Kinematographische Tanzekstase by Clea Wanner

Subjects: “…Aleksandr Čargonin, Vladislav Starevič, Grigorij Boltjanskij, Rus′, Late Russian Empire, Russian Soviet Federative Socialist Republic, Temnaja vera, Lguščie Bogu, Belye golubi, Khlysts, performance culture, modern dance, ecstasy, choreomania…”
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Индивидуальная траектория образования как фактор подготовки студента по направлению «Хореографическое искусство»... by Вернигора Ольга Николаевна, Первушина Ольга Васильевна

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Unity in Diversity: the Interaction of Literature and Art of the Major Religious and Cultural Systems of India by O. G. Ultsiferov

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Contemporary Chinese Dance: The Interweaving of Tradition and Modernity by Min Zhu

“…There is evidence to suggest that hybridity is at play across Chinese classical dance, Chinese modern dance and Chinese contemporary dance.…”
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Douglas Dunn: il danzatore e la danza tra presenza e assenza by Aline Nari

“…In an attempt to reconcile the reference to historiographical issues and the focus on some more general hermeneutical ones, this article presents a study upon some aspects of the artistic path of the American choreographer Douglas Dunn, a protagonist of post-modern dance since its beginning. In fact, over forty years have passed since Sally Banes offered a first portrait of Douglas Dunn in her fundamental Terpsichore in Sneakers: Post-Modern Dance (1980); a span of time in which Dunn continued continuously to dance, create, teach, write. …”
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L’insegnamento di Jean Cébron all’Accademia Nazionale di Danza di Roma (1973-1976) by Tiziana Leucci

“…Trained in painting, music, ballet, modern dance, Labanotation, Javanese and Indian traditional dances under the guidance of his mother, M. …”
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Historical Development and Cross-Cultural Influence of Dance Creation: Evolution of Body Language by Xun Peng

“…Subsequently, it scrutinizes the emergence of modern dance, encompassing the American modern dance movement and European expressionist dance, along with the evolution of dance techniques and forms. …”
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Formation and Development of Contemporary Dance in Ukraine by Oleksandr Manshylin

“…The purpose of the research is to reveal the features of the development of modern dance in Ukraine in the period from the late 1990s to the beginning of the 2010s. …”
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A design exercise inspired by Pina Bausch. by Li, Wenjin.

“…In this year long design exercise, I attempted to translate modern dance aesthetic into a formal language and applied it to chair designs. …”
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Factors Associated with Musculoskeletal Injuries in Pre-Professional Modern Dancers before and after the COVID-19 Pandemic by Lital Kishon, Hilla Sarig Bahat

“…The prevalence of dance-related injuries is high, yet risk factors remain unclear in modern dance. The COVID-19 pandemic has affected the continuity and nature of dance programs. …”
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Hamstring extensibility differences among elite adolescent and young dancers of different dance styles and non-dancers by Raquel Vaquero-Cristóbal, Patricia Molina-Castillo, Pedro A. López-Miñarro, Mario Albaladejo-Saura, Francisco Esparza-Ros

“…Several studies have found differences in the extensibility of the hamstrings depending on the dance style, but none have compared ballet, Spanish dance and modern dance. The purpose of the present research was to analyze the differences in hamstring extensibility among professional dance students based on dance style practiced and non-dancers. …”
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Rueda de mujeres. Acerca de Susana Thénon by Paola Cortés Rocca

“…Taking them as a point of departure, this essay explores contacts and exchanges between the world of poetry, the operations of criticism and translation, the timing of modern dance and photographic image. They are addressed not only as languages producing specific and autonomous objects but fundamentally, as practices that weave links and associations between specific and historical individuals : Susana Thénon, Ana María Barrenechea, Renata Treitel, Iris Scaccheri.…”
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Az erdélyi táncszínház színházművészeti előzményei by Noémi Bezsán

“…During the socialist regime, modern dance initiatives completely disappeared from Transylvania. …”
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Primitive Rituals, Contemporary Aftershocks: Evocations of the Orientalist ‘Other’ in four productions of 'Le Sacre du printemps' by Lucy Weir

“…This paper situates the original choreography of Sacre as a basis for an ongoing exploration of non-Western themes in modern dance, a persistent fascination with the Orientalist ‘Other,’ before exploring the versions choreographed by Wigman, Bausch and Graham in chronological order of their first performances. …”
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Choreographing the extended agent : performance graphics for dance theater by Downie, Marc (Marc Norman), 1977-

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Educaţia dansului şi influenţa materiilor cu care acesta se intersectează în formarea dansatorului coregraf by Kinga Kis-Luca

“…Every dance genre has an equally important role in the development of the dancer-choreographer, who will label his or her experience accordingly: Classical dance, Renaissance dances and the baroque dances, Character dances, Ballroom dances (sport dance), Modern dance, Contemporary dance etc. Mastering as many dance styles as possible means on one hand the development of the capacity of coordination and concentration, of musical hearing and sense of rhythm, of musical and choreographic memory, abilities of improvisation, and on the other hand, the knowledge and sense of space, forms, and the social relations of a civilization.…”
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Research on plantar pressure dynamic distribution characteristics of samba step movements based on biomechanics by Song Honglian, K. Deepa Thilak, Tamizharasi G. Seetharam

“…It forms a sports dance system with modern dance. According to the method of sports biomechanics experiment, the dynamic parameters and changing rules of fork foot pressure dynamic distribution characteristics are summarised, which can provide theoretical reference for further study of the basic law of samba dance. …”
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The Electric Body by Misler, Nicoletta

“…Visionary choreographers – those who anticipated ‘modern dance’ – such as Vaslav Nijinsky realised that the involuntary movements, often spasmodic and out of control, which electric stimuli could incite (Luigi Galvani comes to mind), could also suggest totally new ideas to the dancer. …”
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Contro l'oblio: pratiche artistiche e ipotesi di ricerca per la danza del futuro by Andrea Zardi

“…By analyzing the inclusion of Modern Dance in Germany in the lists of intangible assets and a case study such as Jérôme Bel’s work for Isadora Duncan, we intend to highlight the capacity of dance to place these memories within transformative processes, in dialogue with the issues and characteristics of the present, opening up a new creative landscape for artists.…”
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Impact Assessment of a Methodological Program in Dance in Hungarian Public Education by Anita Lanszki, Adrienn Papp-Danka, Eszter Szabó

“…In the EFOP-3.2.6-16 Tender framework to Facilitate the Development of Student’ Skills in the Public Education System, the Hungarian Dance University developed a program with methodological guides and teacher training programs for ballroom dance, classical ballet, commercial dance, folk dance, and modern dance education. The training, held in 2018 and 2019, was attended by 126 graduate dance teachers from 57 public education institutions, mainly primary art schools. …”
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