The Ontological Foundations of Digital Art by Róisín Lally

“…This paper argues that graphic art, and in particular digital graphic art, has great power to shape and transform our thinking and experience. …”
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INFLUENCE OF SYMBOLS OF A FOLK ART OF UKRAINE ON FORMATION OF FIGURATIVE THINKING IN THE FINE ARTS by O.A. Vasylyeva

“… The artical gives the investigetion of simbols of folk art, the iconographie art pecific, synonymical names and contents, and also gives and also the influence of simbols on the fluid in graphic art. …”
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Antonín Hořejš — neúnavný propagátor nového Slovenska / Antonín Hořejš — the propagator of new Slovakia by Klára Prešnajderová

“…He was the man behind the art magazines Slovenská Grafia (Slovak Graphic Art) and Nová Bratislava (New Bratislava). …”
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Employing motion graphics videos in public awareness advertisements on social media platforms by Faten Ibrahim

“…Attempting to answer the research questions, and at the end of the research the researcher has reached the most important advantages of motion graphic art, which she strongly recommends for awareness advertisements, as it is characterized by the ability to attract attention and emotional capture. …”
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Brașovul și cartea veche între 1805 și 1827 by Marcela Ciortea

“…This paper presents the volume “Graphic Art of Old Romanian Books Printed in Brașov” (1805-1827) written by Anca Elisabeta Tatay and Cornel Tatai-Baltă and published in excellent graphic conditions at the Mega Publishing House in Cluj-Napoca, in 2020. …”
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Psychohermeneutics of graffiti: external and internal loci of control by Kolmakova Valentina, Shalkov Denis

“…The study proposes a classification of graphic art objects, which is based on the form of public expression of the individual's inner world, which is associated with the implementation of the compensatory-pragmatic function of graffiti as a universal code of modern urban communication.…”
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Gustavo Adolfo Baz y la idea de un Instituto Tipográfico Mexicano (1882) by Marina Garone Gravier

“…Since the find of the document for the creation of the Mexican Typographic institute, which was conceived by Gustavo Adolfo Baz in 1882, in this essay it will be analyze the context in which this project was done, the state of the graphics arts, specially the typographic education in Mexico at the end of 19th century; after the Baz’s proposal will be analyze: the structure and content of the Study plan, as well as the author and international references that fed Baz thinking, to describe, before the conclusions, the viability, and comment the reception and destination that his project had.…”
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Hero Place and Graphic Space In novel (Body's memory) and (Sensory mess) for Ahlam Mostaghanammy by Tamer Abdel Aziz

“…My search is selected on novels (Body's memory) and(Sensory mess) for Algerian Writer (Ahlam  Mestghanmy), that is achieved the relation between novel and Graphic Art ,and the place is the hero in both novels,we express about it through narrative achieve ,through Graphic Art,It is reflected in fourteen painting in (Body's memory), whereas visiual Art is the idea which launched from (Sensory mess) based on Pygmalion instatue in narrative aceive continue in a place and is considered a human describe in both characters in novels . …”
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How is a philosophy of photography possible? by Savchuk Valery

“…When we talk about specific genre, for example, graphic art or sculpture we use the term “philosophy” in a broader, metaphorical sense. …”
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THE PORTRAITS OF CARMEN GAUDIN by Carlos Montes Serrano

“…His sketches, posters, drawings and paintings on cardboard still keep open mouthed all those who deals with graphic art. This brief essay is about the portrait which appears so prominent in Lautrec’s work, from the deep study of the ten paintings he made of his favourite model Carmen Gaudin. …”
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The role of visual elements in remembering the message in motion graphic ads “A case study of awareness advertisements about COVID-19 by Egyptian Ministry of Health and Population”... by Faten Ibrahim

