Unity in Diversity: the Interaction of Literature and Art of the Major Religious and Cultural Systems of India by O. G. Ultsiferov

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Forming the Related Styles With Modern of Choreography in Ukraine by T. L. Drach

“…The aim of the article is to determine the main principles of modern-jazz dance, folk-modern dance and rock-ballets, to analyze the latest publications, which deal with the development of the modern-dance styles in Ukraine. …”
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The Influence of François Delsarte’s Ideas on the Modernity of Dance by Maria Albertina Silva Grebler

“…This study discusses the influence François Delsarte’s ideas had on the pioneers of modern dance. Having rejected books on gestural rhetoric of his own time to conduct a rigorous study on human behavior in strong emotional situations, Delsarte established principles and systematized exercises that provided the pioneers of modern dance an alternative method of interpretation and creation, more centered on the subject and on their relationship with the environment, than on the imitation of traditional gestures. …”
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Contemporary Chinese Dance: The Interweaving of Tradition and Modernity by Min Zhu

“…There is evidence to suggest that hybridity is at play across Chinese classical dance, Chinese modern dance and Chinese contemporary dance.…”
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Douglas Dunn: il danzatore e la danza tra presenza e assenza by Aline Nari

“…In an attempt to reconcile the reference to historiographical issues and the focus on some more general hermeneutical ones, this article presents a study upon some aspects of the artistic path of the American choreographer Douglas Dunn, a protagonist of post-modern dance since its beginning. In fact, over forty years have passed since Sally Banes offered a first portrait of Douglas Dunn in her fundamental Terpsichore in Sneakers: Post-Modern Dance (1980); a span of time in which Dunn continued continuously to dance, create, teach, write. …”
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L’insegnamento di Jean Cébron all’Accademia Nazionale di Danza di Roma (1973-1976) by Tiziana Leucci

“…Trained in painting, music, ballet, modern dance, Labanotation, Javanese and Indian traditional dances under the guidance of his mother, M. …”
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Historical Development and Cross-Cultural Influence of Dance Creation: Evolution of Body Language by Xun Peng

“…Subsequently, it scrutinizes the emergence of modern dance, encompassing the American modern dance movement and European expressionist dance, along with the evolution of dance techniques and forms. …”
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Formation and Development of Contemporary Dance in Ukraine by Oleksandr Manshylin

“…The purpose of the research is to reveal the features of the development of modern dance in Ukraine in the period from the late 1990s to the beginning of the 2010s. …”
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HIGHER CHOREOGRAPHIC EDUCATION: THE EXPERIENCE OF GERMAN-SPEAKING COUNTRIES by Iryna Tkachenko

“…It is found out that the main areas for which training is future choreographers in the German-speaking countries there is a "Dance", "Dance pedagogy", "Modern dance", "Science of dance", "Choreography". German-speaking countries recognized by the training of specialists in the specialty choreography of Modern dance that has no analogues in Ukraine. …”
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Genre and Style Interaction in Solutions Staged Ballets of the Nineteenth, Twentieth Centuries by Tatiana PORTNOVA

“…Of all types of expressive dance art tends to be the most figurative. The ratio in the modern dance space pictorial and expressive on the basis of existing dance techniques creates new approaches to understanding and mastering the art of ballet. …”
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A design exercise inspired by Pina Bausch. by Li, Wenjin.

“…In this year long design exercise, I attempted to translate modern dance aesthetic into a formal language and applied it to chair designs. …”
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Factors Associated with Musculoskeletal Injuries in Pre-Professional Modern Dancers before and after the COVID-19 Pandemic by Lital Kishon, Hilla Sarig Bahat

“…The prevalence of dance-related injuries is high, yet risk factors remain unclear in modern dance. The COVID-19 pandemic has affected the continuity and nature of dance programs. …”
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The Stage Achievements of T. Popescu (1935–2008) in Evolving the Male Dance on the Ukrainian Ballet Stage by O. I. Karandeyeva

“…Vaganova has been proved and the general evolution of socio-cultural reference points in the characteristics of the male modern dance and his stage–performing practice. Novelty. …”
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Body language in the brain: constructing meaning from expressive movement by Christine Marie Tipper, Christine Marie Tipper, Giulia eSignorini, Scott T Grafton

“…Participants watched videos of performers engaged in modern dance or pantomime that conveyed specific themes such as hope, agony, lust, or exhaustion. …”
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The antibody Hijikata Tatsumi by Éden Peretta

“…Considered one of the most influential modern dance representatives in Japan, Tatsumi Hijikata’s work was a milestone in the Japanese post-war experimental artistic scene. …”
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Change of jumping abilities and power in dancers after two years of training by Krzysztof Tomaszewski, Adam Szulc, Krzysztof Buśko

“…The two-year training cycle resulted in a significant increase in the power in all the jumps, which was not accompanied by a significant improvement in height of jump in modern dance dancers.…”
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“Visual design and dance”: dance as a research instrument by Cristina Barbiani

“…In a moment in which modern dance had reached a great expansion in spite of the Second World War, the young Anna resigned the opportunity to dance on the Broadway stages, where were performing the best choreographers such as Martha Graham, Doris Humphrey and Hanya Holm, to undertake a personal and innovative research of experimentation, of which this document is witness and where is already possible recognize the influence of her husband, landscape architect Lawrence Halprin, and the stimulating environment of Harvard and the Bauhaus masters as Walter Gropius and Lazlo Moholy-Nagy.…”
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Hamstring extensibility differences among elite adolescent and young dancers of different dance styles and non-dancers by Raquel Vaquero-Cristóbal, Patricia Molina-Castillo, Pedro A. López-Miñarro, Mario Albaladejo-Saura, Francisco Esparza-Ros

“…Several studies have found differences in the extensibility of the hamstrings depending on the dance style, but none have compared ballet, Spanish dance and modern dance. The purpose of the present research was to analyze the differences in hamstring extensibility among professional dance students based on dance style practiced and non-dancers. …”
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Rueda de mujeres. Acerca de Susana Thénon by Paola Cortés Rocca

“…Taking them as a point of departure, this essay explores contacts and exchanges between the world of poetry, the operations of criticism and translation, the timing of modern dance and photographic image. They are addressed not only as languages producing specific and autonomous objects but fundamentally, as practices that weave links and associations between specific and historical individuals : Susana Thénon, Ana María Barrenechea, Renata Treitel, Iris Scaccheri.…”
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Danse et littérature by Sonia Schoonejans

“…And whereas many points are in common between the two forms of art - search of shape, construction, rhythm, as well as in vocabulary, step alphabet, ballet grammar, modern dance syntax for dance - noteworthy differences still persist. …”
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