transmedia en Nier: hacia una nueva obra de arte total by Pau Damià Riera Muñoz

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Il "Carnaval" di Schumann in "Fräulein Else" di Schnitzler: le maschere come specchio dei ruoli sociali by Elisabetta Vinci

Subjects: “…Carnival, Gesamtkunstwerk, language crisis, mask, society…”
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Burle Marx and his collaborations by Magdalena Ana Sprechmann Gomez

Subjects: “…Gesamtkunstwerk. Burle Marx. Advertising. Modern imaginaries. …”
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Paysages berlinois et héritage romantique : les univers culturels et sonores de la trilogie Low-’Heroes’-Lodger (1976-1979) by Hugues Seress

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La Gesamtkunstwerk hegeliana by Moisés Moreno Medellín

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СИМУЛЯКРОВИЙ НАРАТИВ ІНТЕРПРЕТАЦІЇ ІСТОРІЇ В КУЛЬТУРІ ПОСТТОТАЛІТАРНОГО ПРОСТОРУ by Тетяна Костянтинівна Гуменюк, Юрій Григорович Легенький

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Gesamtkunstwerk and Multimedia – between the Auratic and the Technical by Livia Pavletić

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La líricopintura. Sobre las interferencias entre lírica y pintura by Kurt Spang

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A rosebush behind the hedge by Lucie Lollková

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The Synthesis of the Arts: From Ceremonial Ritual to “Total Work of Art” by Steven Brown, Ellen Dissanayake

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The Fashion Show as a Festival of Gesamtkunstwerk by Leszek Sosnowski

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ICONOGRAPHY AND GESAMTKUNSTWERK IN PARSIFAL’S TWO CINEMATIC SETTINGS by Alunno Marco

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Composer of the revolution: Scriabin’s idea of the Mysterium - the total work of art by Trifunović Branislava

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The phantasmagoria: From ghostly apparitions to multisensory fairground entertainment by Charles Spence

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Postulating the impossible? The ideal of Gesamtkunstwerk in interwar avant-garde periodicals and their manifestos by Michał Wenderski

Subjects: “…Gesamtkunstwerk…”
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Josef Váchal’s Authorial Intentionality as a Manifestation of Aesthetic Trends in Culture at Turn of 19th—20th Centuries by D. A. Zudina, T. A. Sharypina

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Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde by Sue Broadhurst

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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams by Sophie Maruéjouls-Koch

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