When the curtain falls: The sustainability of incidental music by Novaković Monika

Subjects: “…incidental music…”
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Nordic incidental music: between modernity and modernism by Broad, L

“…<p>This thesis argues for the centrality of incidental music in early twentieth-century music history, based on a study of Swedish and Finnish theatre music between 1908 and 1926. …”

Two Unknown Cases of Printed Incidental Music in the Sixteenth- and Seventeenth-Century Italian Theatre by Ivano Cavallini

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Incidental music by Vojislav Voki Kostić in theater: Preliminary insights with an analytical review of the music for the play 'Maria Stuart' by Novaković Monika

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A Cinema’s Female Worker in a Musical Key: Ana Satrova by Virginia Sánchez Rodríguez

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In(-)formations. The Meaning of Paratextual Elements in Debussy's Syrinx by Marcel Cobussen

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‘Clear, happy, and naïve’: Wilhelm Stenhammar’s music for As You Like It by Broad, L

“…It uses as its focus Wilhelm Stenhammar’s incidental music for Shakespeare’s As You Like It, composed in 1920 for a production directed by Per Lindberg. …”

Erik Satie’s Socrate (1918), Myths of Marsyas, and un style dépouillé by Samuel N. Dorf

“…Satie envisioned the work as incidental music for the reading of Plato. The soprani sing selections in French from Plato’s dialogues on the life of Socrates in a detached style, as if reading. …”
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Symbolism and theatre of masques: The deathly carnival of la belle époque by Mosusova Nadežda

“…It was not by chance that Schumann's piano suite became one of the first ballets of Diaghilev's Saisons Russes (1910) and Masquerade, performed with the incidental music by Alexander Glazunov, the last pre-revolutionary piece of Vsevolod Meyerhold (1917).…”
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14. The Violin in L’histoire Du Soldat – A Metaphor of the Soul by Vișenescu Oana Iuliana

“…After three great ballets, whose new conception by Stravinsky and Sergei Diaghilev (1872-1929) brought about a fundamental revolution in dance aesthetics, the composer crystallises his notion of incidental music. The aesthetics of L’Histoire du soldat, a work “to be read, played and danced”, is opposed to that of Richard Wagner (1813-83) and his Gesamtkunstwerk (a work blending various arts, a total work of art): a new artistic idea, frozen in gesture and movement, compressed, finding its concentrated expression. …”
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‘Cantare alla greca con citere e violini’: Western Musical Transfers and Localisations in Early Modern Crete by Alexandros Maria Hatzikiriakos

“…The article goes on to explore the dissemination of Western secular instrumental and polyphonic practices in the main Cretan cities, taking as a case study literary sources dating from the fifteenth and sixteenth centuries which testify to polyphonic compositions in Greek, such as madrigals and incidental music. A last example is represented by the chivalric romance Erotokritos, containing references to Western musical symbolism, such as the myth of Orpheus as a good rhetor and sovereign, and the lute representing civic harmony. …”
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Lindembergue Cardoso: aspectos de uma obra plural Lindembergue Cardoso: aspects of a pluralistic musical work by Ilza Nogueira

“…There are 110 works with opus numbers and other pieces without opus number, among which we find arrangements, incidental music, a few transcriptions and orchestrations. …”
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Aram Khachaturian (1903-1978): A Retrospective by David Z. Kushner

“…Khachaturianʼs compositions encompass such genres as the symphony, the concerto, film scores, incidental music to plays, band music, vocal and choral compositions (including such patriotic efforts as Poem on Stalin and Ballad about the Motherland), and, what might be regarded as a sequel to the three earlier concertos for piano, violin, and cello, viz, the Concerto-Rhapsody for violin and orchestra (1961), the Concerto-Rhapsody for cello and orchestra (1963), and the Concerto-Rhapsody for piano and orchestra (1968). …”
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The wedding and death of Miloš Obilić: From The Fairy’s veil to The Fatherland by Mosusova Nadežda

“…Vojnović’s play was performed in Belgrade and Zagreb in 1906 and 1907 respectively, as well as in Trieste (1911) and Prague (1926); and several Serbian and Croatian composers wrote incidental music for it. Slovenian composer Mirko Polič was also inspired by it and his work was performed in Ljubljana in 1947, while Konjović’s “festival drama” finished in 1960 was staged much later. …”
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Stimulus Control: The Sought or Unsought Influence of the Objects We Tend To by John A. Bargh, Pareezad Zarolia, Lindsay R. L. Larson, Ezequiel Morsella

“…Using new paradigms that resemble detection tasks, three studies demonstrated that "very incidental" actionrelated distracters systematically interfere with simple, repeated actions that involve minimal response selection and decision-making processes. In Study 2, incidental musical notation interfered more with the simple actions of expert sight-readers than with the same actions of non-musicians. …”
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Stimulus Control: The sought or Unsought influence of the Objects we tend to by John A. Bargh, Pareezad Zarolia, Lindsay R. L. Larson, Ezequiel Morsella

“…Using new paradigms that resemble detection tasks, three studies demonstrated that 'very incidental' actionrelated distracters systematically interfere with simple, repeated actions that involve minimal response selection and decision-making processes. In Study 2, incidental musical notation interfered more with the simple actions of expert sight-readers than with the same actions of non-musicians. …”
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