“Alpha Females”: Feminist Transgressions in Industrial Music by Nicolas Ballet

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The Routledge guide to music technology / by Holmes, Thom

An efficient method to build music generative model by controlling both general and local note characteristics by Thinh Do Quang, Trang Hoang

“…It has been shown that since the rapid development of the entertainment industry, music generation has become a focused research topic. …”
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Song and Music Information Systems as a Protection of Song Copyrights in Indonesia by Diana Silfiani

“…This post will use method study qualitative with approach descriptive comparing evaluation existence System Information Song and or Relative music new in Indonesia with practice international, in Thing this is United States of America as a country with industry music largest and commercialization. right create digital song has been recognized by wide.…”
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Hollywood Genre, Cultural Hybridity, and Musical Films in 1950s Hong Kong by Xiao Lu

“…Following the trauma of the Second World War, Hong Kong, under British governance, enjoyed considerable economic and political freedom to establish a local entertainment industry. Musical films became a major genre of Hong Kong’s film releases in the 1950s. …”
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SUONO / Muhammad Nur Amirul Mohd Ruslan by Mohd Ruslan, Muhammad Nur Amirul

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Committing Digital Music Piracy: A Study in Penang by KIP, Beatrice Stella Robert, Lim, Yin Yung, Lim, Ee Shiang

“…Piracy is one of the primary challenges facing the music industry. Music piracy has accounted for substantial revenue losses in this industry in Malaysia, a country in which intellectual property regimes are deemed as a matter of concern. …”
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Cyberpunk as a Metacultural Movement: Philosophical-Cultural Analysis by Валерій Кушнарьов

“…Cyberpunk is an interesting, functional and new (in comparison with classical examples) form of mass culture, cultural-ideological movement, and sphere of translation and the intersection of protest ideas and meanings, due to its genre and sectoral pluralism (science fiction, film industry, music, design, video games, fashion, ideology, etc.), and also logics of technodeterminism, is still an important factor of transformation cultural-art space in the 21st century. …”
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World Cultural Nomadictates: An Inquiry into the Trans-local Dynamics of Music Festivals in Morocco by El Maarouf Moulay Driss

“…In view of this, this paper, which borrows from data collected during between 2010 and 2011, will examine cultural industries, music festivals in general and the Essaouira festival in particular, in relation to world flows, while holding the argument that the appropriation of western artifacts locally has always been part of a not-so-novel process of mobility of what we call world cultural nomadictates (nomadic dictates). …”
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SOCIAL MEDIA INFLUENCERS AND IMAGE OF NATIONS: APPROPRIATING THE ENERGIES OF SELECT NIGERIAN SMIS TO BOOST NIGERIA’S GLOBAL REPUTATION by Ntiense Usua, Isomgboawaji Ntente Ruth Ijah

“…But developments in the entertainment industry—music, movie, comedy and related content making enterprises—which have produced several influencers, indicate that notwithstanding negative portrayal, social media influencers have made contents that have popularized and portray them in positive ways and through that, endear themselves to global audiences, using the social media. …”
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