Condenados de Manuel Mur Oti (1953): Lorca en Castilla / Condenados by Manuel Mur Oti (1953): Lorca in Castille by Nekane Zubiaur Gorozika

“…</p><p><strong>Abstract</strong></p><p><em>Condenados</em>, Manuel Mur Oti’s third film, is a passionate rural drama which depicts a bloody love triangle. Although based upon a play by José Suárez Carreño, the analysis of the <em>mise en</em> <em>scène </em>reveals that, in fact, the film adaptation shares only the original plotline dealing with the traditional concept of honour. …”
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Transatlantic Doubles: Intertextual Ageing in the Early Fiction of Edgar Allan Poe and Edward Bulwer-Lytton by Marta Miquel-Baldellou

“…Bulwer-Lytton’s novella Falkland (1827) and Poe’s classical tale “The Assignation” (1832) are rooted in a Byronic myth, depicting a love triangle which particularly echoes both authors’ respective parental circumstances. …”
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Pegasus ja puuhobune. James Joyce’i „Kunstniku noorpõlveportree” ja Friedebert Tuglase „Felix Ormusson”. Pegasus and the Wooden Horse: James Joyce’s Portrait of the Artist as a You... by Tiina Ann Kirss

“…The opposition of ”hick” and ”slicker” is also played out in the love triangle with the two sisters Helene and Marion, and Felix’s opposition to his friend Johannes. ”Over-reflexivity” culminates in Felix’ banal flight from the scene of his abortive summer romances at the end of the novel. …”
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Estrellas de mar: Maria Irene Fornes y la reescritura femenina del melodrama / Starfish: Maria Irene Fornes and the Feminist Rewriting of Melodrama by Mauricio D. Aguilera Linde

“…ABSTRACT: Since her debut as a playwright in the 1960s, Fornes has always shown an interest in rewriting and parodying the conventions of romance melodrama, mostly the clash of forces found in the love triangle, and the role of the heroine as the object of masculine desire and the moral adhesive of the family. …”
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Semantic Development of Love and Romantic Action Procedure in the Context of Online Communication Experience in Social Networks by Mohammad Ganji, Seyed Kamaledin Mousavi, Morteza Vahedian

“…In this context, there are theoretically different views on love experience. The theory of love triangle developed by Robert Sternberg considers love to be a 3-dimensional phenomenon, having the 3 main components of intimacy, sexual desire, and commitment as the sides of a triangle. …”
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DEFORMATION OF THE MELODRAMA GENRE IN UKRAINIAN POSTMODERN LITERATURE: IREN ROZDOBUDKO AND NATALIA HURNYTSKA by Olha O. Lilik, Olena V. Sazonova

“…At the same time, the studied literary works are significantly different from each other, which makes it possible to consider them as certain modifications of the melodrama genre: Natalia Hurnytska’s work is immersed in the historical and cultural atmosphere of the 19th century, and the leading role in it is played by the motive of unequal love of a young girl for a much older, wealthy man; the plot of the novel unfolds around a “love triangle” and has a “happy end”, it is marked by emotional aggravation and the outburst of passions. …”
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SPECIFICS OF THE GRAND MOTHER IMAGE TRANSFORMATION IN THE SHORT STORY “THE LOVELY LADY” BY D.H. LAWRENCE by Lyudmyla M. Kulakevych

“…This undeclared, unspoken competition of women for a man finds an artistic implementation in the repetitive daily situation at the dinner table, which oddly resembles a love triangle, which is always finalized with the late-night mother and son tête-à-tête time. …”
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Mate Selection Criteria for Short-term and Long-term Relationships: The Role of Gender and Previous Relationships with the Opposite Sex by Omid Isanejad, Shahin Hoshmand

“…Intimacy makes up the essence of love and is one of the elements of a love triangle from Sternberg's viewpoint, who defines it as an emotion which is a sign of closeness (Sternberg, 1987). …”
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“THE IDIOT” BY F. M. DOSTOYEVSKY AND “LES MYSTERES DE PARIS” BY EUGENE SUE: COMMON GROUNDS by D. D. Sharapova

“…The article features a number of selected heroes (Nastasiya Filippovna and prince Myshkin) and situations which have analogues with the novel “Les mysteres de Paris” by Eugene Sue and the genre of “romanfeuilleton” (for example, repeated scandals, which are very important for the story, coincidences, parentlessness of the main heroes, love triangles, numerous dramatic scenes and storylines). …”
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Fractional order model for complex Layla and Majnun love story with chaotic behaviour by Muhammad Farman, Ali Akgül, Saud Fahad Aldosary, Kottakkaran Sooppy Nisar, Aqeel Ahmad

“…Its ability is to show constantly changed chaotic behavior of two individuals in the relationship, the model was previously expressed in love triangles. The System is analyzed by using the fixed point theory technique, the existence and uniqueness of system are proved as well as analyzed qualitatively. …”
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The Feminist Possibilities of Heteroglossic Spaces in Contemporary Young Adult Romance Novels by Amy Noelle Parks

“…In particular, the analysis explores the feminist possibilities of love triangles and the use of dialogue to raise reader questions about their own beliefs about the nature of love. …”
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Criminalized Intimacies between POWs and ‘Unworthy War Wives’ and Their Soldier-Husbands’ Responses to Racial, Sexual Wartime Justice in Nazi Germany by Vandana Joshi

“…The author has selected a few love triangles from a large cache of Gestapo reports; regional, local and ‘Special Court’ trials; and soldier-husbands’ clemency appeals for a qualitative analysis. …”
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Lovers Versus Rivals: The Manifestation of Jealousy in the Amorous Verse of Mirza Ghalib and John Donne by Muhammad Asif Khan, Ghulam Murtaza

“…The study discusses the impact of the presence of the Rival on the love triangles of Donne and Ghalib and illustrates how lovers in them react to the power and influence of the Rival. …”
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Ivan Kozlenko’s Tanzher and the Odesa Myth: Multidirectional Memory As a Strategy of Subversion by Vitaly Chernetsky

“…A novel whose plot centres on two pansexual love triangles, one taking place in the 1920s, the other in the early 2000s, Tangier employs strategies of intertextual engagement and multidirectional memory to construct an alternative affirming narrative. …”
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The Confluence of Naturalism and Postmodernism in Rose Tremain’s The Swimming Pool Season: a Post-War Feminist Approach to Realism by Émilie Walezak

“…Tremain’s brand of realism adopts feminist and psychoanalytical concerns with the instability of gender signifiers depicted in this polyphonic novel through marital crisis and a variety of love triangles. Larry and Miriam are a British couple in crisis while Gervaise, her husband Mallélou and her lover Klaus are involved in a ‘ménage à trois’. …”
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Coming Home to Modern Japan. An Orphic Dialogue between Japan and the West in Murakami Haruki’s Norwegian Wood by Emiel Nachtegael

“…Furthermore, I take into account the novel’s love triangles, which connect the two intertexts. In short, I see the novel’s identity as a transformative one. …”
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Intertextual discourse in V. Vynnychenko's dramas by Ольга Володимирівна Масло, Ірина Вікторівна Волкова

“…Vynnychenko's works are the understanding of freedom of moral and ethical choice and responsibility for it, deep external and internal conflicts, dissociation of personality, borderline situations at the ideological, political and domestic levels, love triangles, etc., i.e. the existential field of human existence. …”
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