Imric Porsolt: The “Messenger of Modernism” in Exile by Linda Tyler

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The place of Modernism in Central European art by Katarzyna Murawska-Muthesius

“…The precepts of the horizontal art history, widely discussed and used both within and outside the region, have been recently re-examined by Matthew Rampley who submitted to Umění a provocative article, assessing its aims and impact, as well proposing a new set of insights on methods and practices of studies on modern art of the region. This text is a review of the debate which, stimulated in turn by Rampley’s contribution, was published in the same issue of Umění in 2021. …”
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Pretentious Starchitecture: Modernism and its Conceits by Frank Albo

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Indigenous modernism: dehabituating reading practices by Madeleine Reddon

“…I define a term to unsettle a series of categorical terms long-held as guiding frameworks in our discipline: modernism, Native and Harlem renaissances, etc. This term is “Indigenous modernism,” a category that is a contradiction in terms because it announces its inclusion of the original term’s constitutive exclusion, ie. the primitive within the modern, through the language producing its erasure. …”
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SHERRY Vincent, Modernism and the Reinvention of Decadence by Catherine Delyfer

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Modernism and avant-garde: affinity and difference

Subjects: “…russian literature, modernism, pasternak, tsvetaeva, platonov, silver age, poetics, method, avant-gardism, mayakovskiy…”
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The Biographer Walks Through the Remnants of Modernism by Tessa Withorn

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Landscape – concepts of modernism and the current practice by Tiberiu Florescu, Maria Bostenaru Dan, Alex Dill

“…This conference was the 14th edition of a conference series on conservation of the Modern Movement, how to approach it contemporarily. …”
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9/11, Elitism or Post-Modernism by Radu Ionescu

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Tel Aviv Learning from Modernism by Moshe Magalith

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Dream Poems. The Surreal Conditions of Modernism by Louise Mønster

Subjects: “…Nordic modernism…”
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BOOK REVIEW: Modernism and Time Machines by Robert Finnigan

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OUR JOURNAL, FROM DEBUT TO MODERNISM by Vasile Patrut

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Norwid, Heine, Gautier and the beginnings of modernism by Arent van Nieukerken

“…<p>Norwid’s affiliations with symbolism and modernism that were obvious to Juliusz Gomulicki have been lately questioned. …”
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['Transcontinental Modernism: How to Find the Shortcut'] by Ana Tostões

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“Radical”: Marianne Moore and the Revision of Modernism by Aurore Clavier

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The Routledge Research Companion to Modernism in Music by Leon Stefanija

“…Urediti zbornik na takó izmuzljivo temo, kot je »modernizem v glasbi«, je precej zahtevna naloga, ki sta ji bila urednika Björn Heile in Charles Wilson več kot kos z delom The Routledge Research Companion to Modernism in Music. Še zmeraj pertinenten pojem, o katerem se v muzikoloških praksah pogosto razpravlja, sta urednika predstavila kot kompleksno tonsko lestvico perspektiv in vprašanj, ki »nenehno terja teoretsko podlago za svoj obstoj.« (str. 3) Avtorja spretno nakažeta na plejado glasov, zbranih v tem zborniku, pri čemer pojasnjujeta razlike med »modernizmom v glasbi« kot »splošnim kulturnim in umetniškim pojavom«, »modernistično glasbo« z »modernističnimi atributi ali modernističnimi vidiki v glasbi, pri katerih pa se vendarle zaustavimo, predem bi jih označili kot modernistične« in označbo »glasbeni modernizem« za vse pojave, ki sodijo nekako med oba termina.« (str. 4) Koristna diferenciacija teoretičnega okvira sopostavlja prakse, ki se nanašajo na pojav z dvoumnimi pomeni in časovnimi spremenljivkami (npr. »nedavno« ali »pravkar«), kot tudi z metodološkimi (npr. »modus«). …”
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The modernism in melilla: didactic keys of classification by Belén Gutiérrrez Bueno, Juan Antonio González García

“…This article arises from the Master´s dissertation called: “The modernism in Melilla: a secret within your eyes´ reach”, which was submitted to the Faculty of Education and Humanities of Melilla´s Campus (University ofGranada) in June 2015 as an Innovation Project, and whose novel material contribution is made up of some dichotomous keys of classification developed during the teaching process, where the 40 most representative modernist buildings in Melilla are suitable to be used as a real material basis in order to bring a range of artistic concepts and facets closer to high school students.…”
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['Transcontinental Modernism: How to Find the Shortcut'] by Ana Tostões

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Modernism in the work of Julian del Casal by Yudelkys Delgado Cabrera, Onelio Olivera Blanco

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