Gramophone record libraries : their organisation and practice/ by 400105 Currall, Henry F. J., The International Association of music Libraries. United Kingdom Branch

Indexes and indexing; guide to the indexing of books and collections of books, periodicals, music, gramophone records, films, and others material/ by 270078 Collison, Robert Lewis

France Marolt’s Endeavours to Sound Document Folk Music by Drago Kunej

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In-Between Waves, Reels and Grooves: Zagreb Professional Musicians of the 1930s and the Menace of Mechanical Music by Mojca Piškor

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The Dynamics of Research of Instrumental Traditional Music at the Institute of Ethnomusicology at the Scientific Research Centre of the Slovenian Academy of Sciences and Arts in Pa... by Teja Turk

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Philosophy of Existence and “Mechanical” People in A. Platonov’s War Short Stories

“…Observations on the nature of the image of the German send the reader to the “mechanical” people of Platonov’s dramaturgy of the 1930s, showing their “genetic” kinship, the essence of which is declared by Platonov in the Notebooks of 1941–1942, where the writer rejects what is happening in the world as creation of emptiness. Likened to a “gramophone record”, the German soldier manifests an extreme “reduction of the human spirit”. …”
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Gramophone Serving Sacred Music? by Drago Kunej

“…Through the example of gramophone records released by the Ljubljana Cathedral Choir and the Adria Singers from the USA, one can see that favourable market results depended upon a number of factors. …”
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Hidden Grooves: Reconstructing Jugodisk Record Production (c. 1951-1958) by Marija Maglov

“…During the 1950s, Radio Belgrade commenced its own production of gramophone records, which is the topic of this paper. These 78rpm records were issued under the label Jugodisk, understood as forerunner of the later established PGP RTB/RTS. …”
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Partikongressens form by Johan Malmstedt

“…These are some of the sounds captured on the gramophone recording of the Social Democrats' annual congress in 1969. …”
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The resonance of the romantic horn call in the reception of Brahms's Trio, Op. 40 by Phillips, R

“…The later sections of the article discuss performances of the trio in relation to two important contexts: the developing institutional norms for public chamber music performance in Vienna during the 1860s, and the domestic reception of the classical chamber canon through gramophone recordings in Britain in the 1920s and 1930s. …”