Binomy i golofrastičeskie sraŝeniâ v poètičeskoj i obydennoj reči: sistemnye harakteristiki i stilis by Levon Saakân, Olʹga Severskaâ

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Holophrasemes with a Central Component ‘zhe’: Derivational Models by E. V. Shchenikova, E. A. Zhdanova

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DELOCUTIVES IN THE MODERN RUSSIAN LANGUAGE by N. A. Nikolina

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Adaptation of Film Terminology in the General Language by S. A. Pankratova

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Les marqueurs illocutionnaires holophrastiques du désaccord by Olga Galatanu

“… Our focus is on a subclass of discourse markers that we have called “holophrasis” (Galatanu, 1984, 1992, 1997, 2016). We define “holophrasis” from linguistic (syntactic and semantic) and pragmatic criteria (types of language acts, stereotypical contexts, propositional content classes), as prefabricated expressions from a cognitive but also contextual point of view, which: – mark the illocutionary force of an act of speech and the link between that force and a class of contexts in which the act is performed; – incorporate a class of propositional content appropriate to these contexts; – imply the propositional content of the occurrence of the act in situation. …”
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Como se morde um pai? Estudo de caso de um jovem autista: uma abordagem psicanalítica by Maria Elisabeth Araújo, Carlos Alberto Ribeiro Costa

“…Keywords: autism; passage to the act; name of the father; holophrasis; body.…”
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Disapproved / Approved Fragments of Contemporary Social Reality: Unusual Neonominations by Larisa N. Rebrina

“…The most productive methods of non-usual word formation in the studied lexical subset include blending, lexicalization of an abbreviation, stem truncation; less frequent – holophrasis, graphics, the inclusion of a foreign component in the centaur word; rarely used – reduplication, tmesis, anagram, stepwise way of word formation, pluralization, creation; irrelevant – the emancipation of the morpheme, the spillage of the word. …”
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Postmodernist Play within Different Text Levels in There But For The by Ali Smith by G. I. Lushnikova, T. Iu. Osadchaia

“…The diction of the novel is characterized by usage of stylistic devices of different language levels, their function being that of the play: oxymoron, zeugma, chiasm, holophrasis, different types of morphological repetition, and pun. …”
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