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1541
Western intellectual culture and predisposition of U.S.-Israel foreign policy on muslim political riddles
Published 2004“…The destructive image of lslam is becoming more inherent in the western perception not only from the increasingly inaccurate media coverage but also the cultural propensity that extremely flouts the crux of lslam on the part of the western sphere; academics, media and laymen in the west adhere to the same terminological attitudinal tendency, the media creates distorted picture, the academics supply the justifications and authenticate the image and the unsuspecting audiences, the society, make use of it to further arraign the massage of the last religion in a spectrum of misconceptions. The repeated motion pictures on the screens are the irrevocable guru of today's western public. …”
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1542
The role of filmic language in the establishment and strengthening of workgroups: applications of observational study Lenguaje fÃlmico en la formación y en el fortalecimiento de...
Published 2010-03-01“…Use of commercial motion pictures in teaching-learning processes of administration is discussed with visual, interactive and observational texts. …”
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1543
Los científicos del cine
Published 2015-07-01“…Finally, we also discuss the advertising or warning role that motion pictures have carried out to mainly reflect the prosperities and adversities that techno-scientific progress may entail. …”
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1544
O surfe no cinema e a sociedade brasileira na transição dos anos 70/80 Surfing in the cinema and the Brazilian society in the transition from the 70s to the 80s
Published 2009-09-01“…Besides, this sport was represented as a side theme in other motion pictures. What lies beneath this enormous growth of surfing's presence in Brazil's movies? …”
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1545
Formas da expressão animatorial: o sentido dos movimentos na animação Disney
Published 2017-12-01“…By the perspective of Discoursive Semiotics, we can comprehend how the motion pictures’ composition, the form of motion, has its meaning, becoming a sign itself, with a signifier and a signified. …”
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1546
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1547
El Two-Color Kodachrome y su inserción en The Llight in the Dark (Clarence Brown, 1922): primera y única exhibición pública del proceso experimental de color en un largometraje com...
Published 2014-09-01“…Capstaff (in 1913 for still photography and since the end of 1914 adapted to motion pictures), and it was the first photochemical method in a subtractive color system applied to cinematography. …”
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1548
Formas da expressão animatorial: o sentido dos movimentos na animação Disney
Published 2017-12-01“…By the perspective of Discoursive Semiotics, we can comprehend how the motion pictures’ composition, the form of motion, has its meaning, becoming a sign itself, with a signifier and a signified. …”
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1549
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1550
Elipse, história, política, memória. Las marimbas del infierno e O som ao redor
Published 2014-09-01“…Many modes of manifestation of this trope enable a broadly reflection on other variants of the Latin American audiovisual, here, with the aim of analysis, reduced to two exponents of the new wave of motion pictures, Las marimbas del infierno (Julio Hernández Cordón, 2009) and O som ao redor (Kleber Mendonça Filho, 2012). …”
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1551
Cinema as a form of composition
Published 2021-05-01“…Erwin Panofsky wrote a single essay on cinema in the 1930s entitled “Style and Medium in the Motion Pictures” – a very intelligent piece, as one would expect from Panofsky – in which at a certain point, he compares the construction site of the cinema to those of Gothic cathedrals, which were also under an immense amount of pressure from different forces, namely religious ones, but also socio-political and economic forces which ultimately shaped – in the case of the Gothic cathedral and its development – an idea of the relationship between the earth and the otherworldly. …”
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