A Method for Evaluating Human Observer's Perception of Color Differences by Zoran Gazibarić*, Vladimir Cviljušac, Predrag Živković, Nikola Mrvac

Get full text

Systematization of theory and methodology for teaching advertising and portrait photography based on the Russian experience by Dorofeeva Yuliya, Moiseev Aleksey

“…The proprietary integrated methods for teaching advertising and portrait photography has been tested by the authors in the systems of higher education, secondary vocational education, and continuing professional education in various fields and areas: design, computer graphics, art photography / photo art, the history, theory, techniques, and technology of photography, including advertising and portrait photography. …”
Get full text

Effects Of Ict Integrated Teaching Model On Graphic Design Achievement Of Pre - Service Art Teachers In Nigerian Colleges Of Education by Onwuagboke, Bede Blaise Chukwunyere

“…The apparent lack of utilization of Information and Communication Technology (ICT) in teaching in Colleges of Education in Nigeria and the students’ poor performance in Graphic Design caused by poor methodological approach adopted by Graphic Art teacher educators necessitated this study. …”
Get full text

Expedient by Fernando de Assis Rodrigues

“…Expedient (English) Electronic Journal Digital Skills for Family Farming (RECoDAF) ISSN (electronic) – 2448-0452 Expedient of Volume 3, Issue 2, July – December of year 2017 EDITORIAL BOARD Head Editor Fernando de Assis Rodrigues – São Paulo State University (UNESP) Editorial Board Fernando de Assis Rodrigues – São Paulo State University (UNESP) Ricardo César Gonçalves Sant’Ana – São Paulo State University (UNESP) Executive Comission Diana Vilas Boas Souto Aleixo – Londrina State Univerisity (UEL) Fábio Mosso Moreira – São Paulo State University (UNESP) Pedro Henrique Santos Bisi – São Paulo State University (UNESP) Jacquelin Teresa Camperos Reyes – São Paulo State University (UNESP) Ad hoc peer reviewers of this issue Ana Elisa Lourenzani – São Paulo State University (UNESP) Carolina Martins Fernandes – São Paulo State Technological College (FATEC) Cristiane Hengler Correa Bernardo – São Paulo State University (UNESP) Diana Vilas Boas Souto Aleixo – Universidade Estadual de Londrina (UEL) Elaine Parra Affonso – São Paulo State Technological College (FATEC) Elvio Gilberto da Silva – Universidade do Sagrado Coração (USC) Fábio Mosso Moreira – São Paulo State University (UNESP) Marina Funichello – São Paulo State Technological College (FATEC) Bibliographic Standards Normalization Elizabete Cristina de Souza Aguiar Monteiro – São Paulo State University (UNESP) Graphical Art Leonardo Felipe Franchi – University of São Paulo (USP)…”
Get full text

Attractive lives on attractive pages. Polish illustrated biographical books for young readers by Anita Wincencjusz-Patyna

“…By combining the traditions of Polish applied graphic art with its up-to-date condition the author wants to trace the impact of the old and the novelty of contemporary books. …”
Get full text

Livres muets by Martine Créac’h

“…Known as “Les trois livres”, “Pile de livres” or “Nature morte aux livres”, this engraving is therefore considered a still life, and even the very first still life in European graphic art. However, the arrangement of the three books, and the way the stack is constituted, suggest interrupted reading.Also a poet and publisher, Pierre Lecuire (1922-2013) dreamed of creating a “Tombeau d’Hercules Seghers” with Nicolas de Staël. …”
Get full text

The visual and the invisible in graphic design by نهي سعيد رضوان

“…Unfamiliar shapes achieve a suggestion of the principle of mental and perceptual perceptions within the space of artistic processes, including graphic art.2. The invisible is one of the explanatory thinking necessities that accompany the constructive propositions of the visual elements within the graphic design space.search problemIn its essence, plastic art is the result of its realization, and it is one of the important means of communication in human life. …”
Get full text

Statistical Image Properties in Large Subsets of Traditional Art, Bad Art, and Abstract Art by Christoph Redies, Anselm Brachmann

“…Here, we investigate some of these properties in three categories of art that differ in artistic claim and prestige: (1) Traditional art of different cultural origin from established museums and art collections (oil paintings and graphic art of Western provenance, Islamic book illustration and Chinese paintings), (2) Bad Art from two museums that collect contemporary artworks of lesser importance (© Museum Of Bad Art [MOBA], Somerville, and Official Bad Art Museum of Art [OBAMA], Seattle), and (3) twentieth century abstract art of Western provenance from two prestigious museums (Tate Gallery and Kunstsammlung Nordrhein-Westfalen). …”
Get full text