“…The research analyzes the use of motion graphic art to raise awareness about the Covid 19 virus, which has engulfed the globe in a wave of attacks, necessitating the dedication of countries around the world to take the required steps to tackle the pandemic, including coordinating public awareness campaigns to inform society about prevention and response methods, as well as methods of dealing in the event of infection.The Egyptian Ministry of Health and Population has resorted to the use of motion graphic art - which is one of the modern arts - to raise awareness of the emerging Covid 19 disease in public awareness advertisements, as this art has many advantages that achieve popularity and acceptance among the masses as an advertising tool for public awareness.In this research a descriptive and analytical study of four advertising videos from the ads of the Egyptian Ministry of Health and Population on the Ministry's official Facebook page, and the visual elements of shape, color, typography and movement were exposed, along with the sound element and the time period of the advertisement, then a questionnaire was used to classify the importance of each of these elements and what have a negative or positive effect on recognizing and remembering the advertising message.Then, through the statistical analysis, a set of results was reached regarding the preferences of the recipient audience and the extent to which each of these elements affects the remembering and acceptance of the advertising message, as we find that simple forms are realized faster, movement-which is the distinctive element of Motion ads- had preferred by the masses as simple movements, besides the voice, the greater percentage of the masses preferred that the advertisement be accompanied by a voiceover and not just music, and that the duration of the advertisement be as short as possible, which requires the advertising designer to take into account all the components of the presented advertising video in order to achieve the desired goal and It successfully reaches the masses.…”
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The Body is the Message: Democracy and Authoritarianism in Belmonte's Cartoons (1938-1942) by Vinícius Liebel

“…How to escape censorship when graphic art is under surveillance by an authoritarian government? …”
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Art education by Cristina Varela, Begoña Paz García

“…Two stage transfer drawing  by Dennis Oppenheim, Tree Dance  by Gordon Matta-Clark and Swamp by Robert Smithson and Nancy Holt are the three films that we will relate to contents of childhood and primary education, such as graphic art, movement and exploration of the environment. …”
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Ancient Cartographic Documents in Educational Activities for Library Readers by Melnychuk Valentyna, Romanchuk Mariana, Uvarov Yurii

“…Ancient geographical maps are also used in this work as material objects of the past and as works of graphic art which help convey important ideas to the participants of events, the most important ofwhich are respect to achievements of the past and the need to preserve nature and cultural achievements. …”
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Graphics tablet technology in second year thermal engineering teaching by Antonio Carrillo Andrés, José Manuel Cejudo López, Fernando Domínguez Muñoz, Eduardo Amador Rodríguez García

“…<p>Graphics tablet technology is well known in markets such as manufacturing, graphics arts and design but they have not yet found widespread acceptance for university teaching. …”
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THE VALUE OF LITHOGRAPHY IN ARTISTIC CREATION by DIACONU-CATAN,OXANA

“…In the carried out research is highlighted the role and contribution of lithography as an original technique of multiplication, which contributed to the development of graphic art. Focusing on the presentation of the technical characteristics, the author pleads for bringing back the interest of plastic artists and graphic design students towards this technique, which offers various possibilities for creative expression. …”
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Deep image synthesis from intuitive user input: A review and perspectives by Yuan Xue, Yuan-Chen Guo, Han Zhang, Tao Xu, Song-Hai Zhang, Xiaolei Huang

“…Abstract In many applications of computer graphics, art, and design, it is desirable for a user to provide intuitive non-image input, such as text, sketch, stroke, graph, or layout, and have a computer system automatically generate photo-realistic images according to that input. …”
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THE CONTRIBUTION OF FEMALE ARTISTS TO THE DEVELOPMENT OF EASEL GRAPHICS IN BASSARABIA by Raşchitor Tatiana

“…Among the first artists of the second generation, after 1918, it is worth mentioning the graphic artist Tania Baillayre-Ceglokoff, as well as Elisabeth Ivanovschi, and the painters Ada Zevin and Eugenia Gamburd for their early works. Keywords: graphic, art, Bassarabia, engraving, drawing…”
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Symposium: Drawing the Human by Timothy D Peters

“…Arising out of the 2019 Graphic Justice Research Alliance conference, hosted by the School of Law and Criminology (now the School of Law and Society) at the University of the Sunshine Coast, Australia, the papers collected here examine not only the way in which comics and graphic art present narratives of law and justice, or representations of human rights and their abuses, but also the way in which comics in their form and multimodality call into question the law’s drawing of the boundaries of the human as it is challenged by its relation to the non-human, the environment and technology.…”
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Moths on the Flatbed Scanner: The Art of Joseph Scheer by Stephen L. Buchmann

“…During the past decade a few artists and even fewer entomologists discovered flatbed scanning technology, using extreme resolution graphical arts scanners for acquiring high magnification digital images of plants, animals and inanimate objects. …”
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