Rapid fire : unarmed and extremely dangerous / [kasetvideo]

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Choreographing Genre in Kill Bill Vol. 1 & 2 (Quentin Tarantino, 2003 & 2004) by David Roche

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论香港武侠片“侠义”的演变——以《龙门客栈》、《新龙门客栈》、《龙门飞甲》为例 = A study of changes of "Wu Xia" concept in Hong Kong martial art films using Dragon Inn, New Dragon Gate Inn and The Flying Swords of Dragon Gate as examples by 黄乐静 Ooi, Le Jing

“…The evolution of the concept of chivalry in Hong Kong martial arts films.…”
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I Am the Invincible Sword Goddess: Mediatization of Chinese Gender Ideology through Female Kung-Fu Practitioners in Films by Mie Hiramoto, Cherise Shi Ling Teo

“…We therefore can use the ideals of Confucianism as a more accurate foundation in deconstructing the identities of nuxias, which allows us to better understand the mediation and mediatization processes of ideologies associated with Chinese femininity and masculinity in martial arts films.…”
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武侠电影类型的创新与突破 ：以跨国电影《卧虎藏龙》和《英雄》为例 = The rewriting and breakthrough of the Wuxia film genre : case studies of transnational films Crouching Tiger, Hidden Dragon and Hero... by Lim, Jia Ying

“…Having a long history as a film genre, wuxia or martial arts films is now a film genre that defines China in the global cinema market. …”
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The construction of an ethnic Chinese identity in Hong Kong Kung Fu films. by Yeo, Ronnie See Heng.

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