Pereka grafik sambilan dan permasalahan / Mohd Nasiruddin Abdul Aziz by Mohd Nasiruddin, Abdul Aziz

“…Menurut Shel Perkins di dalam penulisan bukunya yang bertajuk "Business Secrets For Designer pada tahun 2010, bagi mengelakkan isu hak cipta ini berlaku, pereka grafik di negara United States telah diwujudkan satu organisasi yang dinamakan AIGA (American Institute of Graphic Art) yang sentiasa memantau dan menjaga karya-karya dan kerja pereka grafik di sana. …”
Get full text

Disegno a stampa, disegno a mano and the development of the independent landscape drawing in Renaissance Venice by Whistler, C

“…This paper argues instead that prints and drawings were valued and appreciated for their intrinsic qualities as disegni, quite separately from paintings, by Venetian art-lovers in the early sixteenth century. Graphic art was recognized as a site for experimentation, particularly with pastoral subjects. …”

The visual culture of the images of the revolt (1968/1977) by Francesca Fatta

“…Corresponding to these claims there was a gigantic quantity of images, of which a certain number would remain the archetype of the 1968-1977 decade; from the psychedelic graphic art of the American West Coast, to the essential clenched fist icons of May 68, to the portraits of the new idols of the period’s youth. …”
Get full text

Making a new beginning based on drawing… educational paths in nursery and primary school by Franca Zuccoli

“…Differing interpretations of children’s graphic art have also been proposed based on how their productions are viewed. …”
Get full text

Computer Generated Holograms of 3D Points Cloud by Vladimir Cviljušac, Alan Divjak, Damir Modrić

Get full text

The Impact of Physical Parameters on the Perception of the Moving Elements in Peripheral Part of the Screen by Snježana Ivančić Valenko, Vladimir Cviljušac, Sanja Zlatić, Damir Modrić

Get full text

Secondary, Near Chaotic Patterns from Analogue Drawing Machines by Jack Tait

“…The intent in researching secondary patterns, near the edge of chaos, is to make expressive graphic art images as art works, testing how close they might come to a chaotic state whilst retaining visual coherence. …”
Get full text

CONTEMPORARY FIGURATIVE CHEKHOVIANA IN THE DON AND AZOV REGION: STATING THE PROBLEM by Marina Ch. Larionova, Roman G. Mikhalyuk

“…Kozin entitled Chekhov is a sample of Vector graphic art and depicts the writer as a “common man”, stressing the idea by a slightly changed Chekhov’s phrase given at the bottom of the sheet. …”
Get full text

The role of design in rooting mental images through digital portraiture and augmented reality technology (Art exhibition entitled "I am Egyptian") by Sarah Bedair Ibrahim Agag

“…As one of the means that support the educational role of plastic art exhibitions in general and the field of design in particular, and provide young girls with successful models to follow, serving as a role model for them and an incentive to build their future and the future of the nation.This study presents the art of digital portraiture and graphic art and its role in rooting the mental images of the idea of the ideal among young girls using augmented reality technology, and evaluating the use of exhibition visitors of this technology in order to improve the effectiveness and communicative efficiency of digital artwork. …”
Get full text

Osvícenská vizualita jako proces šíření vědění? by Pavel Suchánek

“…There was also a clear attempt to fulfil the ideal of public art based on modern criteria of ‘taste’, aimed at eliminating persisting social barriers and the cultural monopoly of established aristocratic elites and creating a template for a bourgeois visual culture (sensibility, reappraisal of hierarchy of genres, instruction in drawing, growth of graphic art, etc.). This movement of knowledge also made it far easier for recipients to find their bearings in the art market (exhibitions, reviews, advertisements) by providing them with criteria for judging the quality of artworks and, more generally, promoting the visuality of the dawning industrial age (public access to art collections, industrial exhibitions, the first museums, etc.), and hence to a hitherto unseen extent opening up the world of visual art to the wider public. …”
Get full text

Evaluation of the efficiency of social projects of non-profit organizations in the sphere of international relations (by the example of the Saratov region) by Olga G. Antonova, Elena A. Koloyartseva, Irina Yu. Novichkova

“…Project “The History of Orthodoxy in Saratov region in persons and artifacts: a collection of antimensions of the 19th – 21st centuries from the Museum of the History of Saratov Metropolis as unique monuments of graphic art and evidence of the epoch” in the amount of 499,848.00 rubles aimed at promoting civil and spiritual and moral education. …”

A comparison of the linguistic encoding of artificial-intelligence-generated academic essays and academic essays written by MSc ALSLA 2022-23 students by Iqbal, N

“…Though these discourses include songs, graphic art, and computer codes, one of the main concerns for educational boards globally is the use of generative AI for academic essays. …”