Optical Medieval Music Recognition Using Background Knowledge by Alexander Hartelt, Frank Puppe

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Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts by Leach, E

Accessing Medieval Music: from material codex to digital specimen by de la Flor, G, Jirotka, M, Meyer, E

Accessing medieval music: from material codex to digital specimen by de la Flor, G, Jirotka, M, Meyer, E

“…The scholarly study of medieval music manuscripts has traditionally required that musicologists travel to libraries and museums where the artefacts of interest, the complete manuscript or fragments of manuscripts, are physically held. …”

Holy women in the medieval music culture from the sources from the area of Slovakia by Eva Veselovská

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The real cost of acquiring pictures for the Digital Image Archive of Medieval Music (DIAMM) by Craig-McFeely, J

Digital images of medieval music documents: Transforming research processes and knowledge production in musicology by Eden, G, Jirotka, M

“…Musicologists who study medieval music manuscripts were up until recently required to travel to the libraries and museums where these documents or their fragments are physically held. …”

Digital images of medieval music documents: transforming research processes and knowledge production in musicology. by Eden, G, Jirotka, M

Digital images of medieval music documents: transforming research processes and knowledge production in musicology by Eden, G, Jirotka, M

Constructing Minnesang musically by Hope, H

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Gendering the semitone, sexing the leading tone: fourteenth-century music theory and the directed progression by Leach, E

Subjects: “…Medieval music…”

Sung birds: music, nature, and poetry in the later Middle Ages by Leach, E

Subjects: “…Medieval music…”

Notation und Identität: Bemerkungen zur gegenseitigen Durchdringung der typologischen Strukturen der Notationssysteme vom Gebiet der Slowakei by Eva Veselovská

Subjects: “…medieval music…”
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Fortune's demesne: the interrelation of text and music in Machaut's Il mest avis (B22), De fortune (B23) and two related anonymous balades by Leach, EE

Subjects: “…Medieval music…”

Zur Verschriftlichung sogennanter primitiver Mehrstimmigkeit by Rudolf Flotzinger

Subjects: “…medieval music…”
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The Medieval Chants for Ste Foy Considered through the Prism of Their Nocturnal Performance by Henry Parkes

Subjects: “…medieval music…”
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“O Jewel Resplendent”: The Virgin Mary and Her Analogues in Hildegard of Bingen’s <i>Scivias</i> by Nathaniel M. Campbell

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Transmisión oral y edición textual: El Cantar de mio Cid, de la experiencia práctica a la edición by Antoni Rossell

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'Epulemur in azimis' from the manuscript D-TRs 322/1994: An attempted reconstruction in the form of a circular canon by Ryszard Lubieniecki

Subjects: “…late medieval music…”
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The Medieval Apparition of the Virgin of the Girdle and the Marian Appendix of Liturgical Sequences in E-TO 135 by Patricia Peláez Bilbao, Arturo Tello Ruiz-Pérez

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