Public speaking : the lively art / by 217742 Powers, John H.

Some demonstrations to introduce the art of performance by Carina Sehn, Paola Zordan

Subjects: “…live art…”
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LIVE ART: cuerpo, acción y repercusión en el proceso transdisciplinar by Alfonso del Río-Almagro

Subjects: “…Live Art…”
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Rethinking Rhetorical Theory, Criticism, and Pedagogy: The Living Art of Michael C. Leff by Curtis Hyra, Blake Scott, Christopher W. Tindale

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Returning to <i>Jamais Vu</i>: Uncanny Encounters in the Live Art Archive and in the Flesh by Elaine O'Sullivan

Subjects: “…Anne Seagrave, Live Art, Uncanny, Re-enactment, Spectatorship…”
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Reading Queer Irish Performance across Live and Digital Practice by Katherine Nolan

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Seeing the Seeing the Seeing: Understanding the Spectatorship of Forced Entertainment by Jan Suk

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Review: Amelia Jones and Adrian Heathfield (eds.), Perform, Repeat, Record: Live Art in History, London, Intellect Books, 2012; pp. 650; RRP AU$95.00 paperback by Janet Carter

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Filozofia ako duchovné cvičenia: staronová možnosť pre filozofiu (Philosophy as Spiritual Exercises: Old and New Possibility of Philosophy) by Andrej Záthurecký

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'Cloth, cull and cocktail: anatomising the performer body of "Alba"' by Norrie, K

“…Where and how can the live experience 'being there' be positioned in Scottish live art culture? Such transformatively liminal corporeity is situated in three examples of performative objects intrinsically linked to readings of Scottish identity. …”

[Schm]alchemy: Magical sites and mischievous objects – episodes in a performative inquiry into the transformative and disruptive potency of stuff by Gillian Whiteley

“…The episodic text ruminates on these ideas through a series of ‘site-written’ narratives on the traces of sorcery and radical political histories in the 'villes 'and forests of Limousin, France, intercepted by passages of analysis of the author’s involvement (2009 – 2015) in the live art multimedia performance group, 'Alchemy/Schmalchemy. …”
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The exquisite corporealities of Leibniz: performance as embodied practice of thought and documentary praxis by Spackman, Helen

“…This document offers a theorized contextualization and analysis of the performance research I (Helen Spackman) have undertaken with and through LEIBNIZ, the fluid Live Art collective that I co-founded with Ernst Fischer in 2005. …”
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Nietzsche, Hölderlin, Kant. L’arte e il vivente by Mariagrazia Portera

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Arab Subcultures : Transformations in Theory and Practice / by Sabry, Tarik, 1969-, editor, Ftouni, Layal, editor

“…This is the first book to set out to delineate different ways of studying and theorising Arab subcultural groups and practices, including film, graffiti, music, live art performances, Arab techies and youth cultures. …”

Many Lives of Perfomance: A Short Review by Dejan Sretenović

“…The last section of the text is dedicated to reperformance as a recently emerged form of repetition and documentation and to the use of performance in light of the increased interest in preserving the live art of the past. …”
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In the service of… by Julieanna Preston

“… In the service of … recalls ground maintenance, a live art performance enacted at the 2013 Plenitude and Emptiness Symposium, Edinburgh, Scotland. …”
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Opening Spaces of Resistance in the Corporatized Cultural Institution: Liberate Tate and the Art Not Oil Coalition by Emma Mahony

“…It then examines how a coalition of subversive arts collectives, that come together under the banner ‘Art Not Oil’, have begun to successfully shatter this consensus through a sustained campaign of unauthorized live art interventions enacted inside cultural institutions. …”
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Taxidermy, Documentation, and the ‘Liveness’ of Death by Francis Marion Moseley Wilson

“…Using both Peggy Phelan and Phillip Auslander’s concepts of ‘liveness’ and performance, I argue the potential of the olfactory in live performance, particularly the smell of dead animal bodies, and how our senses that have not yet been mediatised contribute to our experiences of live art. This analysis of 'cuddle' combines these theories of ‘liveness’ with Aurel Kolnai’s 'On Disgust', Julia Kristeva’s concept of abjection, and Phelan and Herbert Blau’s readings of mortality in the experience of an artwork as a live performance.…”
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Third Space Network: Theatrical Roots by Randall Packer

“…The third space can be viewed as a new realization of the community of theater in a globally connected culture: performance space for broadcasted live art, a forum for the aggregation of artist streams of media art, and an arena for social interaction. …”
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Register: de la realización a la activación by José Manuel Ruiz Martín, Cesar Portilla

“…Con ello, se generó una instalación formada por diferentes ambientes, donde dos artistas se encuentran inmersos en labores de recolección, clasificación y ficción, empleando diversos géneros, lenguajes y medios, como live art, new media performance y sound design, entre otros. …”
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