Podmiot, czas, światło. Gaspara Noé eksperymenty z realizmem we „Wkraczając w pustkę” by Antoni Michnik

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Traces of the Unrepresentable in the Modernist Discourse of Clement Greenberg and Michael Fried by Gal, Nissim

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Between Illusion and Theatricality: Rosalind Krauss, Michael Fried and Minimalism by Manoel Silvestre Friques

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Between Illusion and Theatricality: Rosalind Krauss, Michael Fried and Minimalism by Manoel Silvestre Friques(Universidade Federal do Estado do Rio de Janeiro – Rio de Janeiro/RJ, Brazil)

Subjects: “…Minimalism. Rosalind Krauss. Michael Fried. Art Criticism. Theatricality.…”
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“Engelmann Told Me...”: On the Aesthetic Relevance of a Certain Remark by Wittgenstein by Joachim Schulte

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Entre a Ilusão e a Teatralidade: Rosalind Krauss, Michael Fried e o Minimalismo by Manoel Silvestre Friques(Universidade Federal do Estado do Rio de Janeiro – Rio de Janeiro/RJ, Brasil)

Subjects: “…Minimalismo. Rosalind Krauss. Michael Fried. Crítica de Arte. Teatralidade.…”
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Thomas Demand e suas alegorias da intenção; "exclusão" em Candida Höfer, Hiroshi Sugimoto, e Thomas Struth by Michael Fried

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“Art and Objecthood,” Michael Fried and Jonathan Edwards by Houston Kerr

Subjects: “…michael fried…”
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Caravaggio’s gyroscope by Francesco Zucconi

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AN ACCOUNT OF MICHAEL FRIED’S GROUP DISCUSSION WITH FLUL’S PHD STUDENTS FROM ART HISTORY AND THEORY OF LITERATURE by Teresa Neto

Subjects: “…michael fried; art criticism; art history; “art and objecthood”; high modernism…”
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Every Wholly Other: Postsecular Pluralism in Isabel Rocamora's Faith by Mark Cauchi

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En las fronteras de la narrativa moderna: versiones de lo post-medium by Gabriel Cabello Padial

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Images de l’oubli de soi: les scènes de genre de Greuze et de Chardin by Erzsébet Prohászka

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Modernism, Tehatricality, and Scepticism: Michael Fried and Cavell’s Conception of the Ordinary Language Philosophy by Nikola Dedić

Subjects: “…ordinary language philosophy, history of art, theatre, scepticism, private language, grammatical criteria, Michael Fried, Stanley Cavell, Ludwig Wittgenstein…”
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